<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5001706037403683849</id><updated>2012-01-17T22:08:05.975-06:00</updated><category term='Speeches'/><category term='African American women'/><category term='journals'/><category term='Correspondence'/><category term='Korea'/><category term='Newspapers'/><category term='Egypt'/><category term='Home movies'/><category term='Rare Books'/><category term='China'/><category term='Digital collections'/><category term='Pilots'/><category term='Preservation'/><category term='La Mujer Nueva'/><category term='Historic Firsts'/><category term='Great Britain'/><category term='France'/><category term='Historic Sites'/><category term='Civil Rights'/><category term='Motion Pictures'/><category term='Jane_Austen Literature Fiction'/><category term='South America'/><category term='Vision 2020'/><category term='Periodicals'/><category term='MEMCH'/><category term='Cuba'/><category term='Australia'/><category term='Lebanon'/><category term='Songs'/><category term='20th century'/><category term='Journalists'/><category term='Legal sources'/><category term='Interviews'/><category term='Poetry'/><category term='On This Day'/><category term='Diaries'/><category term='Africa'/><category term='Fiction'/><category term='Oral histories'/><category term='India'/><category term='Scrapbooks'/><category term='Primary sources'/><category term='Quakers'/><category term='Photographs'/><category term='museum exhibition'/><category term='Museums'/><category term='South Africa'/><category term='research'/><category term='Exhibitions'/><category term='Abolitionism'/><category term='feminism'/><category term='Folktales'/><category term='Music'/><category term='Letters'/><category term='Sikkim'/><category term='Historic films'/><category term='Exhibits'/><category term='Art'/><category term='fashion'/><category term='United States'/><category term='Quilts'/><category term='Papers'/><category term='Turkey'/><category term='archives'/><category term='audio collections'/><category term='Germany'/><category term='global'/><category term='Abolitionists'/><category term='Artifacts'/><category term='Gender Equality'/><category term='Database'/><category term='Japan'/><category term='Brazil'/><category term='Chile'/><category term='Manuscripts'/><category term='Teaching Women&apos;s History'/><category term='Suffrage'/><category term='Methodology'/><category term='Government Documents'/><category term='Wyoming'/><category term='Books'/><title type='text'>Women's History Sources</title><subtitle type='html'>New and Notable Primary Sources in Archives, Libraries, and Museums</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default?start-index=101&amp;max-results=100'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>113</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6106956127043839235</id><published>2012-01-17T22:00:00.000-06:00</published><updated>2012-01-17T22:08:06.263-06:00</updated><title type='text'>New Exhibit: Wendy Wasserstein</title><content type='html'>&lt;a href="http://www.mtholyoke.edu/wendywasserstein/exhibition.html"&gt;The Uncommon Life of Wendy Wasserstein&lt;/a&gt; is a new exhibit on view at Mount Holyoke College until April 15, 2012. The American playwright Wendy Wasserstein graduated from Mount Holyoke in 1971. &lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-vSxC9l9SB0s/Tw0CB8o8qrI/AAAAAAAAAUM/1pMki4P898c/s1600/wasserstein_cover.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-vSxC9l9SB0s/Tw0CB8o8qrI/AAAAAAAAAUM/1pMki4P898c/s200/wasserstein_cover.gif" width="131" /&gt;&lt;/a&gt;&lt;/div&gt;The exhibit overview includes a &lt;a href="http://www.mtholyoke.edu/wendywasserstein/exhibition111011videos.html"&gt;video interview with Julie Salamon&lt;/a&gt;, author of &lt;a href="http://www.worldcat.org/oclc/713567430"&gt;Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein&lt;/a&gt; (Penguin Press, 2011). Salamon highlights the importance of Wasserstein's notebooks, and expresses a deep appreciation for the work of the Mount Holyoke College Archives.&lt;br /&gt;&lt;br /&gt;A number of women from the Mount Holyoke College class of 1971 &lt;a href="http://www.youtube.com/results?search_query=%2771+Remembers+Wendy+Wasserstein&amp;amp;oq=%2771+Remembers+Wendy+Wasserstein&amp;amp;aq=f&amp;amp;aqi=&amp;amp;aql=&amp;amp;gs_sm=e&amp;amp;gs_upl=280753l282262l0l282953l4l4l0l0l0l0l234l521l2.1.1l4l0"&gt;share their memories of Wasserstein in these YouTube videos&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;CUNY TV offers Linda Winer's Women in Theatre &lt;a href="http://www.cuny.tv/show/womenintheatre/PR1005781"&gt;interview with Wasserstein&lt;/a&gt; (28 min) from 2003, and &lt;a href="http://www.cuny.tv/show/onetoone/PR2000116"&gt;Sheryl McCarthy's interview with Salamon&lt;/a&gt; (25 min).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6106956127043839235?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6106956127043839235/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6106956127043839235' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6106956127043839235'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6106956127043839235'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2012/01/new-exhibit-wendy-wasserstein.html' title='New Exhibit: Wendy Wasserstein'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-vSxC9l9SB0s/Tw0CB8o8qrI/AAAAAAAAAUM/1pMki4P898c/s72-c/wasserstein_cover.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6884117759277900627</id><published>2012-01-05T22:21:00.000-06:00</published><updated>2012-01-06T00:07:05.392-06:00</updated><title type='text'>Women Inventors</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" height="406" style="float: left; margin-right: 1em; text-align: left; width: 250px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.archives.gov/historical-docs/todays-doc/index.html?dod-date=105#2012" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-8ZVmcLw-cGM/TwZWqD7afeI/AAAAAAAAAT8/FKfvlR70Cts/s320/patent-game-board-monopoly-m.jpg" width="224" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Drawing for a Game Board, 01/05/1904 (ARC Identifier: 595519); Series: Patented Case Files, 1836-1956; Records of the Patent and Trademark Office; Record Group 241; National Archives.&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a href="http://www.archives.gov/historical-docs/todays-doc/index.html?dod-date=105#2012"&gt;Drawing for a Game Board, 01/05/1904&lt;/a&gt;, the patent drawing for a game invented by Lizzie J. Magie, is "Today's Document" from the National Archives. A variation of this game would later become the board game "Monopoly."&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.c-spanvideo.org/program/301323-4"&gt;Early Female Inventor&lt;/a&gt; (C-SPAN Video Library) features Margaret Knight and her invention of a paper bag maker, part of the Great American Hall of Wonders exhibit at the Smithsonian American Art Museum.&lt;br /&gt;&lt;br /&gt;B. Zorina Khan's &lt;a href="http://www.worldcat.org/oclc/57235942"&gt;The Democratization of Invention: Patents and Copyrights in American Economic Development, 1790-1920&lt;/a&gt; (Cambridge University Press, 2005) includes chapters on "Women Inventors in America" and "Patentees and Married Women's Property Rights."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6884117759277900627?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6884117759277900627/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6884117759277900627' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6884117759277900627'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6884117759277900627'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2012/01/women-inventors.html' title='Women Inventors'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-8ZVmcLw-cGM/TwZWqD7afeI/AAAAAAAAAT8/FKfvlR70Cts/s72-c/patent-game-board-monopoly-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-735776906602061311</id><published>2011-12-31T19:47:00.001-06:00</published><updated>2011-12-31T19:47:28.135-06:00</updated><title type='text'>New Exhibition: I Love Lucy</title><content type='html'>&lt;a href="http://myloc.gov/exhibitions/ilovelucy/Pages/default.aspx"&gt;I Love Lucy, an American Legend&lt;/a&gt; is being held at the Library of Congress from August 4, 2011 to January 28, 2012. This site provides an overview of the themes of the exhibition (e.g., "The Cast, Crew, and Set," "Theme Songs") and a gallery of exhibition items. &lt;a href="http://www.loc.gov/loc/lcib/110910/lucy.html"&gt;We Still Love Lucy&lt;/a&gt; (&lt;i&gt;Information Bulletin&lt;/i&gt;, September/October 2011) provides additional information about the exhibition.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-735776906602061311?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/735776906602061311/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=735776906602061311' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/735776906602061311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/735776906602061311'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/12/new-exhibition-i-love-lucy.html' title='New Exhibition: I Love Lucy'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1179294047677651035</id><published>2011-12-30T22:00:00.000-06:00</published><updated>2011-12-30T21:59:52.572-06:00</updated><title type='text'>New Book: Understanding Medieval Primary Sources</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-eOEithzwioo/TvKYKv94iII/AAAAAAAAATY/-MD5yXYVQhg/s1600/whs_medieval_primary.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-eOEithzwioo/TvKYKv94iII/AAAAAAAAATY/-MD5yXYVQhg/s200/whs_medieval_primary.jpg" width="185" /&gt;&lt;/a&gt;&lt;/div&gt;Rosenthal, Joel Thomas, ed.&amp;nbsp;&lt;i&gt;Understanding Medieval Primary Sources: Using Historical Sources to Discover Medieval Europe&lt;/i&gt;. Abingdon, Oxon: Routledge, 2012. &lt;a href="http://www.worldcat.org/oclc/651914433"&gt;WorldCat record&amp;nbsp;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;See in particular Katherine L. French's chapter, "Medieval Women's History: Sources and Issues." French covers both &lt;b&gt;descriptive documents&lt;/b&gt; (notarial registers, manor records, charters, witness depositions, and coroners' rolls, Episcopal visitation records, financial records of institutions, and household accounts) and &lt;b&gt;prescriptive sources (&lt;/b&gt;the Bible,&amp;nbsp; civic codes, guild regulations, monastic rules, sermons, and advice literature).&amp;nbsp; Additional chapters provide different&amp;nbsp; perspectives on relevant sources: wills as primary sources; letters and letter collections; sources for manorial and rural history; medieval urban history; public health in the medieval city; images and objects as sources; and medieval archaeology. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1179294047677651035?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1179294047677651035/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1179294047677651035' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1179294047677651035'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1179294047677651035'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/12/new-book-understanding-medieval-primary.html' title='New Book: Understanding Medieval Primary Sources'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-eOEithzwioo/TvKYKv94iII/AAAAAAAAATY/-MD5yXYVQhg/s72-c/whs_medieval_primary.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8350040715035284311</id><published>2011-12-05T21:00:00.000-06:00</published><updated>2011-12-05T23:22:06.796-06:00</updated><title type='text'>In the News: Children of Cuba Remember Operation Pedro Pan</title><content type='html'>Operation Pedro Pan was a U.S. government program that brought&amp;nbsp;more than 14,000 Cuban children to the United States from 1960 to 1962.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.npr.org/2011/11/19/142534943/pedro-pan-childrens-life-altering-flight-from-cuba"&gt;Children of Cuba Remember Their Flight to America&lt;/a&gt; (NPR, Nov. 19, 2011)&lt;br /&gt;In this audio segment, Carmen Valdivia, Jose Azel, and Carlos Eire relate how the experience shaped their lives. The web page for the story includes a photo of Valdivia and other girls at a camp for displaced children in Florida City, and a recent photo of Valdivia holding the visa waiver that she received in 1962.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.c-span.org/Events/The-Legacy-of-Operation-Pedro-Pan/10737423427/"&gt;The Legacy of Pedro Pan&lt;/a&gt;&amp;nbsp;(C-SPAN) was a panel discussion at the National Museum of American History (August 14, 2011). Panelists included&amp;nbsp;Jackie Bhabha (Human Rights Program at Harvard) and Pedro Pan participants Emilio Cueto, Eloiza Echazabel, and Maria de los Angeles Torres. Torres is also the author of &lt;i&gt;&lt;a href="http://www.worldcat.org/oclc/51615198"&gt;The Lost Apple: Operation Pedro Pan, Cuban Children in the U. S., and the Promise of a Better Future&lt;/a&gt;&lt;/i&gt; (Beacon Press, 2003).&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;&lt;i&gt;The Miami Herald&lt;/i&gt; maintains a site that features &lt;a href="http://www.miamiherald.com/pedropan/"&gt;articles and videos about Operation Pedro Pan&lt;/a&gt;.&lt;br /&gt;The &lt;a href="http://www.library.miami.edu/chc/"&gt;Cuban Heritage Collection&lt;/a&gt; at the University of Miami provides access to primary and secondary sources that relate to Cuba and the Cuban diaspora from colonial times to he present. One of the digital collections on the site includes a video&lt;a href="http://merrick.library.miami.edu/u?/botifoll,158"&gt; interview with Albertina O'Farrill&lt;/a&gt;, who used her diplomatic connections as a Cuban ambassador's wife to get children out of Cuba during Operation Pedro Pan.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-UN7Sl4pmE2k/Tsh8QGVS0UI/AAAAAAAAAR8/J76Qcf-EfRY/s1600/pedro_pan.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-UN7Sl4pmE2k/Tsh8QGVS0UI/AAAAAAAAAR8/J76Qcf-EfRY/s1600/pedro_pan.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Conde, Yvonne M. &lt;i&gt;Operation Pedro Pan: The Untold Exodus of 14,048 Cuban Children&lt;/i&gt;. New York: Routledge, 1999. &lt;a href="http://www.worldcat.org/oclc/40738929"&gt;WorldCat Record with Preview&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Stoner, K. Lynn, and Luís Hipólito Serrano Pérez. &lt;i&gt;Cuban and Cuban-American Women: An Annotated Bibliography&lt;/i&gt;. Wilmington, Del: Scholarly Resources, 2000. &lt;a href="http://www.worldcat.org/oclc/39085425"&gt;WorldCat Record with Preview&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Triay, Victor Andres. &lt;i&gt;Fleeing Castro Operation Pedro Pan and the Cuban Children's Program&lt;/i&gt;. Gainesville: University Press of Florida, 1998. &lt;a href="http://www.worldcat.org/oclc/47011562"&gt;WorldCat Record with Preview&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8350040715035284311?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8350040715035284311/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8350040715035284311' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8350040715035284311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8350040715035284311'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/11/in-news-children-of-cuba-remember.html' title='In the News: Children of Cuba Remember Operation Pedro Pan'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-UN7Sl4pmE2k/Tsh8QGVS0UI/AAAAAAAAAR8/J76Qcf-EfRY/s72-c/pedro_pan.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2686696793062520896</id><published>2011-11-30T16:25:00.000-06:00</published><updated>2011-11-30T16:26:15.262-06:00</updated><title type='text'>American History Online</title><content type='html'>&lt;br /&gt;&lt;a href="http://www.americanhistoryonline.org/"&gt;American History Online&lt;/a&gt;&amp;nbsp;is a site for searching across 362 digital collections of primary sources at libraries and archives in the United States, as well as selected related sources (e.g., the &lt;i&gt;America: History &amp;amp; Life&lt;/i&gt; database). Direct links to some of the "women's history" digital collections that are searched at the site are provided here: &lt;br /&gt;&lt;br /&gt;&lt;a href="http://quod.lib.umich.edu/a/amjewess/"&gt;American Jewess &lt;/a&gt;(Jewish Women's Archive)&lt;br /&gt;&lt;a href="http://triptych.brynmawr.edu/cdm4/catt.php"&gt;Catt Collection of Suffrage Photographs&lt;/a&gt; (Bryn Mawr College)&lt;br /&gt;&lt;a href="http://digitallibrary.usc.edu/search/controller/collection/scl-m0000.html"&gt;Charlotta Bass&lt;/a&gt; (USC Digital Library)&lt;br /&gt;&lt;a href="http://draft.blogger.com/"&gt;&lt;span id="goog_2055226418"&gt;&lt;/span&gt;A Celebration of Women Writers&lt;span id="goog_2055226419"&gt;&lt;/span&gt;&lt;/a&gt; (University of Pennsylvania)&lt;br /&gt;&lt;a href="http://docsouth.unc.edu/"&gt;Documenting the American South&lt;/a&gt; (UNC-Chapel Hill) &lt;br /&gt;&lt;a href="http://www.folkstreams.net/"&gt;Folkstreams&lt;/a&gt;&lt;br /&gt;&lt;a href="http://lcweb2.loc.gov/pp/fbjhtml/fbjabt.html"&gt;Frances Benjamin Johnston Collection&lt;/a&gt; (Library of Congress)&lt;br /&gt;&lt;a href="http://www.lib.neu.edu/freedomhouse/"&gt;Freedom House Project&lt;/a&gt; (Northeastern University Library)&lt;br /&gt;&lt;a href="http://www.lib.purdue.edu/spcol/aearhart/collection.php"&gt;George Palmer Putnam Collection of Amelia Earhart Papers&lt;/a&gt; (Purdue University Libraries)&lt;br /&gt;&lt;a href="http://hearth.library.cornell.edu/"&gt;Home Economics Archive&lt;/a&gt; (Cornell University Libraries)&lt;br /&gt;&lt;a href="http://triptych.brynmawr.edu/cdm4/ephemera.php"&gt;Peace Collection Ephemera&lt;/a&gt; (Swarthmore College Peace Collection)&lt;br /&gt;&lt;a href="http://triptych.brynmawr.edu/cdm4/photographs.php"&gt;Peace Collection Photographs&lt;/a&gt; (Swarthmore College Peace Collection)&lt;br /&gt;&lt;a href="http://azmemory.lib.az.us/cdm4/index.php?CISOROOT=/shmcurator"&gt;Sharlot M. Hall: Arizona's Curator &lt;/a&gt;(Sharlot Hall Museum)&lt;br /&gt;&lt;a href="http://vc.lib.harvard.edu/vc/deliver/home?_collection=scarlet"&gt;Studies in Scarlet: Marriage and Sexuality in the U.S. and U.K., 1815-1914&lt;/a&gt; (Harvard Univ. Library)&lt;br /&gt;&lt;a href="http://ocp.hul.harvard.edu/ww/"&gt;Women Working, 1800-1930 &lt;/a&gt;(Harvard University Library)&lt;br /&gt;&lt;a href="http://triptych.brynmawr.edu/cdm4/wilpf.php"&gt;Women's International League for Peace and Freedom Staff and Officers&lt;/a&gt; (Swarthmore College Peace Collection)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2686696793062520896?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2686696793062520896/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2686696793062520896' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2686696793062520896'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2686696793062520896'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/11/american-history-online.html' title='American History Online'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7258476924221594993</id><published>2011-11-27T12:05:00.000-06:00</published><updated>2011-11-27T12:12:44.806-06:00</updated><title type='text'>Deena Stryker Photographs of Cuba</title><content type='html'>&lt;a href="http://library.duke.edu/digitalcollections/stryker/"&gt;Deena Stryker Photographs of Cuba, 1963-1964 and undated&lt;/a&gt;&lt;br /&gt;This digital collection from Duke University Libraries includes more than 1800 photographs. The journalist, then known as Deena Boyer, interviewed and photographed Fidel Castro, Raúl Castro, and other major figures in the Cuban Revolution (e.g., Celia Sánchez Manduley) during her second visit to Cuba. Although "Women" is not a subject heading in the records for these photographs, searches for the following terms will retrieve relevant records: Ana Betancourt students, Carnaval, cousins, mother, teachers, woman, and women. Researchers can also find photographs of specific women: Edith Gombos, Celia Sánchez Manduley, and Palma Soriano. &lt;br /&gt;&lt;br /&gt;Karen Glynn, Visual Materials Archivist at Duke University, provides an overview of the collection in the latest edition of &lt;a href="http://www.archivesinaction.com/views_aug_2011.pdf"&gt;VIEWS: The Newsletter of the Visual Materials Section of the Society of American Archivists.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7258476924221594993?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7258476924221594993/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7258476924221594993' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7258476924221594993'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7258476924221594993'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/10/deena-stryker-photographs-of-cuba.html' title='Deena Stryker Photographs of Cuba'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8734363057446317480</id><published>2011-11-27T08:19:00.000-06:00</published><updated>2011-11-27T00:57:21.965-06:00</updated><title type='text'>Women in Science, Medicine, and Technology</title><content type='html'>&lt;a href="https://sites.google.com/site/parissymposium2011/home"&gt;The International Symposium of the Commission on the History of Women in Science, Technology and Medicine&lt;/a&gt; was held in Paris, September 14-17, 2011.&amp;nbsp; &lt;b&gt;&lt;a href="https://sites.google.com/site/parissymposium2011/programme/abstracts-and-slides"&gt;Slides and texts&lt;/a&gt;&lt;/b&gt; from symposium presentations are now available. Three of the presentations are featured below: &lt;br /&gt;&lt;br /&gt;Jessica Sedgwick's overview of the Archives for Women in Medicine (Harvard) covered three primary goals of the Archives: building a collection of enduring value;&amp;nbsp; improving access (e.g., oral histories, digitization);&amp;nbsp; and outreach (promoting collections and celebrating women leaders). SlideShare includes &lt;a href="http://www.slideshare.net/jmsedgwick/awm-paris-symposium2011"&gt;Sedgwick's slides as well as the presentation text&lt;/a&gt;).&lt;br /&gt;Highlights from &lt;a href="https://www.countway.harvard.edu/menuNavigation/chom/awm.html"&gt;The Archives for Women in Medicine&lt;/a&gt; site include &lt;a href="http://repository.countway.harvard.edu/xmlui/handle/10473/8"&gt;Women in Medicine Oral Histories&lt;/a&gt;, digitized items from manuscript collections, finding aids, and information about current events at the Archives. &lt;br /&gt;&lt;br /&gt;Philippa Hardman's presentation highlighted the hidden world of women and science in Charles Darwin’s private correspondence. See the &lt;a href="http://www.darwinproject.ac.uk/darwin-and-gender"&gt;Darwin and Gender site &lt;/a&gt;for more information about this initiative. &lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Wj_y-ODvD7U/TtBLqetx-7I/AAAAAAAAASU/04zv6Itxv1A/s1600/wom_scient_cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Wj_y-ODvD7U/TtBLqetx-7I/AAAAAAAAASU/04zv6Itxv1A/s1600/wom_scient_cover.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Margaret Rossiter's slides list the archival collections that she used in researching her new book, &lt;i&gt;Women Scientists in America: Forging a New World Since 1972 &lt;/i&gt;(Johns Hopkins University Press, 2011). Earlier volumes from this series include &lt;a href="http://www.worldcat.org/oclc/32014330"&gt;Women Scientists in America: Before Affirmative Action, 1940-1972&lt;/a&gt;, and &lt;a href="http://www.worldcat.org/oclc/8052928"&gt;Women Scientists in America, Struggles and Strategies to 1940&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8734363057446317480?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8734363057446317480/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8734363057446317480' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8734363057446317480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8734363057446317480'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/11/women-in-science-medicine-and.html' title='Women in Science, Medicine, and Technology'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Wj_y-ODvD7U/TtBLqetx-7I/AAAAAAAAASU/04zv6Itxv1A/s72-c/wom_scient_cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7300320811548035210</id><published>2011-11-22T00:01:00.000-06:00</published><updated>2011-11-22T00:02:25.259-06:00</updated><title type='text'>New on Europeana: Weddings in Eastern Europe</title><content type='html'>&lt;a href="http://exhibitions.europeana.eu/exhibits/show/weddings-in-eastern-europe"&gt;Weddings in Eastern Europe&lt;/a&gt; (Europeana)&lt;br /&gt;This virtual exhibition features sound and photographs from Hungary, Lithuania, Poland, and Slovenia. The site is organized into 10 themes (e.g., "The evening before the wedding," "The ceremonial blessing," and "The capping ceremony"). &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-vu7GxAHcYiI/TsserZqVGBI/AAAAAAAAASM/CZAZmT2JYSE/s1600/%252B-%252B79491510_140.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-vu7GxAHcYiI/TsserZqVGBI/AAAAAAAAASM/CZAZmT2JYSE/s1600/%252B-%252B79491510_140.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Monger, George. &lt;i&gt;Marriage Customs of the World: From Henna to Honeymoons&lt;/i&gt;. Santa Barbara, Calif: ABC-CLIO, 2004.&lt;br /&gt;&lt;a href="http://www.worldcat.org/oclc/56064942"&gt;WorldCat record with preview &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://triptych.brynmawr.edu/cdm4/wedding.php"&gt;Katrina Thomas Ethnic Wedding Collection&lt;/a&gt; &lt;span class="maintext"&gt;features more than 800 of Thomas' photographs of ethnic weddings in the United States. Ethnic and religious traditions that are represented in the collection include Afghan (Muslim); African American; Akan (Ghana); Albanian (Catholic and Muslim); American Kalmyk-Mongolian Buddhist; Anglo-American; Armenian; Asante (Ghana); Assyrian; Bukharan Jewish; Cajun; Cambodian; Carpatho-Rusyn; Chaldean; Chinese; Creole; Croatian; Dominican; Eritrean; Ethiopian; Filipino; Greek; Guyanese (Hindu); Hmong; Igbo (Nigeria); Japanese; Jewish; Korean; Kurdish; Laotian; Latvian; Lithuanian; Mexican; Mien; Norwegian; Pakistani; Palestinian; Persian; Polish Gorale (Highlander); Puerto Rican; Roman Catholic; Russian Old Believer; Salvadoran/Honduran; Serbian; Sikh; Slovak; Swedish; Thai; Tibetan; Ukrainian; Vietnamese; Yemeni; Yoruba (Nigeria); and Zoroastrian Irani.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7300320811548035210?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7300320811548035210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7300320811548035210' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7300320811548035210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7300320811548035210'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/10/new-on-europeana-weddings-in-eastern.html' title='New on Europeana: Weddings in Eastern Europe'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-vu7GxAHcYiI/TsserZqVGBI/AAAAAAAAASM/CZAZmT2JYSE/s72-c/%252B-%252B79491510_140.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3299167976772019857</id><published>2011-10-31T22:03:00.001-05:00</published><updated>2011-10-31T22:03:41.975-05:00</updated><title type='text'>Audre Lorde: Newly-discovered Recording</title><content type='html'>&lt;a href="http://fromthevaultradio.org/home/2011/08/26/ftv-276-audre-lorde/"&gt;From the Vault: Audre Lorde&lt;/a&gt; (Pacific Archives)&lt;br /&gt;In this audio recording (57 min, 21 sec) from 1980, Lorde reads from her poetry (e.g., A Song for Many Movements) and from her book &lt;i&gt;&lt;a href="http://www.worldcat.org/oclc/7105884"&gt;The Cancer Journals&lt;/a&gt;.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+071117407_140.jpg?SearchOrder=+-+OT,OS,TN,FA,GO" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" id=":current_picnik_image" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+071117407_140.jpg?SearchOrder=+-+OT,OS,TN,FA,GO" /&gt;&lt;/a&gt;&lt;a href="http://bks7.books.google.com/books?id=__2mPwAACAAJ&amp;amp;printsec=frontcover&amp;amp;img=1&amp;amp;zoom=1" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://bks7.books.google.com/books?id=__2mPwAACAAJ&amp;amp;printsec=frontcover&amp;amp;img=1&amp;amp;zoom=1" /&gt;&lt;/a&gt;Readers who are unfamiliar with Lorde's work may want to check out&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/36486003"&gt;The Collected Poems of Audre Lorde&lt;/a&gt; (Norton, 1997), or&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/259266625"&gt;I Am Your Sister: Collected and Unpublished Writings of Audre Lorde&lt;/a&gt; (Oxford University Press, 2009). Lorde's papers are at &lt;a href="http://www.spelman.edu/_ezpost/data/22856.shtml"&gt;Spelman College&lt;/a&gt;&lt;i&gt;.&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3299167976772019857?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3299167976772019857/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3299167976772019857' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3299167976772019857'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3299167976772019857'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/10/audre-lorde-newly-discovered-recording.html' title='Audre Lorde: Newly-discovered Recording'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1892917611673797118</id><published>2011-10-31T20:55:00.001-05:00</published><updated>2011-10-31T20:55:50.424-05:00</updated><title type='text'>New Exhibition: Circus Posters</title><content type='html'>&lt;a href="http://www.ringling.org/Exhibitions2.aspx?id=10646"&gt;The Amazing American Circus Poster: The Strobridge Lithographing Company&lt;/a&gt;&lt;br /&gt;The John and Mable Ringling Museum of Art&lt;br /&gt;September 17, 2011 - January 29, 2012&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://www.worldcat.org/oclc/694172206"&gt;exhibition catalog&lt;/a&gt;&amp;nbsp;includes numerous images of women circus performers: "Evetta the Only Lady Clown," "Madam Yucca: The Champion American Female Hercules," and "Polly Lee." The essays in the&amp;nbsp;&amp;nbsp;catalog cover a wide range of topics, including "Bearded Ladies, Dainty Amazons, Hindoo Fakirs, and Lady Savages: Circus Representations of Gender and Race in Victorian America," by Janet M. Davis.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Related Sources &lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;Davis is also the author of &lt;a href="http://www.worldcat.org/oclc/48858223"&gt;The Circus Age: Culture &amp;amp; Society Under the American Big Top&lt;/a&gt; (University of North Carolina Press, 2002).&amp;nbsp;&lt;a href="http://www.utexas.edu/features/archive/2003/circus.html"&gt;Under the Big Top&lt;/a&gt; profiles her work on this book.&lt;br /&gt;&lt;br /&gt;A search for circus posters in the &lt;a href="http://www.loc.gov/pictures"&gt;Library of Congress Prints and Photographs Online Catalog&lt;/a&gt; retrieves more than 200 images. The Wisconsin Historical Society's &lt;a href="http://www.wisconsinhistory.org/whi/feature/circus/"&gt;Let's Go to the Circus&lt;/a&gt; includes more than 200 photos (e.g., trapeze artist Jennie Rooney). The &lt;a href="http://purl.fcla.edu/fsu/lib/digcoll/speccoll/sayre"&gt;Harrison Sayre Circus Collection&lt;/a&gt; (Florida State University) offers posters and photographs. Archives Hub provides a gateway for &lt;a href="http://archiveshub.ac.uk/features/fairsandcircus.shtml"&gt;Fairs and Circus History collections&lt;/a&gt; in the UK.&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.loc.gov/pictures/item/2002712187/" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="302" src="http://3.bp.blogspot.com/-qavdkJGAnnU/Tpw6wM8JGYI/AAAAAAAAARY/s7jQei8L4vI/s400/lc_circus_poster.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="color: #660000; font-family: Times, 'Times New Roman';"&gt;&lt;span style="color: #660000; font-family: Times, 'Times New Roman';"&gt;&lt;i&gt;Adam Forepaugh &amp;amp; Sells Brothers Enormous Shows Combined.&lt;/i&gt; Strobridge Lith. Co. 1896. Prints and Photographs Division. LC-USZC4-930.&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1892917611673797118?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1892917611673797118/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1892917611673797118' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1892917611673797118'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1892917611673797118'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/10/new-exhibition-circus-posters.html' title='New Exhibition: Circus Posters'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-qavdkJGAnnU/Tpw6wM8JGYI/AAAAAAAAARY/s7jQei8L4vI/s72-c/lc_circus_poster.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3210640559789791490</id><published>2011-10-17T20:14:00.000-05:00</published><updated>2011-10-17T20:17:16.179-05:00</updated><title type='text'>New Digital Collection: Jacob's Pillow Dance Interactive</title><content type='html'>&lt;a href="http://www.danceinteractive.jacobspillow.org/"&gt;Jacob's Pillow Dance Interactive&lt;/a&gt;&lt;br /&gt;Dance companies have performed at the Jacob's Pillow Dance Festival since 1932. Highlights from this collection of video clips include performances by Alexandra Danilova, Carola Goya,&amp;nbsp;Tanaquil LeClercq,&amp;nbsp;Ruth St. Denis, Pearl Primus, Maria Tallchief, and Twyla Tharp. Browse options for genre and era are also available. A recent Washington Post article by Sarah Kaufman provides further information about the collection: &amp;nbsp;&lt;a href="http://www.washingtonpost.com/lifestyle/style/in-jacobs-pillow-archives-moving-history/2011/09/23/gIQA8zwdAL_story.html"&gt;In Jacob's Pillow Archives, Moving History&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-eaMzzDcSxVg/TpyTmoQ-6VI/AAAAAAAAARg/aLHQz6hXbHA/s1600/isee_amer_dancing.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-eaMzzDcSxVg/TpyTmoQ-6VI/AAAAAAAAARg/aLHQz6hXbHA/s1600/isee_amer_dancing.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.worldcat.org/oclc/46918095"&gt;&lt;i&gt;I See America Dancing&lt;/i&gt; &lt;/a&gt;(University of Illinois Press, 2002), edited by Maureen Needham, is a collection of primary source documents and articles. Discovering American Women's History Online provides &lt;a href="http://content.mtsu.edu/cdm4/results.php?CISOOP1=all&amp;amp;CISOFIELD1=CISOSEARCHALL&amp;amp;CISORESTMP=results.php&amp;amp;CISOVIEWTMP=item_viewer.php&amp;amp;CISOMODE=grid&amp;amp;CISOGRID=thumbnail%2CA%2C0%3Btitle%2CA%2C1%3Bsubjec%2CA%2C0%3Bdescri%2CA%2C0%3Bnone%2CA%2C0%3B20%3Btitle%2Cnone%2Cnone%2Cnone%2Cnone&amp;amp;CISOBIB=title%2CA%2C1%2CN%3Bview%2CA%2C0%2CN%3Bdescri%2C200%2C0%2CN%3Bnone%2CA%2C0%2CN%3Bnone%2CA%2C0%2CN%3B20%3Btitle%2Cnone%2Cnone%2Cnone%2Cnone&amp;amp;CISOTHUMB=20+%284x5%29%3Btitle%2Cnone%2Cnone%2Cnone%2Cnone&amp;amp;CISOTITLE=20%3Btitle%2Cnone%2Cnone%2Cnone%2Cnone&amp;amp;CISOHIERA=20%3Bdescri%2Ctitle%2Cnone%2Cnone%2Cnone&amp;amp;CISOSUPPRESS=0&amp;amp;CISOBOX1=danc*&amp;amp;CISOROOT=%2Fwomen"&gt;links to more than 20 digital collections&lt;/a&gt; that include significant primary source materials about women dancers.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3210640559789791490?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3210640559789791490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3210640559789791490' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3210640559789791490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3210640559789791490'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/10/new-digital-collection-jacobs-pillow.html' title='New Digital Collection: Jacob&apos;s Pillow Dance Interactive'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-eaMzzDcSxVg/TpyTmoQ-6VI/AAAAAAAAARg/aLHQz6hXbHA/s72-c/isee_amer_dancing.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7382180901960342154</id><published>2011-09-30T20:51:00.001-05:00</published><updated>2011-09-30T20:55:02.910-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>New Digital Collection: Jennie Wilde's Float Designs</title><content type='html'>&lt;div style="text-align: left;"&gt;Jennie Wilde (1865-1913) designed floats for many New  Orleans Mardi Gras parades. &lt;a href="http://louisdl.louislibraries.org/index.php?name=Mistick%20Krewe%20of%20Comus%201910%20Float%20Designs"&gt;Mistick  Krewe of Comus 1910 float designs&lt;/a&gt; features 20 of Wilde's colorful  and detailed designs.&amp;nbsp; Google Books Preview includes the &lt;a href="http://books.google.com/books?id=UEwJblDez4EC&amp;amp;pg=PA81&amp;amp;lpg=PA81&amp;amp;dq=Jennie+Wilde&amp;amp;source=bl&amp;amp;ots=paCAmyB_8s&amp;amp;sig=U1MsfE1bCD4d6Pb3MC26QNM66UQ&amp;amp;hl=en&amp;amp;ei=wLYVTN_eBsP38Abt3bSdDA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=10&amp;amp;ved=0CEQQ6AEwCQ#v=onepage&amp;amp;q=Jennie%20Wilde&amp;amp;f=false"&gt;chapter  on Jennie Wilde&lt;/a&gt; in &lt;span class="addmd"&gt;Henri Schindler's &lt;/span&gt;&lt;i&gt;Mardi Gras Treasures: Float  Designs of the Golden Age&lt;/i&gt; (Pelican Pub. Co., 2001).&amp;nbsp; &lt;/div&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7382180901960342154?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7382180901960342154/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7382180901960342154' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7382180901960342154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7382180901960342154'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/09/new-digital-collection-jennie-wildes.html' title='New Digital Collection: Jennie Wilde&apos;s Float Designs'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3559492915404855809</id><published>2011-09-29T14:39:00.000-05:00</published><updated>2011-09-29T14:39:06.980-05:00</updated><title type='text'>New Exhibit: Civil War Fashions and Domestic Life</title><content type='html'>&lt;a href="http://www.kent.edu/museum/exhibits/exhibitdetail.cfm?customel_datapageid_2203427=2514745"&gt;On the Home Front: Civil War Fashions and Domestic Life&lt;/a&gt;&lt;br /&gt;Kent State University Museum&lt;br /&gt;September 30, 2011 - August 26, 2012 &lt;br /&gt;In addition to displays of women's and children's costumes, this exhibit includes photographs, decorative arts, and women's magazines. See &lt;a href="http://kentstateuniversitymuseum.wordpress.com/"&gt;Kent State University Museum's blog&lt;/a&gt; for details about the preparation of the exhibit: &lt;a href="http://kentstateuniversitymuseum.wordpress.com/2011/03/25/choosing-pieces-for-the-civil-war-exhibit/"&gt;choosing pieces for the exhibit&lt;/a&gt;; &lt;a href="http://kentstateuniversitymuseum.wordpress.com/2011/08/04/photographing-for-the-civil-war-exhibit/"&gt;photographing the pieces&lt;/a&gt;; and &lt;a href="http://kentstateuniversitymuseum.wordpress.com/2011/08/30/dressing-mannequins-for-the-civil-war-exhibit/"&gt;dressing mannequins&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Don't miss overviews of the &lt;a href="http://www.kent.edu/museum/exhibits/pastexhibits.cfm"&gt;Museum's past exhibits&lt;/a&gt;, such as Fashion on the Ohio Frontier to "Raiment for Receptions: A Japanese Bride's Last Furisode. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3559492915404855809?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3559492915404855809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3559492915404855809' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3559492915404855809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3559492915404855809'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/09/new-exhibit-civil-war-fashions-and.html' title='New Exhibit: Civil War Fashions and Domestic Life'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6437323519731402108</id><published>2011-09-26T16:10:00.001-05:00</published><updated>2011-09-26T16:10:18.200-05:00</updated><title type='text'>New Digital Collection: Nell Shipman Collection</title><content type='html'>&lt;div&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;a href="http://digital.boisestate.edu/cdm4/index_shipman.php?CISOROOT=/shipman"&gt;Nell Shipman Collection&lt;/a&gt; (Albertsons Library, Boise State University)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Nell Shipman (1892-1970) starred in, directed, or produced more than 20 films between 1916 and 1924. This digital collection offers more than 130 images that document Shipman's life and career as a pioneering filmmaker. Boise State has also published Shipman's autobiography, &lt;a href="http://www.worldcat.org/oclc/15238488"&gt;The Silent Screen &amp;amp; My Talking Heart&lt;/a&gt; (1987) and &lt;a href="http://www.worldcat.org/oclc/53877464"&gt;Letters from God's Country: Nell Shipman, Selected Correspondence and Writings, 1912-1970&lt;/a&gt; (2003).&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://digital.boisestate.edu/cgi-bin/getimage.exe?CISOROOT=/shipman&amp;amp;CISOPTR=66&amp;amp;DMSCALE=100.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=600&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=&amp;amp;REC=1&amp;amp;DMTHUMB=1&amp;amp;DMROTATE=0" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="226" src="http://digital.boisestate.edu/cgi-bin/getimage.exe?CISOROOT=/shipman&amp;amp;CISOPTR=66&amp;amp;DMSCALE=100.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=600&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=&amp;amp;REC=1&amp;amp;DMTHUMB=1&amp;amp;DMROTATE=0" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Nell Shipman, 1922 (Boise State University Library, Special Collections)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: verdana; font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;Albertsons Library offers additional digital collections that highlight the life stories of other women. The&amp;nbsp;&lt;a href="http://digital.boisestate.edu/cdm4/index_bchurch.php?CISOROOT=/bchurch"&gt;Bethine Church Collection&lt;/a&gt;&amp;nbsp;documents Church's student days at Boise Junior College, her years in Washington, and her contributions to civic and public affairs. Online exhibits highlight the life stories of three women: &lt;a href="http://library.boisestate.edu/Special/GraciePfost.shtm"&gt;Gracie Pfost&lt;/a&gt;, the first female member of Congress from Idaho; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: xx-small;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://library.boisestate.edu/Special/McBirney.shtm"&gt;Ruth McBirney&lt;/a&gt;, an American librarian in postwar France;&amp;nbsp; and philanthropist &lt;a href="http://library.boisestate.edu/vmorrison/"&gt;Velma Morrison&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6437323519731402108?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6437323519731402108/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6437323519731402108' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6437323519731402108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6437323519731402108'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/09/new-digital-collection-nell-shipman.html' title='New Digital Collection: Nell Shipman Collection'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8778359144804735073</id><published>2011-08-29T00:01:00.001-05:00</published><updated>2011-08-29T00:13:49.094-05:00</updated><title type='text'>New Exhibition: Foundling Voices</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;a href="http://www.foundlingmuseum.org.uk/exhibit_temp.php"&gt;Foundling Voices&lt;/a&gt;, The Foundling Museum, London,&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;April 14 - October 30, 2011&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="il" style="background-color: #ffff88; color: #222222; font-style: italic; font-weight: bold;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #222222;"&gt;The &lt;i&gt;Foundling Voices&lt;/i&gt; e&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;xhibition uses audio interviews, photographs and film to chronicle the personal stories of children who were brought up in the care of the Foundling Hospital. The interviews with more than 70 former foundlings cover a range of topics: family separation, the stigma of illegitimacy, the spartan educational environment, wartime heroism, and the search for birth mothers. &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.foundlingmuseum.org.uk/images/forwebsite.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="http://www.foundlingmuseum.org.uk/images/forwebsite.jpg" width="185" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span id="internal-source-marker_0.23917541210119708" style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"&gt;Alice Hatter and Pearl Martley&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;a href="http://foundlingvoices.foundlingmuseum.org.uk/"&gt;Foundling Voices Online&lt;/a&gt;, like the exhibit, is organized into the following themes: Early Life; School Life; Into the World; Search for Birth Families; and Reflections.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Films section combines excerpts from the interviews with photographs to document "Music at Foundling" and the relationships between the children and their birth mothers. For additional images from the exhibition, see the &lt;a href="http://www.facebook.com/pages/Foundling-Voices/220160477998654"&gt;Foundling Voices Facebook page&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="background-color: transparent; color: black; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: transparent; color: black; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"&gt;Many thanks to Gemma Colgan, Marketing and Communications Manager at the Foundling Museum, for passing along information about this major exhibition.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8778359144804735073?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8778359144804735073/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8778359144804735073' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8778359144804735073'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8778359144804735073'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/08/new-exhibition-foundling-voices.html' title='New Exhibition: Foundling Voices'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-543469062919269304</id><published>2011-08-22T22:15:00.000-05:00</published><updated>2011-08-22T22:27:54.990-05:00</updated><title type='text'>New Digital Collection: Outdoor Advertising</title><content type='html'>&lt;a href="http://library.duke.edu/digitalcollections/outdoor_advertising/"&gt;ROAD 2.0&lt;/a&gt; (Duke University Libraries)&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;provides more than 27,000images of billboards, wall paintings, electric “spectaculars” (such as the neonsigns New York’s Times Square), bus shelters, taxi displays, andbehind-the-scenes shots of outdoor ads under construction and sign painters atwork. &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The site offers multipleoptions for searching and browsing (company, product, date, medium, etc.) thecollection. Researchers may need to be creative in finding relevant images because subject-based access is limited; although "women" is not used as a subject heading in this collection, try keyword searches for terms such as woman, women, girl, lady, mother, etc. However, this approach will still miss numerous billboards that depict women or that target women as consumers.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Don't miss Duke's other&lt;a href="http://library.duke.edu/digitalcollections/advertising/"&gt; Advertising Collections&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;, such as Ad*Access, AdViews, and the Emergence of Advertising in America, 1850-1920. &amp;nbsp;&lt;a href="http://library.duke.edu/specialcollections/hartman/guides/women-pfinder.html"&gt;Women and Advertising Pathfinder&lt;/a&gt; is an annotated guide to archival collections at Duke's Hartman Center for Sales, Advertising &amp;amp; Marketing History.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt;Basten, Fred E.&amp;nbsp;&lt;i&gt;Great American Billboards.&amp;nbsp;&lt;/i&gt;Berkeley: Ten Speed Press, 2007.&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/74968360"&gt;WorldCat Record&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;This work includes images of 260 posters, signs, and billboards.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Garamond; font-size: 12pt;"&gt;&lt;span style="color: red;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://cache0.bookdepository.co.uk/assets/images/book/medium/9780/4159/9780415934558.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://cache0.bookdepository.co.uk/assets/images/book/medium/9780/4159/9780415934558.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt;Gudis, Catherine.&amp;nbsp;&lt;i&gt;Buyways: Billboards, Automobiles, and the American Landscape.&amp;nbsp;&lt;/i&gt;New York: Routledge, 2004. &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt;&lt;a href="http://www.worldcat.org/oclc/52819591"&gt;WorldCat Record&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;This history of billboards in the United States includes a good selection of images, such as a set of Atlantic Gasoline advertisements that feature sportswomen. Chapter 10, "When Separate Spheres Collide," covers the efforts of women to stop the proliferation of billboards across the American landscape.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hill, Daniel Delis. &lt;i&gt;Advertising to the American Woman&lt;/i&gt;. Columbus: Ohio State University Press, 2002. &lt;a href="http://www.worldcat.org/oclc/48170824"&gt;WorldCat Record&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-543469062919269304?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/543469062919269304/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=543469062919269304' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/543469062919269304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/543469062919269304'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/08/new-digital-collection-roads-20.html' title='New Digital Collection: Outdoor Advertising'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7248640693296117570</id><published>2011-08-14T14:58:00.003-05:00</published><updated>2011-08-14T15:09:59.309-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sikkim'/><category scheme='http://www.blogger.com/atom/ns#' term='Photographs'/><title type='text'>New Digital Collection and Webcast: Sikkim Photos</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;a href="http://www.loc.gov/pictures/collection/kskm/about.html"&gt;Sikkim Photos&lt;/a&gt; (Library of Congress)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif; font-size: 12pt;"&gt;Sikkim, now part of India,borders on Tibet, Nepal, and Bhutan. This site includes more than&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;300 images from the Dr.Alice S. Kandell Collection of Sikkim Photographs.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt;Kandell’s photographs,taken during visits between 1965 and 1979, document the daily lives of women, men, and children of the region. &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt;&amp;nbsp;The collection also includes numerous photographs of the last king, Chogyal Palden Thondup Namgyal, his American wife Queen Hope Cooke, and their family.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; line-height: 13px;"&gt;Kandell's books,&amp;nbsp;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;a href="http://www.worldcat.org/oclc/194586"&gt;Mountaintop Kingdom: Sikkim&lt;/a&gt;&amp;nbsp;(with text by Charlotte Salisbury) and&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/159438"&gt;Sikkim: The Hidden Kingdom&lt;/a&gt;, also feature photographs from this collection.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt;In 2010, both Kandell and Cooke gave presentations at the Library of Congress about their experiences in Sikkim; see the webcast, &lt;a href="http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=4912"&gt;A Tour of the Lost Kingdom: Sikkim&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 16px;"&gt; (100 min.).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.loc.gov/pictures/collection/kskm/item/2011646465/" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="215" src="http://lcweb2.loc.gov/service/pnp/ppmsca/30700/30783r.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Georgia, 'Times New Roman', serif; font-size: x-small; line-height: 13px;"&gt;[Nepalese woman wearing purple headscarf and nose ring, holding baby, Sikkim]&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"&gt;Library of Congress, Prints &amp;amp; Photographs Division.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"&gt;Dr. Alice S. Kandell Collection of Sikkim Photographs&lt;span class="Apple-style-span" style="color: #555555;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;Kandell has dedicated her rights to the public domain.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-family: Garamond; font-size: 12pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.loc.gov/pictures/collection/kskm/item/2011646401/" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="217" src="http://lcweb2.loc.gov/service/pnp/ppmsca/30700/30797r.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Georgia, 'Times New Roman', serif; font-size: x-small; line-height: 13px;"&gt;[Nepalese woman working with blue dyed wool, Sikkim]&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"&gt;Library of Congress, Prints &amp;amp; Photographs Division.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"&gt;&amp;nbsp;Dr. Alice S. Kandell Collection of Sikkim Photographs.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"&gt;Kandell has dedicated her rights to the public domain.&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="color: #555555; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7248640693296117570?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7248640693296117570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7248640693296117570' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7248640693296117570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7248640693296117570'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/08/new-digital-collection-sikkim-photos.html' title='New Digital Collection and Webcast: Sikkim Photos'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1158433110717706956</id><published>2011-07-29T13:29:00.005-05:00</published><updated>2011-07-29T14:01:20.834-05:00</updated><title type='text'>20th Century African-American Women: Ebony Magazine Archive</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-hhoZBWFTwcA/TjMDG0gMVyI/AAAAAAAAAB4/apGEiab-lYU/s1600/Ebony%2B1975.tiff"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 275px; height: 320px;" src="http://1.bp.blogspot.com/-hhoZBWFTwcA/TjMDG0gMVyI/AAAAAAAAAB4/apGEiab-lYU/s320/Ebony%2B1975.tiff" alt="" id="BLOGGER_PHOTO_ID_5634850974478391074" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Ebony&lt;/span&gt; magazine partnered with Google to digitize 65 years of their journal.  Each issue is scanned with all pages, including advertisements, and has a search function making every page searchable by key word.  There is also a zoom function and quick link to each issue's table of contents.  There are many articles featuring the work and contributions of African-American women.  In addition, there are numerous advertisements geared towards women and articles discussing beauty and family life.  Throughout the issues, there are also stories from and about the African diaspora.  Truly a remarkable resource for anyone interested in 20th century African-American history and culture.&lt;br /&gt;The complete archive is available here:&lt;br /&gt;&lt;a href="http://www.ebony.com/Archive.aspx"&gt;http://www.ebony.com/Archive.aspx&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1158433110717706956?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1158433110717706956/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1158433110717706956' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1158433110717706956'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1158433110717706956'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/07/20th-century-african-american-women.html' title='20th Century African-American Women: Ebony Magazine Archive'/><author><name>Emily Musil Church</name><uri>http://www.blogger.com/profile/10158889584852403617</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='21' src='http://4.bp.blogspot.com/-TrRD1MxfJ4s/Tg0aqy9ZtmI/AAAAAAAAABU/0WpM4mxHaYA/s220/EMC%2BLaf%2B11-2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-hhoZBWFTwcA/TjMDG0gMVyI/AAAAAAAAAB4/apGEiab-lYU/s72-c/Ebony%2B1975.tiff' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6127563395542873190</id><published>2011-07-20T10:45:00.000-05:00</published><updated>2011-07-20T10:46:00.138-05:00</updated><title type='text'>New Book Set: Relaunching The Image of the Black in Western Art</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0133f58200c9970b-800wi" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0133f58200c9970b-800wi" /&gt;&lt;/a&gt;&lt;/div&gt;Harvard University Press is relaunching and expanding &lt;a href="http://www.imageoftheblack.com/"&gt;The Image of the Black in Western Art&lt;/a&gt;. The original books are being reproduced with larger images and full color throughout, and an additional five volumes will be published over the next several years. The website for the collection offers additional background about the series, &lt;a href="http://www.imageoftheblack.com/video.html"&gt;an introduction to the series by Henry Louis Gates&lt;/a&gt;, and links to reviews. Finally, the &lt;a href="http://www.imageoftheblack.com/gallery.html"&gt;Image Gallery&lt;/a&gt; features several images from the series that depict women.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6127563395542873190?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6127563395542873190/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6127563395542873190' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6127563395542873190'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6127563395542873190'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/07/new-book-set-relaunching-image-of-black.html' title='New Book Set: Relaunching The Image of the Black in Western Art'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5323205549724042944</id><published>2011-06-23T23:36:00.001-05:00</published><updated>2011-08-12T23:58:35.256-05:00</updated><title type='text'>New Exhibit/Book: War Correspondent</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-6giaEivKfd0/TeUqFRoCQ5I/AAAAAAAAAPs/LWDQUgOFa_U/s1600/war_correspondent.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-6giaEivKfd0/TeUqFRoCQ5I/AAAAAAAAAPs/LWDQUgOFa_U/s200/war_correspondent.jpg" width="152" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://north.iwm.org.uk/server/show/nav.24687"&gt;War Correspondent: Reporting Under Fire Since 1850&lt;/a&gt;&lt;br /&gt;Imperial War Museum North, May 28, 2011 - January 2, 2012&lt;br /&gt;&lt;br /&gt;This is the UK's first major exhibition about British war correspondents.&amp;nbsp;The &lt;a href="http://north.iwm.org.uk/server/show/ConGallery.132"&gt;slideshow&lt;/a&gt;&amp;nbsp;of photographs from the exhibition includes images of Kate Adie, Martha Gellhorn, and Clare Hollingworth. The &lt;a href="http://north.iwm.org.uk/server/show/ConWebDoc.7218"&gt;book that accompanies the exhibition&lt;/a&gt; includes more than 200 illustrations.&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;See Kate Adie's autobiography, &lt;a href="http://www.worldcat.org/oclc/59464047"&gt;&lt;i&gt;The Kindness of Strangers&lt;/i&gt;&lt;/a&gt; (Headline, 2002), and&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/64442942"&gt;Selected Letters of Martha Gellhorn&lt;/a&gt;&amp;nbsp;(New York: H. Holt, 2006).&amp;nbsp;Hollingworth recalls the &lt;a href="http://www.bbc.co.uk/worldservice/people/features/mycentury/wk52.shtml"&gt;Scoop of the Century &lt;/a&gt;(BBC)&amp;nbsp;on the MyCentury site, and is featured in&amp;nbsp;&lt;a href="http://www.telegraph.co.uk/culture/7872900/Women-war-correspondents.html"&gt;Women War Correspondents&lt;/a&gt;,&amp;nbsp;&lt;i&gt;The Telegraph&lt;/i&gt;, July 12, 2010.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5323205549724042944?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5323205549724042944/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5323205549724042944' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5323205549724042944'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5323205549724042944'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/06/new-exhibitbook-war-correspondent.html' title='New Exhibit/Book: War Correspondent'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-6giaEivKfd0/TeUqFRoCQ5I/AAAAAAAAAPs/LWDQUgOFa_U/s72-c/war_correspondent.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5373271418913967306</id><published>2011-06-15T13:08:00.003-05:00</published><updated>2011-06-15T13:26:44.938-05:00</updated><title type='text'>New Database - British women's struggle for suffrage</title><content type='html'>The Visual Arts Data Service (VADS) opened a new database about British women's struggle for suffrage.  The Women's Library Suffrage Collection, housed at London Metropolitan University, is available in digitized form here: &lt;a href="http://www.vads.ac.uk/collections/WLS"&gt;http://www.vads.ac.uk/collections/WLS&lt;/a&gt;.  The collection includes posters, postcards, photographs, and images of material objects from the Women's Library.  There is a separate collection of suffrage banners and associated artwork available here: &lt;a href="http://www.vads.ac.uk/collections/FSB"&gt;http://www.vads.ac.uk/collections/FSB&lt;/a&gt;.  The vast holdings of the Women's Library are not all available digitally, but these online collections are substantial and offer excellent and varied visual materials.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5373271418913967306?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5373271418913967306/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5373271418913967306' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5373271418913967306'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5373271418913967306'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/06/new-database-british-womens-struggle.html' title='New Database - British women&apos;s struggle for suffrage'/><author><name>Emily Musil Church</name><uri>http://www.blogger.com/profile/10158889584852403617</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='21' src='http://4.bp.blogspot.com/-TrRD1MxfJ4s/Tg0aqy9ZtmI/AAAAAAAAABU/0WpM4mxHaYA/s220/EMC%2BLaf%2B11-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2024546686163445754</id><published>2011-06-10T17:58:00.002-05:00</published><updated>2011-06-10T18:41:11.415-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='archives'/><category scheme='http://www.blogger.com/atom/ns#' term='feminism'/><title type='text'>Digital Archives about French Feminism</title><content type='html'>Just a couple of hours outside of Paris researchers looking for material about French feminism will find an excellent collection of materials at the Centre des Archives du F&lt;span&gt;éminisme&lt;/span&gt;, housed at the University of Angers. For those who cannot make it to Angers but would like to access digital sources, the website offers a collection of online exhibits and digital documents, as well as a searchable guide to sources: &lt;a href="http://www.archivesdufeminisme.fr/"&gt;http://www.archivesdufeminisme.fr/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The website is in French.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2024546686163445754?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2024546686163445754/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2024546686163445754' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2024546686163445754'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2024546686163445754'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/06/digital-archives-about-french-feminism.html' title='Digital Archives about French Feminism'/><author><name>Emily Musil Church</name><uri>http://www.blogger.com/profile/10158889584852403617</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='21' src='http://4.bp.blogspot.com/-TrRD1MxfJ4s/Tg0aqy9ZtmI/AAAAAAAAABU/0WpM4mxHaYA/s220/EMC%2BLaf%2B11-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2056616958852631164</id><published>2011-05-31T23:52:00.001-05:00</published><updated>2011-05-31T23:55:43.811-05:00</updated><title type='text'>Clio in the Classroom</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://img2.hotshed.com/images/2656/2656219_1_413_2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://img2.hotshed.com/images/2656/2656219_1_413_2.jpg" width="212" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.worldcat.org/oclc/227205772"&gt;Clio in the Classroom: A Guide for Teaching U.S. Women's History&lt;/a&gt; Edited by Carol Berkin, Margaret S. Crocco, and Barbara Winslow. &amp;nbsp;Oxford: Oxford University Press, 2009. &amp;nbsp;See in particular chapters on teaching women's history with visual images, three-dimensional objects, and oral histories.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Related Site&lt;/b&gt;&lt;br /&gt;&lt;a href="http://historymatters.gmu.edu/browse/makesense/"&gt;Making Sense of History&lt;/a&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 16px;"&gt;presents two approaches that will help &amp;nbsp;students and teachers make effective use of primary sources.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 16px;"&gt;"Making Sense of Documents" includes sections on specific types of primary sources, such as oral history, maps, letters and diaries, advertisements, and documentary photography; historians offer tips for analyzing online primary sources and provide a guide to online and print sources. "Scholars in Action" allows students to interpret a specific primary source (e.g., letters of labor activist Sarah Bagley) before listening to a historian discuss the document.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2056616958852631164?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2056616958852631164/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2056616958852631164' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2056616958852631164'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2056616958852631164'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/05/clio-in-classroom.html' title='Clio in the Classroom'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8162003109844574108</id><published>2011-05-30T08:50:00.003-05:00</published><updated>2011-05-30T09:12:53.070-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Civil Rights'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='audio collections'/><title type='text'>Black Gospel Music and the Civil Rights Movement</title><content type='html'>More than 75% of the gospel vinyl released between 1940 and 1970, the “Golden Age of Gospel Music,” is unavailable in any format. The &lt;a href="http://www.baylor.edu/lib/gospel/"&gt;Black Gospel Music Restoration Project at Baylor University in Waco, Texas, &lt;/a&gt;seeks to preserve the remaining African American gospel recordings from this period and to create the definitive online encyclopedia of gospel music. Many of the recordings preserved by the BGMRP were either recorded live at local radio stations, or were produced by small, obscure producers now out of business or bought up by larger recording labels. Working with other universities and private collectors, the BGMRP has digitized, scanned, and cataloged more than 2500 previously unavailable 78s, 45s, and LPs, making the BGMRP the largest single repository of black gospel music.&lt;br /&gt;&lt;br /&gt;The BGMRP grew out of the research of Baylor University professor Robert Darden, author of &lt;em&gt;People Get Ready: A New History of Black Gospel Music&lt;/em&gt; (Continum 2004). In working on People Get Ready, Darden learned that much of the music from gospel’s golden age was missing. Darden, a lifelong gospel music enthusiast, was writing about music he had never heard. In 2005, Darden wrote an op-ed piece for &lt;a href="http://query.nytimes.com/gst/fullpage.html?res=9B0DE3DE123AF936A25751C0A9639C8B63&amp;amp;scp=2&amp;amp;sq=gospel" st="'cse"&gt;&lt;em&gt;The New York Times&lt;/em&gt;, “Gospel’s Got the Blues”&lt;/a&gt; (February 15, 2005). New York businessman Charles Royce read Darden’s editorial and offered to fund a digitization project. The BGMRP is physically housed in the Ray I. Riley Digitization Center at Moody Memorial Library on the Baylor University campus in Waco. Because of copyright restrictions, off-campus online access to the collection is currently limited to 30-second samples of the music. A select group of music clips are also available through Baylor University’s &lt;a href="http://www.apple.com/itunes/"&gt;iTunes&lt;/a&gt; U.&lt;br /&gt;&lt;br /&gt;&lt;iframe width="425" height="349" src="http://www.youtube.com/embed/IX5BN9iMrmQ" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;The BGMRP preserves the music of an era when gospel music and civil rights were, as Darden notes, “indelibly linked.” Gospel music provided an important accompaniment to the sit-ins, marches, and voter registration drives of the Civil Rights Movement. The movement’s most significant song “We Shall Overcome” was reworked in part from an old Baptist hymn. The album Freedom Highway recorded by the Staple Singers, featuring Mavis Staples, was inspired by Dr. Martin Luther King’s march from Selma to Montgomery, Alabama, and dedicated to the freedom marchers. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Other resources:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.abpnews.com/content/view/6102/53/"&gt;Goodrich, Terry. "Researcher Finds Civil Rights Songs on Flip Side of Gospel Records." &lt;em&gt;Associated Baptist Press&lt;/em&gt;, February 3, 2011.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=17450335"&gt;"Gospel Music Historian Robert Darden." &lt;em&gt;Fresh Air&lt;/em&gt;, National Public Radio (air date: December 20, 2007).&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=4233793"&gt;Norris, Michelle. "A History of Gospel Music." &lt;em&gt;All Things Considered&lt;/em&gt;, National Public Radio (air date: December 17, 2004).&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8162003109844574108?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8162003109844574108/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8162003109844574108' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8162003109844574108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8162003109844574108'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/05/black-gospel-music-and-civil-rights.html' title='Black Gospel Music and the Civil Rights Movement'/><author><name>Julie Holcomb</name><uri>http://www.blogger.com/profile/16395756529080280510</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/IX5BN9iMrmQ/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1553693575760040445</id><published>2011-05-29T22:32:00.000-05:00</published><updated>2011-05-29T22:32:30.363-05:00</updated><title type='text'>New Digital Collection: Iron Hill School</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;a href="http://www.lib.udel.edu/ud/spec/findaids/html/mss0587.html"&gt;Iron Hill Museum oral history recordings and transcripts&lt;/a&gt; (University of Delaware Library)&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', Times, serif; font-size: 16px; line-height: 20px;"&gt;Iron Hill School was one of more than 80 schools for African-American children built between 1919 and 1928 as part of philanthropist Pierre Samuel du Pont's "Delaware experiment." The&amp;nbsp;&lt;/span&gt;37 interviews in this collection document community and school life, relationships between schools, civil rights, transportation to and from school, employment, and churches.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Related Site:&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.cr.nps.gov/nr/twhp/wwwlps/lessons/58iron/58iron.htm"&gt;Iron Hill School&amp;nbsp;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cr.nps.gov/nr/twhp/wwwlps/lessons/58iron/58iron.htm"&gt;&lt;/a&gt;This lesson plan, part of the National Park Service's Teaching with Historic Places site, offers additional information about the history of the school, photographs and the school's floor plan, and activities (e.g., collecting oral histories) for students to learn the history of their own school.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1553693575760040445?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1553693575760040445/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1553693575760040445' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1553693575760040445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1553693575760040445'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/05/new-digital-collection-iron-hill-school.html' title='New Digital Collection: Iron Hill School'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-9053021025145703048</id><published>2011-05-28T15:02:00.000-05:00</published><updated>2011-05-28T15:02:32.176-05:00</updated><title type='text'>In the News: Conservationist Ellen Stern Harris</title><content type='html'>Martha Groves,&amp;nbsp;&lt;a href="http://www.latimes.com/news/local/la-me-harris-archives-20110502,0,3760897.story"&gt;UCLA Will Catalog Noted Conservationist's Collection&lt;/a&gt;,&amp;nbsp;&lt;i&gt;Los Angeles Times&lt;/i&gt;, May 2, 2011.&lt;br /&gt;Ellen Stern Harris, known as the mother of the California Coastal Zone Conservation Act of 1972, left a vast but unorganized collection of letters, photographs, publications, and research files.&amp;nbsp;This article highlights the challenges of processing Harris' papers, the value of the collection for researchers, and plans for digitizing the collection.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.movingimagearchivenews.org/archiving-the-mother-of-the-california-coastal-zone-conservation-act-of-1972/"&gt;Archiving the Mother of the California Coastal Zone Conservation Act of 1972&lt;/a&gt;&amp;nbsp;(Moving Image Archive News, May 11, 2011)&amp;nbsp;This blog post covers the audio-visual materials in the collection and what they reveal about Harris.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;br /&gt;See the following digital collections that document the work of women conservationists and environmentalists:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://beinecke.library.yale.edu/digitallibrary/carson.html"&gt;Rachel Carson Papers&lt;/a&gt; (Yale)&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;This collection includes photographs of Carson as a child and adult; images from draft manuscripts for the books &lt;i&gt;Under the Sea Wind&lt;/i&gt;, &lt;i&gt;Silent Spring&lt;/i&gt;, and &lt;i&gt;The Sense of Wonder&lt;/i&gt;; and an early article by Carson in &lt;i&gt;Nature Magazine&lt;/i&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: verdana; font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://everglades.fiu.edu/two/index.htm"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;A Tale of Two Women: Marjory Stoneman Douglas and Marjorie Harris Carr&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt; (Everglades Digital Library)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;Marjory Stoneman Douglas (1890-1998), author of landmark book &lt;i&gt;The Everglades: River of Grass&lt;/i&gt; (1947), helped found Friends of the Everglades in 1969. Marjorie Carr helped stop a construction project that threatened central Florida's ecosystem. This collection includes interviews with Douglas and Carr, as well as a lecture by Douglas about a variety of environmental issues.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-9053021025145703048?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/9053021025145703048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=9053021025145703048' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/9053021025145703048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/9053021025145703048'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/05/in-news-conservationist-ellen-stern.html' title='In the News: Conservationist Ellen Stern Harris'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8617295244141520537</id><published>2011-05-26T20:49:00.005-05:00</published><updated>2011-05-26T20:53:19.498-05:00</updated><title type='text'>National Jukebox and Other Women in Music Sources</title><content type='html'>&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;a href="http://www.loc.gov/jukebox/"&gt;National Jukebox&lt;/a&gt;, a new digital collection from the&amp;nbsp;Library of Congress, includes more than 10,000 historical audio recordings made by the Victor Talking Machine Company between 1901 and 1925. New recordings will be added to the Jukebox every month. Highlights include recordings by&amp;nbsp;&lt;a href="http://www.loc.gov/jukebox/artists/detail/id/375?page=3&amp;amp;referrer=%2Fjukebox%2F"&gt;Nora Bayes&lt;/a&gt;&amp;nbsp;(1880-1928), &lt;a href="http://www.loc.gov/jukebox/artists/detail/id/1101"&gt;Geraldine Farrar &lt;/a&gt;(1882-1967),&amp;nbsp;&lt;a href="http://www.loc.gov/jukebox/search/results?fq=take_vocal_id%3AGluck%2C+Alma&amp;amp;page=1&amp;amp;q=alma&amp;amp;referrer=%2Fjukebox%2F"&gt;&amp;nbsp;Alma Gluck (1884-1938)&lt;/a&gt;, and&lt;a href="http://www.loc.gov/jukebox/artists/detail/id/1115"&gt; Louise Homer&lt;/a&gt; (1871-1947), &lt;a href="http://www.loc.gov/jukebox/artists/detail/id/2298"&gt;Maud Powell&lt;/a&gt; (1868-1920), and &lt;a href="http://www.loc.gov/jukebox/artists/detail/id/1141"&gt;Ernestine Schumann-Heink&lt;/a&gt; (1861-1936).&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;b&gt;Related Sources&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;i&gt;American National Biography&lt;/i&gt; includes biographical profiles of each of these women. &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Arial, Verdana, Helvetica, sans-serif; font-weight: normal; line-height: 15px;"&gt;Willa Cather's &lt;a href="http://digitalcommons.unl.edu/litmusic/2/"&gt;1913 article on Louise Homer, Geraldine Farrar, and Olive Fremstad&lt;/a&gt;&amp;nbsp;includes&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Arial, Verdana, Helvetica, sans-serif; font-weight: normal; line-height: 15px;"&gt;photographs and is supplemented with links to online sound recordings.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Arial, Verdana, Helvetica, sans-serif; font-weight: normal; line-height: 15px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.loc.gov/pictures/item/96524636/" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="http://lcweb2.loc.gov/service/pnp/ppmsca/12500/12511r.jpg" width="165" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #555555; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; line-height: 13px;"&gt;&lt;a href="http://www.loc.gov/pictures/item/96524636/"&gt;Geraldine Farrar&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 14px;"&gt;&lt;a href="http://www.loc.gov/pictures/"&gt;The Library of Congress Prints &amp;amp; Photographs Catalog &lt;/a&gt;includes a good selection of photographs of Farrar, Gluck, and Holmes.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;i&gt;&lt;a href="http://memory.loc.gov/ammem/awhhtml/index.html"&gt;American Women&lt;/a&gt;&lt;/i&gt;, a gateway to Library of Congress resources, describes&amp;nbsp;&lt;a href="http://memory.loc.gov/ammem/awhhtml/awmusic8/special_music.html"&gt;collections about Farrar, Gluck, Powell, and other women in music&lt;/a&gt;&amp;nbsp;(e.g., Mary Cardwell Dawson, founder of the National Negro Opera Company).&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://musicbox1.library.umaine.edu/music/images/0531761942843793.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://musicbox1.library.umaine.edu/music/images/0531761942843793.jpg" width="156" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;b&gt;&lt;/b&gt;Images of singers often appeared on sheet music covers. Researchers can use the &lt;a href="http://digital.library.ucla.edu/sheetmusic/"&gt;Sheet Music Consortium's database&lt;/a&gt;&amp;nbsp;to search across sheet music collections at UC-Los Angeles, Indiana University, Johns Hopkins University, and Duke University. A search for&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;Nora Bayes&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&amp;nbsp;retrieved 82 records, including Ladies First (at left) from Johns Hopkins.&lt;/span&gt;&lt;br /&gt;&lt;div style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin: 0px; text-align: center;"&gt;&lt;a href="http://chroniclingamerica.loc.gov/lccn/sn83030214/1916-07-08/ed-1/seq-5/" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-XszfwptASVk/Td25Hi8XMCI/AAAAAAAAAPc/ctgqcFhMkxI/s320/gluck_ad.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;a href="http://chroniclingamerica.loc.gov/"&gt;Chronicling America&lt;/a&gt;&amp;nbsp;provides access to more than 3.7 million newspaper pages from more than 500 newspaper titles published in 22 states and the District of Columbia between 1860 and 1922. Try searching for notable women singers from the first quarter of the 20th century. For instance, a search for &lt;i&gt;Alma&amp;nbsp;Gluck&lt;/i&gt; retrieves images and stories about Gluck, as well as advertisements such as the one&lt;a href="http://chroniclingamerica.loc.gov/lccn/sn83030214/1916-07-08/ed-1/seq-5/"&gt;&amp;nbsp;at right from the New York Tribune&lt;/a&gt; (July 8, 1916).&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8617295244141520537?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8617295244141520537/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8617295244141520537' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8617295244141520537'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8617295244141520537'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/05/national-jukebox-and-other-women-in.html' title='National Jukebox and Other Women in Music Sources'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-XszfwptASVk/Td25Hi8XMCI/AAAAAAAAAPc/ctgqcFhMkxI/s72-c/gluck_ad.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5092356940576476942</id><published>2011-05-05T10:59:00.000-05:00</published><updated>2011-05-05T10:59:50.213-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='journals'/><category scheme='http://www.blogger.com/atom/ns#' term='Manuscripts'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><title type='text'>RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://rbm.acrl.org/content/vol11/issue2/home_cover.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://rbm.acrl.org/content/vol11/issue2/home_cover.gif" width="140" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://rbm.acrl.org/"&gt;RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage &lt;/a&gt;&lt;br /&gt;Current and back issues of RBM are now freely available. A number of articles that cover women's history sources have appeared in this journal:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rbm.acrl.org/content/6/1/26.extract?sid=a927d87e-24ff-45b7-8a85-28899f57c0cc"&gt;Musical Migrations: A Case Study of the Teresa Carreño Papers&lt;/a&gt;, by Ronald D. Patkus (2005)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rbm.acrl.org/content/4/2/109.extract?sid=5e2f3ae8-2401-4f69-a199-ed8866eaaade"&gt;Now What Should We Do With Them?: Artists' Books in the Curriculum&lt;/a&gt;, by Suzy Taraba (2003)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rbm.acrl.org/content/8/2/125.extract?sid=bff02b42-7cdc-42dc-a78f-99a3ba1beff0"&gt;Preserving the History of Diversity: One University's Efforts to Make Boston's History More Inclusive&lt;/a&gt;, by Joan Krizack (2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5092356940576476942?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5092356940576476942/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5092356940576476942' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5092356940576476942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5092356940576476942'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/05/rbm-journal-of-rare-books-manuscripts.html' title='RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5177765542834070632</id><published>2011-05-01T14:41:00.000-05:00</published><updated>2011-05-01T14:41:16.166-05:00</updated><title type='text'>Patents Expose History</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/-4Smx0TtNw9U/Tb20uLXoQVI/AAAAAAAAADw/0OfrE6QBHwk/s1600/HedyLamarr.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-4Smx0TtNw9U/Tb20uLXoQVI/AAAAAAAAADw/0OfrE6QBHwk/s320/HedyLamarr.jpg" width="249" /&gt;&lt;/a&gt;&lt;/div&gt;While perfoming historical research on her-story don't forget to look at US Federal Patents. There is a world of wonder inside those unassuming pages.&lt;br /&gt;&lt;br /&gt;ACCESS VIA:&lt;br /&gt;uspto.gov&lt;br /&gt;google patents&lt;br /&gt;visit your local federal depository &lt;br /&gt;&lt;br /&gt;Did you know that Hedy Lamarr filed a patent which is the foundation for our GPS navigation, wi-fi, cellphone, and a myriad of technology we take for granted today? Patent #2,292,387.&lt;br /&gt;&lt;br /&gt;She gave this patent over to the War Dept. in order to assist with the war effort in WWII. They accepted it but brushed her away. &lt;br /&gt;&lt;br /&gt;I would be more than glad to share this presentation with you and am always open to giving the presentation in person. Just contact me.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5177765542834070632?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5177765542834070632/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5177765542834070632' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5177765542834070632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5177765542834070632'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/05/patents-expose-history.html' title='Patents Expose History'/><author><name>Yadira</name><uri>http://www.blogger.com/profile/10996748115508861716</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='23' src='http://2.bp.blogspot.com/_SoifYYZy1Ns/TOWHbsOgDGI/AAAAAAAAAC8/AHsv6G_og00/S220/cowgirl.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-4Smx0TtNw9U/Tb20uLXoQVI/AAAAAAAAADw/0OfrE6QBHwk/s72-c/HedyLamarr.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8919972955691736112</id><published>2011-04-30T23:06:00.000-05:00</published><updated>2011-04-30T23:06:53.847-05:00</updated><title type='text'>Dust Bowl Oklahoma: Oral Histories and Letters</title><content type='html'>&lt;div style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;a href="http://www.library.okstate.edu/oralhistory/dustbowl/"&gt;Dust, Drought, and Dreams Gone Dry: Oklahoma Women and the Dust Bowl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;This oral history collection from&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Oklahoma State University Library includes interviews&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;with women who lived through the Dust Bowl, primarily in the seven western-most counties of Oklahoma where the Dust Bowl hit the hardest. Some of the topics covered include the&lt;/span&gt;&lt;span style="font-size: small;"&gt; WPA, President Roosevelt, the challenges of domestic life, experiencing dust storms as a child, rabbit drives, gypsies, and Saturday evenings in town. The&amp;nbsp; site also offers an excellent &lt;a href="http://www.library.okstate.edu/oralhistory/dustbowl/bibliography.htm"&gt;Bibliography of the Dust Bowl Era&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: verdana;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+5870311955837_140.jpg?SearchOrder=+-+TN,AV,FA,GO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+5870311955837_140.jpg?SearchOrder=+-+TN,AV,FA,GO" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana,sans-serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small; line-height: 13px;"&gt;Henderson, Caroline A., and Alvin O. Turner.&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;i&gt;&lt;a href="http://draft.blogger.com/goog_1768852804"&gt;Letters from the Dust Bowl&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;a href="http://mtsu.worldcat.org/oclc/2830046685230"&gt;.&lt;/a&gt; Norman: University of Oklahoma Press,&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;2001&lt;/span&gt;. &lt;/span&gt;&lt;/span&gt;This collection of Henderson’s letters and articles published from 1908 to1966 also includes photographs of&amp;nbsp; Henderson, her family, and of dust storms in the 1930s.&lt;span class="Apple-style-span" style="font-family: 'Arial Unicode MS',Arial,Verdana,sans-serif; font-size: 11px; line-height: 13px;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8919972955691736112?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8919972955691736112/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8919972955691736112' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8919972955691736112'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8919972955691736112'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/04/dust-bowl-oklahoma-oral-histories-and.html' title='Dust Bowl Oklahoma: Oral Histories and Letters'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6265398267212713214</id><published>2011-04-19T00:44:00.000-05:00</published><updated>2011-04-19T00:44:56.424-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Speeches'/><category scheme='http://www.blogger.com/atom/ns#' term='African American women'/><title type='text'>New Book: The Speeches of Fannie Lou Hamer</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+459410891_140.jpg?SearchOrder=+-+TN,FA,GO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+459410891_140.jpg?SearchOrder=+-+TN,FA,GO" width="134" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;a href="http://www.worldcat.org/oclc/643569409"&gt;The Speeches of Fannie Lou Hamer: To Tell It Like It Is&lt;/a&gt;&lt;/i&gt;, edited by Maegan Parker Brooks and Davis W. Houck.&amp;nbsp;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;Jackson: University Press of Mississippi, 2011.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;Although Fannie Lou Hamer (1917-1977) was a powerful speaker and tireless advocate for civil rights during the 1960s and 1970s, this is the first volume to showcase her&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;most important speeches and testimonies.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; line-height: 18px;"&gt;&lt;b&gt;Related Sites&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;a href="http://americanradioworks.publicradio.org/features/sayitplain/index.html"&gt;Say It Plain: A Century of Great African American Speeches&lt;/a&gt;&amp;nbsp;(American Radio Works) features&amp;nbsp;Hamer's&amp;nbsp;&lt;a href="http://americanradioworks.publicradio.org/features/sayitplain/flhamer.html"&gt;Testimony Before the Credentials Committee, Democratic National Convention&lt;/a&gt;.&amp;nbsp;The&amp;nbsp;&lt;a href="http://digilib.usm.edu/cdm4/crmda.php"&gt;Civil Rights in Mississippi Digital Archive&lt;/a&gt;&amp;nbsp;includes a transcript of an&amp;nbsp;&lt;a href="http://digilib.usm.edu/u?/coh,2927"&gt;oral history interview with Hamer&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6265398267212713214?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6265398267212713214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6265398267212713214' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6265398267212713214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6265398267212713214'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/new-book-speeches-of-fannie-lou-hamer_18.html' title='New Book: The Speeches of Fannie Lou Hamer'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8033274813558033436</id><published>2011-04-18T08:26:00.000-05:00</published><updated>2011-04-18T08:26:19.108-05:00</updated><title type='text'>Cookbooks: The Sandy Michell Collection</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.lib.monash.edu.au/exhibitions/cookbooks/virtual-exhibition/items/item34.html" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://www.lib.monash.edu.au/assets/images/exhibitions/cookbooks/img034.jpg" width="236" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Aunt Mary's Cookery Book&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a href="http://www.lib.monash.edu.au/exhibitions/cookbooks/index.html"&gt;Cookbooks: The Sandy Michell Collection&lt;/a&gt;,&amp;nbsp;Sir Louis Matheson Library, Monash University&amp;nbsp;(March 22 - May 31, 2011)&lt;br /&gt;&lt;br /&gt;This exhibition features cookbooks from England, France, and Australia. The announcement provides links to the exhibition catalog, descriptions of exhibition items, and &lt;a href="http://www.lib.monash.edu.au/exhibitions/cookbooks/virtual-exhibition/"&gt;online access to a selection of more than 100 items&lt;/a&gt; from the exhibition.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8033274813558033436?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8033274813558033436/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8033274813558033436' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8033274813558033436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8033274813558033436'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/04/cookbooks-sandy-michell-collection.html' title='Cookbooks: The Sandy Michell Collection'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8308086221222339906</id><published>2011-04-12T21:55:00.003-05:00</published><updated>2011-04-14T11:57:34.431-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Historic films'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><category scheme='http://www.blogger.com/atom/ns#' term='Home movies'/><title type='text'>Gertrude Stein: Home Movie and Upcoming Exhibition</title><content type='html'>The Beinecke Library (Yale University) recently uploaded a&amp;nbsp;&lt;a href="http://beinecke.library.yale.edu/digitallibrary/steinmovie.html"&gt;Gertrude Stein Home Movie&lt;/a&gt; to YouTube. A portion of this short movie includes scenes of Gertrude Stein and Alice B. Toklas at the Hotel Pernollet in Belley, France. The Beinecke Library also offers online access to correspondence, manuscripts, and photographs in the &lt;a href="http://beinecke.library.yale.edu/digitallibrary/stein.html"&gt;Gertrude Stein and Alice B. Toklas Papers&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.ucpress.edu/book.php?isbn=9780520270022" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="http://www.ucpress.edu/img/covers/isbn13/9780520270022.jpg" width="158" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Exhibition Catalog&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a href="http://www.thecjm.org/index.php?option=com_ccevents&amp;amp;scope=exbt&amp;amp;task=detail&amp;amp;oid=9"&gt;Seeing Gertrude Stein: Five Stories&lt;/a&gt;, an upcoming exhibition at the &amp;nbsp;Contemporary Jewish Museum in San Francisco, focuses on these themes: &amp;nbsp;Picturing Gertrude; Domestic Stein; the Art of Friendship; Celebrity Stein; and Legacies. The&lt;a href="http://www.ucpress.edu/book.php?isbn=9780520270022"&gt;&amp;nbsp;exhibition catalog&lt;/a&gt;&amp;nbsp;is available from&amp;nbsp;the University of California Press.&lt;br /&gt;&lt;br /&gt;Another upcoming exhibition, &lt;a href="http://www.sfmoma.org/exhibitions/410"&gt;The Steins Collect&lt;/a&gt;, will run at the San Francisco Museum of Modern Art from May 21 to September 6, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8308086221222339906?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8308086221222339906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8308086221222339906' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8308086221222339906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8308086221222339906'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/04/gertrude-stein-home-movie-and-upcoming.html' title='Gertrude Stein: Home Movie and Upcoming Exhibition'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5160945511184504909</id><published>2011-04-08T09:19:00.020-05:00</published><updated>2011-04-08T13:30:19.810-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='archives'/><category scheme='http://www.blogger.com/atom/ns#' term='Primary sources'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><title type='text'>New Digital Collection: Charlotte Perkins Gilman Papers</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-Sc7Y_sMLXPk/TZ8n3LYFDlI/AAAAAAAAAB0/IUle2wdKp3g/s1600/gilman_web_image_292x400_.jpg"&gt;&lt;span style="font-size: 78%;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5593233091117518418" src="http://3.bp.blogspot.com/-Sc7Y_sMLXPk/TZ8n3LYFDlI/AAAAAAAAAB0/IUle2wdKp3g/s200/gilman_web_image_292x400_.jpg" style="cursor: hand; float: left; height: 200px; margin: 0px 10px 10px 0px; width: 146px;" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 78%;"&gt; &lt;/span&gt;&lt;span style="font-family: 'times new roman';"&gt;&lt;span style="color: black;"&gt;The Schlesinger Library is the primary repository for the papers of early 20th-century American feminist Charlotte Perkins Gilman (1860–1935). To celebrate the sesquicentennial of Gilman's birth, the Schlesinger Library has digitized Gilman's papers, with the generous help of the Cynthia Green Colin Fund.&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-family: 'times new roman';"&gt;&lt;/span&gt;&lt;span style="color: black; font-family: 'times new roman';"&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: black; font-family: 'times new roman';"&gt;In September 2010, the &lt;em&gt;Nation&lt;/em&gt; named Gilman among the “Fifty Most Influential Progressives of the 20th Century,” taking note of her arguments that women would be emancipated only when they were economically independent and that housekeeping and child care should be professionalized. Known around the world during her lifetime as a public intellectual, author of the best-selling &lt;em&gt;Women and Economics&lt;/em&gt; (1898), and a major influence on the women’s movement, today Gilman is known primarily for &lt;em&gt;The Yellow Wallpaper&lt;/em&gt;, an autobiographical short story about a woman’s nervous breakdown. &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;span style="font-family: 'times new roman';"&gt;&lt;span style="color: black;"&gt;To learn more about Gilman's life and to access her diaries, letters, writings, and drawings, consult the &lt;/span&gt;&lt;/span&gt;&lt;a href="http://nrs.harvard.edu/urn-3:RAD.SCHL:sch00019"&gt;&lt;span style="font-family: 'times new roman';"&gt;&lt;span style="color: black; font-size: 85%;"&gt;&lt;span style="font-size: 100%;"&gt;online finding aid&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;a href="http://%20nrs.harvard.edu/urn-3:RAD.SCHL:sch00019"&gt;&lt;span style="font-family: 'times new roman';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://%20nrs.harvard.edu/urn-3:RAD.SCHL:sch00019"&gt;&lt;/a&gt;&lt;span style="color: black;"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-family: 'times new roman';"&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5160945511184504909?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5160945511184504909/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5160945511184504909' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5160945511184504909'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5160945511184504909'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/04/new-digital-collection-charlotte.html' title='New Digital Collection: Charlotte Perkins Gilman Papers'/><author><name>Ellen M. Shea</name><uri>http://www.blogger.com/profile/03727969301480767608</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Sc7Y_sMLXPk/TZ8n3LYFDlI/AAAAAAAAAB0/IUle2wdKp3g/s72-c/gilman_web_image_292x400_.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2839788254542495556</id><published>2011-04-06T21:27:00.000-05:00</published><updated>2011-04-06T21:27:24.855-05:00</updated><title type='text'>American Folk Art Museum: Quilt Exhibition and More</title><content type='html'>&lt;a href="http://www.folkartmuseum.org/masterworkquilts"&gt;Quilts: Masterworks from the American Folk Art Museum&lt;/a&gt;&amp;nbsp;is an&amp;nbsp;exhibition on view through October 16, 2011. The announcement offers links to reviews and related media (e.g., a short video tour), as well as information about the exhibition catalog.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+94770419_140.jpg?SearchOrder=+-+TN,FA,GO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+94770419_140.jpg?SearchOrder=+-+TN,FA,GO" /&gt;&lt;/a&gt;The museum's web site and publications highlight other forms of folk art. The&amp;nbsp;&lt;a href="http://www.folkartmuseum.org/collectiongallery"&gt;Image Gallery&lt;/a&gt; includes early portraits, needlework and rugs, quilts and coverlets, furniture, and works by contemporary folk artists.&amp;nbsp;Some of these images also appear in the exhibition catalog,&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/46952294"&gt;American Anthem: Masterworks from the American Folk Art Museum&amp;nbsp;&lt;/a&gt;(Henry N. Abrams, 2001).&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+95283119_140.jpg?SearchOrder=+-+TN,AV,FA,GO" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+95283119_140.jpg?SearchOrder=+-+TN,AV,FA,GO" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;a href="http://www.worldcat.org/oclc/46683704"&gt;American Radiance: The Ralph Esmerian Gift to the American Folk Art Museum&lt;/a&gt; (Henry N. Abrams, 2001). Four chapters in this exhibition catalog by Stacy C. Hollander are particularly noteworthy: "Singular Faces" includes more than 60 portraits&amp;nbsp;(e.g., "Young Woman of the Folsom Family," at right); "Girls at School, Women at Home" features paintings by students, samplers, and a bedcover; "Pennsylvania and Beyond: Fraktur" showcases folk art drawings that document births, baptisms, and other special events among German Americans; and "Simple Gifts: The Shakers" offers images of three "gift drawings" by women. For additional information about gift drawings, see&amp;nbsp;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;Sally L. Kitch, "'As a Sign That All May Understand': Shaker Gift Drawings and Female Spritiual Power," &lt;i&gt;Winterthur Portfolio&lt;/i&gt; 24, no. 1 (1989): 1-28.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2839788254542495556?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2839788254542495556/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2839788254542495556' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2839788254542495556'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2839788254542495556'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/04/american-folk-art-museum-quilt.html' title='American Folk Art Museum: Quilt Exhibition and More'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6916388812261057314</id><published>2011-03-31T23:14:00.001-05:00</published><updated>2011-03-31T23:20:41.218-05:00</updated><title type='text'>New Digital Collection: Civil War Photographs</title><content type='html'>&lt;a href="http://www.loc.gov/pictures/collection/lilj/"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;The Liljenquist Family Collection of Civil War Photographs&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;The Liljenquist family donated this collection of ambrotype and tintype photographs to the Library of Congress in 2010.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; line-height: 13px;"&gt;&amp;nbsp;Although there is an emphasis on enlisted men,&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&amp;nbsp;&lt;/span&gt;the images below provide only a sample of the photographs retrieved using such search terms as&amp;nbsp;&lt;i&gt;mourning&lt;/i&gt;, &lt;i&gt;families, women&lt;/i&gt;, and &lt;i&gt;girls&lt;/i&gt;.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.loc.gov/pictures/collection/lilj/item/2010648759/" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://lcweb2.loc.gov/service/pnp/ppmsca/36800/36863r.jpg" width="281" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #555555; line-height: 13px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;a href="http://www.loc.gov/pictures/collection/lilj/item/2010648759/"&gt;[Unidentified girl in mourning dress holding framed photograph &lt;br /&gt;&amp;nbsp;of her father as a cavalryman with sword and Hardee hat]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #555555; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; line-height: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="color: #333333; font-weight: bold; line-height: 13px;"&gt;&lt;span style="color: #555555; font-weight: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.loc.gov/pictures/item/2010650472/" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-QJRWEnsa1yQ/TZVDp102xRI/AAAAAAAAAOA/FZW-z_4Rywk/s320/lc_mourning.jpg" width="288" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #555555; font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 13px;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;[&lt;a href="http://www.loc.gov/pictures/item/2010650472/"&gt;Unidentified woman wearing mourning brooch and &lt;br /&gt;displaying framed image of&amp;nbsp;unidentified soldier&lt;/a&gt;]&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="color: #555555;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://rs16.loc.gov/service/pnp/ppss/00400/00402r.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="248" src="http://rs16.loc.gov/service/pnp/ppss/00400/00402r.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #555555; font-family: Arial, Helvetica, sans-serif; line-height: 13px;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;a href="http://www.loc.gov/pictures/collection/lilj/item/2010650853/"&gt;[Unidentified young women in dresses in front of American flag]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #555555; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 13px;"&gt;&lt;a href="http://www.loc.gov/pictures/collection/lilj/item/2010650853/"&gt;]&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="223" src="http://rs16.loc.gov/service/pnp/ppss/00400/00400r.jpg" width="320" /&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #555555; line-height: 13px;"&gt;&lt;a href="http://www.loc.gov/pictures/item/2010647216/"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;[Unidentified African American soldier in Union &lt;br /&gt;uniform with wife and two daughters]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="color: #555555;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #555555;"&gt;&lt;span class="Apple-style-span" style="line-height: 13px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-weight: bold; line-height: 13px;"&gt;&lt;span style="color: #555555; font-weight: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://rs16.loc.gov/service/pnp/ppss/00400/00402r.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6916388812261057314?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6916388812261057314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6916388812261057314' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6916388812261057314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6916388812261057314'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/new-digital-collection-civil-war.html' title='New Digital Collection: Civil War Photographs'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-QJRWEnsa1yQ/TZVDp102xRI/AAAAAAAAAOA/FZW-z_4Rywk/s72-c/lc_mourning.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5754615276489033662</id><published>2011-03-31T09:19:00.000-05:00</published><updated>2011-03-31T09:19:39.801-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='African American women'/><category scheme='http://www.blogger.com/atom/ns#' term='Interviews'/><category scheme='http://www.blogger.com/atom/ns#' term='Pilots'/><title type='text'>Interview with Aviator Janet Harmon Bragg</title><content type='html'>Janet Harmon Bragg (1907-1993) was the first African American women to receive a commercial pilot's license.&lt;br /&gt;&lt;a href="http://www.nasm.si.edu/webimages/200/9A04518_200w.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://www.nasm.si.edu/webimages/200/9A04518_200w.jpg" width="131" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blog.photography.si.edu/2011/03/22/janet-harmon-bragg-female-aviator/"&gt;Bragg described an earlier attempt to obtain a pilot's license&lt;/a&gt; in an interview that is featured on the Smithsonian blog The Bigger Picture.&amp;nbsp;After being told that she did very well on her flight test, Bragg was denied the license because she was a black women.&lt;br /&gt;&lt;br /&gt;Learn more about this pioneering aviator by reading&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/33132343"&gt;Soaring Above Setbacks: The Autobiography of Janet Harmon Bragg, African American Aviator&lt;/a&gt;&amp;nbsp;(Smithsonian Institution Press, 1996). The book includes photographs of Bragg and group portraits of members of the Challenger Air Pilots Association.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5754615276489033662?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5754615276489033662/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5754615276489033662' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5754615276489033662'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5754615276489033662'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/interview-with-aviator-janet-harmon.html' title='Interview with Aviator Janet Harmon Bragg'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5032576569350272460</id><published>2011-03-27T02:32:00.000-05:00</published><updated>2011-03-27T02:32:05.678-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Oral histories'/><title type='text'>Digital Collection: Betty Parsons Gallery Records and Personal Papers</title><content type='html'>The Archives of American Art blog is highlighting women who have contributed to the development and understanding of contemporary and modernist art in the United States. The first entry features&lt;a href="http://blog.aaa.si.edu/2011/03/american-women-tastemakers-betty-parsons.html"&gt; Betty Parsons&lt;/a&gt; (1900-1982), who opened the Betty Parsons Gallery in New York City in 1946. A photograph of Parsons and a letter from Peggy Guggenheim provide just a hint of the 61,000 images that are available online in the&amp;nbsp;&lt;a href="http://www.aaa.si.edu/collections/betty-parsons-gallery-records-and-personal-papers-7211"&gt;Betty Parsons Gallery Records and Personal Papers&lt;/a&gt;. See &lt;a href="http://www.aaa.si.edu/collections/betty-parsons-gallery-records-and-personal-papers-7211/more"&gt;More About the Collection&lt;/a&gt; for a biographical profile of Parsons. The Archives of American Art site also includes the transcript of an&amp;nbsp;&lt;a href="http://www.aaa.si.edu/collections/interviews/oral-history-interview-betty-parsons-11697"&gt;oral history interview with Parsons (1981)&lt;/a&gt;. Access additional&amp;nbsp;digital collections, oral history interviews, and collections by topic (e.g., &lt;a href="http://www.aaa.si.edu/collections/topic/women-45"&gt;Women&lt;/a&gt;) on the &lt;a href="http://www.aaa.si.edu/collections"&gt;Research Collections&lt;/a&gt;&amp;nbsp;page.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5032576569350272460?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5032576569350272460/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5032576569350272460' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5032576569350272460'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5032576569350272460'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/digital-collection-betty-parsons.html' title='Digital Collection: Betty Parsons Gallery Records and Personal Papers'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2652474180590912857</id><published>2011-03-25T02:01:00.000-05:00</published><updated>2011-03-25T02:01:19.679-05:00</updated><title type='text'>On This Day: Triangle Factory Fire</title><content type='html'>On March 25, 1911, a fire at the Triangle Shirtwaist Factory in New York City killed 146 people. Most of the victims were immigrant women. The tragedy paved the way for sweeping workplace safety laws.&lt;br /&gt;&lt;br /&gt;The following web sites, articles, books and documentaries offer a wealth of information about the Triangle Fire.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.ilr.cornell.edu/trianglefire/"&gt;The Triangle Factory Fire&amp;nbsp;&lt;/a&gt;(Cornell) This recently redesigned site provides a variety of sources that document the fire and its aftermath: survivor interviews; photos and illustrations; newspaper and magazine articles; the transcript of the criminal trial; reports; audio of a lecture by Frances Perkins from 1964; and other sources.&lt;br /&gt;&lt;br /&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.ilr.cornell.edu/trianglefire/images/primarySources/JosephineCammarata.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://www.ilr.cornell.edu/trianglefire/images/primarySources/JosephineCammarata.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Josephine Cammarata&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;The Cornell site also includes factual information about each of the victims.&amp;nbsp;Josephine Cammarata, &lt;a href="http://www.ilr.cornell.edu/trianglefire/victimsWitnesses/unidentifiedVictims.html"&gt;one of the final six victims identified&lt;/a&gt;, was only 17 and engaged to be married on Easter Sunday.&amp;nbsp;Michael Hirsch's use of newspapers, census records, death and burial certificates, and marriage licenses to identify the six victims is chronicled in &lt;a href="http://www.nytimes.com/2011/02/21/nyregion/21triangle.html?_r=2"&gt;100 Years Later, The Roll of the Dead in a Factory Fire is Complete&lt;/a&gt;&amp;nbsp;(&lt;i&gt;New York Times&lt;/i&gt;, February 20, 2011).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.loc.gov/rr/news/topics/triangle.html"&gt;Chronicling America&lt;/a&gt; offers search strategies, key dates, and links to sample newspaper articles about the Triangle Factory Fire. The impact of the photographs in many of these articles is explored in &lt;a href="http://cityroom.blogs.nytimes.com/2011/03/23/triangle-fire-a-frontier-in-photojournalism/"&gt;Factory Fire: A Frontier in Photojournalism&lt;/a&gt; (&lt;i&gt;New York Times&lt;/i&gt;, March 23, 2011).&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;Preview Dave Von Drehle's &lt;a href="http://books.google.com/books?id=tHcWG2numKAC&amp;amp;dq=triangle+fire&amp;amp;as_brr=0&amp;amp;ei=E41bR6KNCIKUiQHr8YzkCA"&gt;  Triangle: The Fire That Changed America&lt;/a&gt; (Atlantic Monthly Press,  2003).&amp;nbsp;Von Drehle &lt;a href="http://www.c-spanvideo.org/program/177888-1"&gt;discussed the book on Booknotes&lt;/a&gt; (August 21, 2003; 58 min.). A number of &lt;a href="http://www.worldcat.org/search?q=su%3ATriangle+Shirtwaist+Company+Fire%2C+1911+Juvenile+literature.&amp;amp;qt=hot_subject"&gt;children's books&lt;/a&gt; about the tragedy are also available.&lt;br /&gt;&lt;br /&gt;Two documentaries offer additional opportunities for understanding the Triangle Fire from multiple perspectives. One can watch &lt;a href="http://www.pbs.org/wgbh/americanexperience/films/triangle/"&gt;Triangle Fire&lt;/a&gt; (PBS) online, and HBO's &lt;a href="http://www.hbo.com/documentaries/triangle-remembering-the-fire/index.html"&gt;Triangle: Remembering the Fire&lt;/a&gt; will &lt;a href="http://cnnpressroom.blogs.cnn.com/2011/03/24/cnn-to-air-hbo-documentary-triangle-remembering-the-fire-marking-100th-anniversary-of-triangle-shirtwaist-factory-fire/"&gt;air on CNN on March 26, 2011&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2652474180590912857?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2652474180590912857/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2652474180590912857' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2652474180590912857'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2652474180590912857'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/on-this-day-triangle-factory-fire.html' title='On This Day: Triangle Factory Fire'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-9080859089880700440</id><published>2011-03-24T02:11:00.002-05:00</published><updated>2011-03-24T02:20:05.169-05:00</updated><title type='text'>Celebrating Research</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.celebratingresearch.org/bm~pix/cr-cover-560w-600h.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://www.celebratingresearch.org/bm~pix/cr-cover-560w-600h.jpg" width="186" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.celebratingresearch.org/index.shtml"&gt;&lt;i&gt;Celebrating Research&lt;/i&gt;&lt;/a&gt;&amp;nbsp;(Association of Research Libraries, 2007) profiles rare and special collections at research libraries in North America. Many of these&amp;nbsp;collections document women's history:&lt;br /&gt;&lt;br /&gt;University of Alabama&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/alabama/cookbooks.shtml"&gt;David Walker Lupton African American Cookbook Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of Arizona Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/arizona/harvey.shtml"&gt;The Fred Harvey Hotels Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Brigham Young University Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/brighamyoung/mormon.shtml"&gt;19th Century Western and Mormon Collection&amp;nbsp;&lt;/a&gt;&lt;br /&gt;Features an image of a journal page by Emmeline B. Wells&lt;br /&gt;&lt;br /&gt;University of California - San Diego Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/sandiego/southworth.shtml"&gt;Southworth Spanish Civil War Collection&lt;/a&gt;&lt;br /&gt;Features a drawing by a girl and the photograph, "Spanish Refugees in France."&lt;br /&gt;&lt;br /&gt;University of Connecticut Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/uconn/altpress.shtml"&gt;Alternative Press Collection&lt;/a&gt;&lt;br /&gt;Features covers from Off Our Backs and other publications.&lt;br /&gt;&lt;br /&gt;Cornell University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/cornell/sex.shtml"&gt;Human Sexuality Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Duke University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/duke/bingham.shtml"&gt;The Sallie Bingham Center for Women's History and Culture&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Emory University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/emory/woodson.shtml"&gt;The Carter G. Woodson Library&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of Florida Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/florida/baldwin.shtml"&gt;Baldwin Library of Historical Children's Literature&lt;/a&gt;&lt;br /&gt;Features "Paper doll with extra outfit included with &lt;i&gt;The History of Little Fanny&lt;/i&gt; (1810).&lt;br /&gt;&lt;br /&gt;Georgia Tech Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/georgiatech/fulton.shtml"&gt;The Fulton Bag and Cotton Mills Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Harvard University Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/harvard/dickenson.shtml"&gt;Emily Dickinson Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of Hawaii at Manoa Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/hawaii/hspa.shtml"&gt;Hawaiian Sugar Planters' Association Plantation Archives&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Howard University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/howard/pollock.shtml"&gt;Moorland-Spingarn Research Center&lt;/a&gt;&lt;br /&gt;Features deed of sale from 1844: Caroline, a slave for life.&lt;br /&gt;&lt;br /&gt;Louisiana State University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/louisianastate/llmvc.shtml"&gt;Louisiana and Lower Mississippi Valley Collections&lt;/a&gt;&lt;br /&gt;Features photo, "Mother and Child," 1890.&lt;br /&gt;&lt;br /&gt;University of Miami Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/miami/stoneman.shtml"&gt;Marjory Stoneman Douglas Collection&amp;nbsp;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;National Library of Medicine&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/nlm/healthfilms.shtml"&gt;Public Health Films Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of Nebraska, Lincoln Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/nebraska/cather.shtml"&gt;Willa Cather Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;New York State Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/nystate/rensselaer.shtml"&gt;Van Rensselaer Manor Papers&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Northwestern University Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/northwestern/winterton.shtml"&gt;The Winterton Collection of East African Photographs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Ohio State University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/ohiostate/curtiss.shtml"&gt;The Curtiss Show Print Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Oklahoma State University Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/okstate/debo.shtml"&gt;Angie Debo Papers&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Rutgers University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/rutgers/jazz.shtml"&gt;Jazz Oral History Project Collection&lt;/a&gt;&lt;br /&gt;Features photograph of Mary Lou Williams&lt;br /&gt;&lt;br /&gt;University of Southern California Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/southerncal/shoah.shtml"&gt;Shoah Foundation Institute Visual History Archive&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Southern Illinois University Carbondale Library&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/southernillinois/dunham.shtml"&gt;Katherine M. Dunham Papers&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of Texas Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/texas/benson.shtml"&gt;The Nettie Lee Benson Latin American Collection&lt;/a&gt;&lt;br /&gt;Features photograph,&amp;nbsp;“Elisa García López,” and&amp;nbsp;“Ordaz Mendoza and María Magiscatzin Genealogy.”&lt;br /&gt;&lt;br /&gt;Virginia Tech Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/virginiatech/iawa.shtml"&gt;International Archive of Women in Architecture&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of Washington Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/washington/internment.shtml"&gt;Japanese American Evacuation and Internment Collections&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wayne State University Libraries&lt;br /&gt;&lt;a href="http://www.celebratingresearch.org/libraries/waynestate/style.shtml"&gt;Digital Dress: 200 Years of Urban Style&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-9080859089880700440?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/9080859089880700440/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=9080859089880700440' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/9080859089880700440'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/9080859089880700440'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/celebrating-research.html' title='Celebrating Research'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7682566120078838411</id><published>2011-03-21T01:27:00.000-05:00</published><updated>2011-03-21T01:27:51.213-05:00</updated><title type='text'>Flickr and Other Digital Collections from the Center for Jewish History</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.flickr.com/photos/center_for_jewish_history/5530699516/in/set-72157626150448103/" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="http://farm6.static.flickr.com/5140/5530699516_185806af06.jpg" width="155" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Louise Waterman Wise and Justine Wise&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;The Center for Jewish History recently created a &lt;a href="http://www.flickr.com/photos/center_for_jewish_history/sets/72157626150448103/"&gt;Flickr collection in honor of Women's History Month&lt;/a&gt;. Although this is a small collection, images of women appear in most of the&lt;a href="http://www.flickr.com/photos/center_for_jewish_history/sets/"&gt; Center's 25 Flickr sets&lt;/a&gt;.&amp;nbsp;In addition, be sure to explore some of the 25,000 digital objects in the&lt;a href="http://digital.cjh.org/"&gt;&amp;nbsp;CJH Digital Collections&lt;/a&gt;; highlights include &lt;a href="http://digital.cjh.org/R/PC67HAS5RMS8KRGMAGVKIP1SYV2YY1NMH586S6KF9QCIRM7VDL-02918?func=collections-result&amp;amp;collection_id=1633"&gt;Emma Lazarus's Notebook&lt;/a&gt;, photos and films from the &lt;a href="http://digital.cjh.org/R/PC67HAS5RMS8KRGMAGVKIP1SYV2YY1NMH586S6KF9QCIRM7VDL-02924?func=collections&amp;amp;collection_id=1411"&gt;Hadassah Archives&lt;/a&gt;, scrapbooks and posters from&amp;nbsp;the &lt;a href="http://digital.cjh.org/R/D3NMVFFEQ2VUS85MTUHJN78C94RRFAYL42AT3F2CH924GVSRMS-08556?func=collections&amp;amp;collection_id=1344"&gt;Molly Picon Papers&lt;/a&gt;, letters written by &lt;a href="http://digital.cjh.org/R/D3NMVFFEQ2VUS85MTUHJN78C94RRFAYL42AT3F2CH924GVSRMS-00067?func=collections-result&amp;amp;collection_id=1405"&gt;Abigail Franks&lt;/a&gt; in the 1700s, and oral histories from the &lt;a href="http://digital.cjh.org/R/PC67HAS5RMS8KRGMAGVKIP1SYV2YY1NMH586S6KF9QCIRM7VDL-07808?func=collections-result&amp;amp;collection_id=1697"&gt;Sephardic American Voices&lt;/a&gt; collection.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7682566120078838411?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7682566120078838411/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7682566120078838411' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7682566120078838411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7682566120078838411'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/flickr-and-other-digital-collections.html' title='Flickr and Other Digital Collections from the Center for Jewish History'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5140/5530699516_185806af06_t.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3282760349321845660</id><published>2011-03-08T23:52:00.001-06:00</published><updated>2011-03-08T23:56:25.627-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>New Exhibit: Taxing Visions</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.huntington.org/uploadedImages/Files/images/taxing_catalog.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://www.huntington.org/uploadedImages/Files/images/taxing_catalog.JPG" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="http://www.shophuntington.org/taxingvisions.html"&gt;Taxing Visions  Exhibition Catalog&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a href="http://www.huntington.org/huntingtonlibrary_02.aspx?id=8568"&gt;Taxing Visions: Financial Episodes in Late Nineteenth Century American Art&lt;/a&gt;&lt;br /&gt;Huntington Library, Art Collections, and Botanical Gardens, January 29 - May 30, 2011&lt;br /&gt;&lt;br /&gt;This exhibition features 34 works that reflect the economic hardships that women, African Americans, children and artists faced from Reconstruction to the end of the nineteenth century. Curators Jessica Todd Smith and Kevin Murphy discuss four of these works (e.g., "Tattered and Torn," at right) in the National Public Radio segment, &lt;a href="http://www.npr.org/2011/03/08/134335542/portraits-of-the-poor-dignity-in-times-of-despair?ft=1&amp;amp;f=1008&amp;amp;sc=igg2"&gt;Portraits of the Poor: Dignity in Times of Despair &lt;/a&gt;(6 min 28 sec).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3282760349321845660?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3282760349321845660/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3282760349321845660' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3282760349321845660'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3282760349321845660'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/new-exhibit-taxing-visions.html' title='New Exhibit: Taxing Visions'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2140920750186218087</id><published>2011-03-07T00:20:00.001-06:00</published><updated>2011-03-07T00:27:50.383-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><category scheme='http://www.blogger.com/atom/ns#' term='Germany'/><title type='text'>Margarete Schütte-Lihotzky and the "Frankfurt Kitchen"</title><content type='html'>&lt;pre style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="white-space: normal;"&gt;A new journal and a recent exhibition feature work by Margarete&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 18px; white-space: normal;"&gt;&amp;nbsp;Schütte-Lihotzky (1897-2000), the Austrian architect who designed the "Frankfurt Kitchen" in 1926.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="line-height: 18px; white-space: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="white-space: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.jstor.org/literatum/publisher/jstor/journals/covergifs/west86th/2011/652275/cover.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.jstor.org/literatum/publisher/jstor/journals/covergifs/west86th/2011/652275/cover.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;pre style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="white-space: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; white-space: normal;"&gt;&lt;div style="font-family: Times;"&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;a href="http://www.journals.uchicago.edu/wes"&gt;West 86th:&amp;nbsp;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; white-space: pre;"&gt;A Journal of Decorative Arts,&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;a href="http://www.journals.uchicago.edu/wes"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; white-space: pre;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; white-space: pre;"&gt;&lt;a href="http://www.journals.uchicago.edu/wes"&gt;Design&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.journals.uchicago.edu/wes"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; white-space: pre;"&gt;History, and Material Culture&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="white-space: normal;"&gt;This inaugural issue includes a translation of passages from&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 18px; white-space: normal;"&gt;Schütte-Lihotzky's&lt;/span&gt;&lt;span class="Apple-style-span" style="white-space: normal;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="white-space: normal;"&gt;&lt;span class="Apple-style-span" style="line-height: 14px;"&gt;&lt;a class="title" href="http://www.jstor.org/stable/10.1086/659385" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; color: #1e476b; line-height: 1.4; padding-left: 0.01em;"&gt;&lt;i style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; color: #1e476b; line-height: 1.4; padding-left: 0.01em;"&gt;Warum ich Architektin wurde&lt;/i&gt;&lt;span class="Apple-style-span" style="color: #1e476b;"&gt;&lt;span class="Apple-style-span" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; line-height: 1.4; padding-left: 0.01em;"&gt;&amp;nbsp;(&lt;/span&gt;&lt;/span&gt;&lt;i style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; color: #1e476b; font-style: italic; line-height: 1.4; padding-left: 0.01em; text-decoration: underline;"&gt;Why I Became an Architect)&lt;/i&gt;&lt;/a&gt;.&amp;nbsp;The extracts provide the rationale for the "work-only" design of the Frankfurt Kitchen, the eight basic elements of the kitchen (e.g., proper positioning of artificial lighting), and&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 18px; white-space: normal;"&gt;Schütte-Lihotzky's thoughts on design and the status of women.&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.moma.org/interactives/exhibitions/2010/counter_space" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://ecx.images-amazon.com/images/I/51-qAY-9PFL._SL500_AA300_.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;The &lt;a href="http://www.moma.org/interactives/exhibitions/2010/counter_space/the_frankfurt_kitchen"&gt;Frankfurt Kitchen&lt;/a&gt; is featured in the Museum of Modern Art's exhibition,&amp;nbsp;&lt;a href="http://www.moma.org/visit/calendar/exhibitions/1062"&gt;Counter Space: Design and the Modern Kitchen&lt;/a&gt; (Sept. 15, 2010 - May 2, 2011). National Public Radio provides an overview of the exhibition in &lt;a href="http://www.npr.org/templates/story/story.php?storyId=129935115"&gt;A Kitchen Revolution Aimed at Freeing Women&lt;/a&gt; (5 min 48 sec).&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;Karen Melching covers conservation efforts at the Victoria and Albert Museum in the article, &lt;a href="http://www.vam.ac.uk/res_cons/conservation/journal/number_53/frankfurt/index.html"&gt;Frankfurt Kitchen: Patina Follows Function&lt;/a&gt;.&amp;nbsp;For additional background information, see Susan Henderson's chapter, "&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px;"&gt;A Revolution in the Woman's Sphere: Grete Lihotzky and the Frankfurt Kitchen,"&lt;/span&gt;&amp;nbsp;in &lt;a href="http://www.worldcat.org/oclc/150843875"&gt;Architecture and Feminism&lt;/a&gt; (Princeton Architectural Press, 1996).&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2140920750186218087?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2140920750186218087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2140920750186218087' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2140920750186218087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2140920750186218087'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/margarete-schutte-lihotzky-and.html' title='Margarete Schütte-Lihotzky and the &quot;Frankfurt Kitchen&quot;'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-989691275525021579</id><published>2011-03-03T23:48:00.000-06:00</published><updated>2011-03-03T23:48:51.082-06:00</updated><title type='text'>Women Scientists on Flickr Commons</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.flickr.com/photos/smithsonian/5493881089/in/dateposted/" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://farm6.static.flickr.com/5013/5493881089_b85ec4fea8.jpg" width="193" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Libbie Henrietta Hyman&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;The Smithsonian Institution Archives has added additional &lt;a href="http://www.flickr.com/photos/smithsonian/archives/date-posted/2011/03/03/"&gt;photos of women scientists to Flickr Commons&lt;/a&gt;, and will be&amp;nbsp;&lt;a href="http://blog.photography.si.edu/tag/women%E2%80%99s-history-month/"&gt;highlighting specific women on the Bigger Picture blog&lt;/a&gt; during Women's History Month. Additional information about some of these scientists is available online. For instance, zoologist Libbie Henrietta Hyman (pictured at left) is profiled in &lt;a href="http://jwa.org/encyclopedia/article/hyman-libbie-henrietta"&gt;Jewish Women: A Comprehensive Historical Encyclopedia&lt;/a&gt;, &amp;nbsp;a short autobiography appears in&amp;nbsp;&lt;a href="http://books.nap.edu/html/biomems/lhyman.pdf"&gt;Biographical Memoirs&lt;/a&gt;&amp;nbsp;(from the&amp;nbsp;National Academy of Sciences), and an issue of American Museum Novitates includes &lt;a href="http://digitallibrary.amnh.org/dspace/handle/2246/3013"&gt;papers presented at a symposium on Hyman's life and work&lt;/a&gt;.&amp;nbsp;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: verdana, Arial, Helvetica, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-989691275525021579?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/989691275525021579/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=989691275525021579' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/989691275525021579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/989691275525021579'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/women-scientists-on-flickr-commons.html' title='Women Scientists on Flickr Commons'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5013/5493881089_b85ec4fea8_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3773676543169869656</id><published>2011-03-02T23:56:00.001-06:00</published><updated>2011-03-03T00:04:06.910-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Correspondence'/><title type='text'>New Book: The Letters of Sylvia Beach</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.worldcat.org/oclc/320798611" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.cup.columbia.edu/app?fileid=4897&amp;amp;height=275&amp;amp;service=thumbnail&amp;amp;width=183" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;a href="http://www.worldcat.org/oclc/320798611"&gt;The Letters of Sylvia Beach&lt;/a&gt;&lt;/i&gt;. Edited by Keri Walsh and with a foreword by Noël Riley Fitch. Columbia University Press, 2010. &lt;br /&gt;&lt;br /&gt;Sylvia Beach (1887-1962) was born&amp;nbsp;in Baltimore, Maryland, settled in Paris in 1916, and opened&amp;nbsp;the Shakespeare and Company bookshop and lending library in 1919. This collection documents Beach's day-to-day activities as a bookseller and publisher, her affair with Adrienne Monnier, and her efforts to prevent the piracy of James Joyce's&amp;nbsp;&lt;i&gt;Ulysses&lt;/i&gt; in the United States.&lt;br /&gt;&lt;br /&gt;Columbia University Press offers a wealth of information about the book; &lt;a href="http://cup.columbia.edu/book/978-0-231-14536-7/the-letters-of-sylvia-beach/excerpt"&gt;the excerpts section&lt;/a&gt; includes Beach's letters to Ernest Hemingway, Marianne Moore, Ezra Pound, William Carlos Williams, and others.&lt;br /&gt;&lt;br /&gt;For additional biographical information, see&amp;nbsp;&lt;i&gt;&lt;a href="http://www.worldcat.org/oclc/9133273"&gt;Sylvia Beach and the Lost Generation: A History of Literary Paris in the Twenties and Thirties&lt;/a&gt;&lt;/i&gt;&amp;nbsp;(Norton, 1983) by Noël Riley Fitch.&lt;br /&gt;&lt;br /&gt;Princeton University holds the Sylvia Beach Papers. See&amp;nbsp;the&lt;a href="http://diglib.princeton.edu/ead/getEad?eadid=C0108&amp;amp;kw="&gt;&amp;nbsp;Finding Aid&lt;/a&gt;&amp;nbsp;for the collection, a&amp;nbsp;small selection of&amp;nbsp;&lt;a href="http://libweb2.princeton.edu/rbsc2/portfolio/sb/index.html"&gt;images of Sylvia Beach&lt;/a&gt;,&amp;nbsp;and the recent blog post from Rare Books Collection @ Princeton that covers&amp;nbsp;&lt;a href="http://blogs.princeton.edu/rarebooks/2011/01/the_dispesal_of_sylvia_beachs.html"&gt;The Dispersal of Sylvia Beach's Books&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3773676543169869656?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3773676543169869656/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3773676543169869656' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3773676543169869656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3773676543169869656'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/03/new-book-letters-of-sylvia-beach.html' title='New Book: The Letters of Sylvia Beach'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8298026557832712294</id><published>2011-02-28T00:12:00.000-06:00</published><updated>2011-02-28T00:12:22.033-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Africa'/><title type='text'>New Digital Collection: Africa Through a Lens</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://www.nationalarchives.gov.uk/africa/"&gt;Africa Through a Lens&lt;/a&gt; (National Archives, UK) includes&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 18px;"&gt;thousands of images taken from a collection of Foreign and Commonwealth Office photographs.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.flickr.com/photos/nationalarchives/5418224965/in/set-72157625995788178/" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://farm6.static.flickr.com/5095/5418224965_98ffd0c753_m.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 15px;"&gt;Kanuri Women of Dikwa Emirate. 1955 Report&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 18px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 18px;"&gt;The collection covers over 20 African countries from the 1860s to the 1980s. The site also includes podcasts (accompanied by images from the collection) that cover the origin of the collection and the aims of the digital project; focus on photos of Nigeria; and conserving the images in the collection.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8298026557832712294?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8298026557832712294/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8298026557832712294' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8298026557832712294'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8298026557832712294'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/02/new-digital-collection-africa-through.html' title='New Digital Collection: Africa Through a Lens'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5095/5418224965_98ffd0c753_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-4451260693088966331</id><published>2011-02-27T20:22:00.000-06:00</published><updated>2011-02-27T20:22:19.053-06:00</updated><title type='text'>New National Archives (U.S.) Video Short: Madam C.J. Walker</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://www.archives.gov/press/press-releases/2011/nr11-79.html"&gt;Video Short: Madam C.J. Walker&lt;/a&gt; (3 min. 29 sec)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;In this "Inside the Vault" video short, A'Lelia Bundles (&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Walker's great-great granddaughter)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;tells how she pieced together details of Walker's early life from National Archives records.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://bks0.books.google.com/books?id=U_YIfoQUlDMC&amp;amp;printsec=frontcover&amp;amp;img=1&amp;amp;zoom=1&amp;amp;edge=curl&amp;amp;sig=ACfU3U3xtrNRmDYvWBDaH8RQ4nrR6_AfoQ" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://bks0.books.google.com/books?id=U_YIfoQUlDMC&amp;amp;printsec=frontcover&amp;amp;img=1&amp;amp;zoom=1&amp;amp;edge=curl&amp;amp;sig=ACfU3U3xtrNRmDYvWBDaH8RQ4nrR6_AfoQ" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;Preview Bundles'&amp;nbsp;&lt;a href="http://books.google.com/books?id=U_YIfoQUlDMC&amp;amp;dq=Madam+C.J.+Walker&amp;amp;as_brr=0&amp;amp;ei=bI5bR5KEBJK4igHK5NnwCA"&gt;On Her Own Ground: The Life and Times of Madam C.J. Walker&lt;/a&gt;&amp;nbsp;(Simon and Schuster, 2002), on Google Books. Bundles discussed the book as part of a panel on &lt;a href="http://www.c-spanvideo.org/program/WeWr"&gt;Life as We Write It&lt;/a&gt; at the Virginia Festival of the Book in 2002.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Arial, Helvetica, sans-serif;"&gt;The&amp;nbsp;&lt;a href="http://www.indianahistory.org/our-collections/digital-image-collections/african-american-digital"&gt;Madam C. J. Walker Collection&lt;/a&gt;&amp;nbsp;[Indiana Historical Society] includes digital images of Walker, advertisements, and examples of hairstyles.&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-4451260693088966331?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/4451260693088966331/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=4451260693088966331' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4451260693088966331'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4451260693088966331'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/02/new-national-archives-us-video-short.html' title='New National Archives (U.S.) Video Short: Madam C.J. Walker'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6889695324920477156</id><published>2011-02-26T23:33:00.000-06:00</published><updated>2011-02-26T23:33:39.743-06:00</updated><title type='text'>Mary Lou Williams: "Jazz for the Soul"</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;A recent issue of &lt;i&gt;Smithsonian Folkways Magazine&lt;/i&gt; (Fall 2010) features&amp;nbsp;&lt;a href="http://www.folkways.si.edu/magazine/2010_fall/cover_story-mary_lou_williams.aspx"&gt;Mary Lou Williams: Jazz for the Soul&lt;/a&gt;,&amp;nbsp;an article by&amp;nbsp;&lt;span class="Apple-style-span" style="line-height: 20px;"&gt;Father Peter O'Brien, S. J.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; line-height: 20px;"&gt;The article includes&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; line-height: 20px;"&gt;photographs of Williams and&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; line-height: 20px;"&gt;audio samples of her music.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+99101969_140.jpg?SearchOrder=+-+TN,FA,GO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+99101969_140.jpg?SearchOrder=+-+TN,FA,GO" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: arial;"&gt;&lt;a href="http://www.npr.org/programs/jazzprofiles/archive/williams_m.html"&gt;Jazz Profiles from NPR: Mary Lou Williams 1910-1981&lt;/a&gt;&amp;nbsp;includes excerpts from interviews with Williams and others. NPR also offers &lt;a href="http://www.npr.org/templates/story/story.php?storyId=126613987"&gt;Mary Lou Williams: A Centennial Celebration&lt;/a&gt; (6 min 54 sec). &amp;nbsp;For additional biographical information, see Linda Dahl's&amp;nbsp;&lt;a href="http://www.worldcatlibraries.org/wcpa/oclc/41465644&amp;amp;tab=details" title="Find this book in a library."&gt;Morning Glory: A Biography of Mary Lou Williams&lt;/a&gt;&amp;nbsp;(Pantheon Books, 1999) and Tammy&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 5px; -webkit-border-vertical-spacing: 5px; font-family: 'Arial Unicode MS', Arial, Verdana, sans-serif; line-height: 16px;"&gt;Kernodle's&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 5px; -webkit-border-vertical-spacing: 5px; font-family: 'Arial Unicode MS', Arial, Verdana, sans-serif; font-size: x-small; line-height: 16px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: arial;"&gt;&amp;nbsp;&lt;a href="http://www.worldcat.org/oclc/53144500"&gt;Soul on Soul: The Life and Music of Mary Lou Williams &lt;/a&gt;(Northeastern University Press, 2004).&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6889695324920477156?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6889695324920477156/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6889695324920477156' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6889695324920477156'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6889695324920477156'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/02/mary-lou-williams-jazz-for-soul.html' title='Mary Lou Williams: &quot;Jazz for the Soul&quot;'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-451866464928700208</id><published>2011-02-24T21:07:00.000-06:00</published><updated>2011-02-24T21:07:43.939-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Photographs'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'>New Exhibition: Dorothea Lange’s "Three Mormon Towns"</title><content type='html'>&lt;a href="http://moa.byu.edu/fileadmin/moa/lange/lange.html"&gt;Dorothea Lange's "Three Mormon Towns&lt;/a&gt;," Brigham Young University Museum of Art, January 20 - April 30, 2011&lt;br /&gt;&lt;br /&gt;In 1953, Dorothea Lange and Ansel Adams spent three weeks taking photographs in three southern Utah&amp;nbsp;communities: Gunlock, St. George, and Toquerville. About 35 of these photographs were published in &amp;nbsp;the &lt;i&gt;Life&amp;nbsp;&lt;/i&gt;magazine article,&amp;nbsp;&lt;a href="http://books.google.com/books?id=I1QEAAAAMBAJ&amp;amp;pg=PA91&amp;amp;dq=three+mormon+towns&amp;amp;hl=en&amp;amp;ei=BAlFTd6ALobfgQeX-Mn4AQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CDAQ6AEwAA#v=onepage&amp;amp;q=three%20mormon%20towns&amp;amp;f=false"&gt;Three Mormon Towns&lt;/a&gt;&amp;nbsp;&amp;nbsp;(available online in Google Books). &lt;br /&gt;&lt;br /&gt;Curator Diana Turnbow selected 62 photographs for "Dorothea Lange’s ‘Three Mormon Towns.'" &amp;nbsp;&lt;a href="http://moa.byu.edu/fileadmin/moa/lange/lange.html"&gt;The website for the exhibit&lt;/a&gt; includes Turnbow's essay, "From Guggenheim Fellowship to Life Magazine: Dorothea Lange's Lasting Impression of Southern Utah;" Lange's initial layout for the article; &amp;nbsp;the original&amp;nbsp;&lt;i&gt;Life &lt;/i&gt;article;&amp;nbsp;a brief video interview with Lange's son, Dan Dixon; and the photographs from the exhibit (see "Exhibition Checklist").&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-in_OvdqU7V0/TVWtc6f5h8I/AAAAAAAAAMw/wFfEAZg44Cw/s1600/langecover_custom.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-in_OvdqU7V0/TVWtc6f5h8I/AAAAAAAAAMw/wFfEAZg44Cw/s200/langecover_custom.jpg" width="131" /&gt;&lt;/a&gt;&lt;/div&gt;Linda Gordon's &lt;a href="http://www.worldcat.org/oclc/317919640"&gt;Dorothea Lange: A Life Beyond Limits&lt;/a&gt; (Norton, 2009) offers additional background about "Three Mormon Towns" (pages 367-369),&amp;nbsp;including how the project strained the relationship between Lange and Adams. Gordon discusses Lange's life and photographs in a National Public Radio interview:&amp;nbsp;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=126289455"&gt;Dorothea Lange: Drawing Beauty Out of Isolation&lt;/a&gt; (7 min, 48 sec).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-451866464928700208?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/451866464928700208/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=451866464928700208' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/451866464928700208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/451866464928700208'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/02/new-exhibition-dorothea-langes-three.html' title='New Exhibition: Dorothea Lange’s &quot;Three Mormon Towns&quot;'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-in_OvdqU7V0/TVWtc6f5h8I/AAAAAAAAAMw/wFfEAZg44Cw/s72-c/langecover_custom.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5437924974241587999</id><published>2011-02-22T11:44:00.004-06:00</published><updated>2011-02-22T12:02:47.412-06:00</updated><title type='text'>Women's History in Visual Arts Journals</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.informaworld.com/openurl?genre=journal&amp;amp;issn=0308-7298" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.tandf.co.uk/common/jcovers/websmall/T/THPH.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Taylor &amp;amp; Francis is offering &lt;a href="http://www.tandf.co.uk/journals/artaccess/"&gt;free access to its visual arts journals&lt;/a&gt; until the end of February. Several of these journals regularly include articles that feature primary sources. For instance, see these recent articles from &lt;i&gt;History of Photography&lt;/i&gt;: &lt;a href="http://www.informaworld.com/openurl?genre=article&amp;amp;issn=0308%2d7298&amp;amp;volume=34&amp;amp;issue=4&amp;amp;spage=326"&gt;"Splendid Calotypes" and "Hideous Men": Photography in the Diaries of&amp;nbsp;Lady Pauline Trevelya&lt;/a&gt;, by&amp;nbsp;Larry J. Schaaf; &lt;a href="http://www.informaworld.com/openurl?genre=article&amp;amp;issn=0308%2d7298&amp;amp;volume=34&amp;amp;issue=4&amp;amp;spage=342"&gt;Impreciseness in Julia Margaret Cameron's Portrait Photographs&lt;/a&gt;, by&amp;nbsp;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Mirjam Brusius; and &lt;a href="http://draft.blogger.com/goog_95879281"&gt;Exposing the Zenana: &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.informaworld.com/openurl?genre=article&amp;amp;issn=0308%2d7298&amp;amp;volume=34&amp;amp;issue=1&amp;amp;spage=2"&gt;&lt;i&gt; &lt;/i&gt;Maharaja Sawai Ram Singh II's Photographs of Women in Purdah&lt;/a&gt;, by Laura Weinstein.  &lt;br /&gt;&lt;br /&gt;Searching the collection will also bring up numerous relevant articles from&lt;i&gt; Visual Anthropology&lt;/i&gt;, such as '&lt;a href="http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a922278878%7Efrm=titlelink?words=women&amp;amp;hash=3532827134"&gt;The Eyes of Our Ancestors Have a Message": Studio Photographs of Fort Sumner, New Mexico, 1866&lt;/a&gt;, by Maureen T. Schwarz;&amp;nbsp; &lt;a href="http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a922279645%7Efrm=titlelink?words=women&amp;amp;hash=3532827134"&gt;Men, Women, and "Japanese" as Outsiders: A Case Study of Postcards with Ainu Images&lt;/a&gt;, &lt;i&gt;by &lt;/i&gt;Sidney C. H. Cheung; and &lt;span class="Apple-style-span"&gt;&lt;a href="http://www.informaworld.com/openurl?genre=article&amp;amp;issn=0894-9468&amp;amp;volume=10&amp;amp;issue=2&amp;amp;spage=209"&gt;Picturing Women, Class and Community in Arab Detroit: The Strange Case of Eva Habib&lt;/a&gt;, by Sally Howell.&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5437924974241587999?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5437924974241587999/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5437924974241587999' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5437924974241587999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5437924974241587999'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/02/womens-history-in-visual-arts-journals.html' title='Women&apos;s History in Visual Arts Journals'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-4290636892858950267</id><published>2011-02-18T08:30:00.009-06:00</published><updated>2011-02-18T08:54:46.765-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Database'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>ARTstor Subject Guide :: Women's Studies</title><content type='html'>&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-ml-vLsO0yOg/TV6C8NlCguI/AAAAAAAAAQA/FJIVlncNiLU/s1600/ARTSTOR_103_41822001862836.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 115px; height: 168px;" src="http://3.bp.blogspot.com/-ml-vLsO0yOg/TV6C8NlCguI/AAAAAAAAAQA/FJIVlncNiLU/s200/ARTSTOR_103_41822001862836.jpg" alt="" id="BLOGGER_PHOTO_ID_5575037359680029410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:"Cambria Math";  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:roman;  mso-font-pitch:variable;  mso-font-signature:-1610611985 1107304683 0 0 415 0;} @font-face  {font-family:Calibri;  panose-1:2 15 5 2 2 2 4 3 2 4;  mso-font-charset:0;  mso-generic-font-family:swiss;  mso-font-pitch:variable;  mso-font-signature:-520092929 1073786111 9 0 415 0;} @font-face  {font-family:Tahoma;  panose-1:2 11 6 4 3 5 4 4 2 4;  mso-font-charset:0;  mso-generic-font-family:swiss;  mso-font-pitch:variable;  mso-font-signature:-520081665 -1073717157 41 0 66047 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no;  mso-style-qformat:yes;  mso-style-parent:"";  margin:0in;  margin-bottom:.0001pt;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:"Calibri","sans-serif";  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:Calibri;  mso-fareast-theme-font:minor-latin;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:"Times New Roman";  mso-bidi-theme-font:minor-bidi;} .MsoChpDefault  {mso-style-type:export-only;  mso-default-props:yes;  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:Calibri;  mso-fareast-theme-font:minor-latin;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:"Times New Roman";  mso-bidi-theme-font:minor-bidi;} .MsoPapDefault  {mso-style-type:export-only;  line-height:115%;} @page WordSection1  {size:8.5in 11.0in;  margin:1.0in 1.0in 1.0in 1.0in;  mso-header-margin:.5in;  mso-footer-margin:.5in;  mso-paper-source:0;} div.WordSection1  {page:WordSection1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:"";  mso-padding-alt:0in 5.4pt 0in 5.4pt;  mso-para-margin:0in;  mso-para-margin-bottom:.0001pt;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:"Calibri","sans-serif";  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:"Times New Roman";  mso-fareast-theme-font:minor-fareast;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:"Times New Roman";  mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;    &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;&lt;a href="http://www.artstor.org/"&gt;ARTstor&lt;/a&gt;, a non-profit digital library of more than one million images for education and scholarship, provides subject guides on a range of topics. Its &lt;a href="http://www.artstor.org/using-artstor/u-pdf/artstor-womensstudies-handout.pdf"&gt;Women’s Studies&lt;/a&gt; handout highlights content related to the history and depiction of women across world cultures and includes search tips, suggested search terms, and featured collections. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;A search for “feminist” in ARTstor turns up 295 &lt;/span&gt;&lt;span style=""&gt;results ranging from photographs of the Women’s Rights Movement in the U.S. to stills from Chantal Ackerman’s 1976 film &lt;i style=""&gt;Jeanne Diel&lt;/i&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;i style=""&gt;man&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;                     &lt;/span&gt;&lt;/p&gt;&lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;a onblur="try  {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-Msmuf5RpVi4/TV6DaEC1A8I/AAAAAAAAAQQ/wm6ff0sBGZ8/s1600/AOKEEFFEIG_10312329775.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 115px; height: 136px;" src="http://2.bp.blogspot.com/-Msmuf5RpVi4/TV6DaEC1A8I/AAAAAAAAAQQ/wm6ff0sBGZ8/s200/AOKEEFFEIG_10312329775.jpg" alt="" id="BLOGGER_PHOTO_ID_5575037872516694978" border="0" /&gt;&lt;/a&gt;&lt;/p&gt; &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;span style=""&gt;ARTstor also works directly with women artists and their estates to present extensive documentation of artists’ oeuvre. It&lt;/span&gt;&lt;span style=""&gt;s partnership with the Georgia O’Keeffe Museum has resulted in a collection of approximately 1,200 images of works by Georgia O’Keeffe (1887-1986). The images in the collection present the entire ran&lt;/span&gt;&lt;span style=""&gt;ge of O’Keeffe’s oeuvre, from the artist’s iconic flowers and bleached desert skulls to nudes, landscapes, cityscapes, still lifes, as well as her highly innovative abstractions.&lt;/span&gt;&lt;/p&gt;&lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p face="arial" class="MsoNormal"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p face="arial" class="MsoNormal"&gt;&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;a onblur="try  {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-xAEDDQmLsEo/TV6ECxH3teI/AAAAAAAAAQY/VmLD3K78EIs/s1600/ABROOKLYNIG_10312345415.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 174px; height: 125px;" src="http://3.bp.blogspot.com/-xAEDDQmLsEo/TV6ECxH3teI/AAAAAAAAAQY/VmLD3K78EIs/s200/ABROOKLYNIG_10312345415.jpg" alt="" id="BLOGGER_PHOTO_ID_5575038571812206050" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;   &lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;span style=""&gt;Collaboration with the Metropolitan Museum of Art has resulted in approximately 5,800 images of American and European costumes and accessories which were formerly in the Brooklyn Museum. The Brooklyn Museum Costume collection was established in 1902 and is the world’s most comprehensive collection of American fashion from the late 19th to mid-20th century. Highlights of the collection include the definitive collected works of costumes and patterns by Charles James, the British-born designer who was a major force in New York fashion in the 1940s and 1950s, as well as many examples of Belle Époque fashion.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;AR&lt;/span&gt;&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-Iwyy7CH86cc/TV6DIjR2uPI/AAAAAAAAAQI/TPZfOMDABms/s1600/AJCHICAGOIG_10313027156.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 159px; height: 126px;" src="http://1.bp.blogspot.com/-Iwyy7CH86cc/TV6DIjR2uPI/AAAAAAAAAQI/TPZfOMDABms/s200/AJCHICAGOIG_10313027156.jpg" alt="" id="BLOGGER_PHOTO_ID_5575037571663575282" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;Tstor is currently collaborating with Judy Chicago to share a collection that will consist of images depicting &lt;i&gt;The Din&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;i style=""&gt;ner Party &lt;/i&gt;(1974-1979), along with individual works and other collaborative projects from throughout Chicago’s career, such as the &lt;i style=""&gt;Birth Project&lt;/i&gt; (1980-1985), &lt;i style=""&gt;Powerplay&lt;/i&gt; (1982-1987), and recent works in glass. Chicago (b.1939), an&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-family:arial;"&gt; artist, author, feminist, and educator whose career spans four decades, helped to initiate a worldwide feminist art movement. Her most well-known work, &lt;/span&gt;&lt;i style="font-family: arial;"&gt;The Dinner Party&lt;/i&gt;&lt;span style="font-family:arial;"&gt;, is an icon of feminist art and was executed with the participation of hundreds of volunteers.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;span style=""&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:lucida grande;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p face="lucida grande" class="MsoNormal"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" face="arial"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: lucida grande;" class="MsoNormal"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-4290636892858950267?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/4290636892858950267/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=4290636892858950267' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4290636892858950267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4290636892858950267'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/02/artstor-subject-guide-womens-studies.html' title='ARTstor Subject Guide :: Women&apos;s Studies'/><author><name>Amanda Maddock</name><uri>http://www.blogger.com/profile/09974587829068286319</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ml-vLsO0yOg/TV6C8NlCguI/AAAAAAAAAQA/FJIVlncNiLU/s72-c/ARTSTOR_103_41822001862836.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3216281469446672419</id><published>2011-02-15T15:04:00.005-06:00</published><updated>2011-02-15T15:42:22.958-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gender Equality'/><category scheme='http://www.blogger.com/atom/ns#' term='archives'/><category scheme='http://www.blogger.com/atom/ns#' term='Journalists'/><title type='text'>Now Available: Vera Glaser papers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://digitalcollections.uwyo.edu:8081/MediaManager/srvr?mediafile=/Size1/uwydbuwy-59-NA/2067/ah09826_0093.jpg&amp;amp;userid=22&amp;amp;username=goldman&amp;amp;resolution=1&amp;amp;servertype=JVA&amp;amp;cid=59&amp;amp;iid=uwydbuwy&amp;amp;vcid=NA&amp;amp;usergroup=Vera_Glaser_Papers-59-Admin&amp;amp;profileid=291"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 150px; height: 217px;" src="http://digitalcollections.uwyo.edu:8081/MediaManager/srvr?mediafile=/Size1/uwydbuwy-59-NA/2067/ah09826_0093.jpg&amp;amp;userid=22&amp;amp;username=goldman&amp;amp;resolution=1&amp;amp;servertype=JVA&amp;amp;cid=59&amp;amp;iid=uwydbuwy&amp;amp;vcid=NA&amp;amp;usergroup=Vera_Glaser_Papers-59-Admin&amp;amp;profileid=291" alt="" border="0" /&gt;&lt;/a&gt;The &lt;a href="http://ahc.uwyo.edu/"&gt;American Heritage Center at the University of Wyoming&lt;/a&gt; has recently processed and digitized select folders from the &lt;a href="http://rmoa.unm.edu/docviewer.php?docId=wyu-ah09826.xml"&gt;Vera Glaser papers&lt;/a&gt;.  Glaser was a long-time Washington D.C. reporter and an advocate for women’s rights.  During President Richard Nixon’s second press conference, Glaser helped spark a remarkable chain of events when she asked Nixon, “Mr. President, since you’ve been inaugurated, you have made approximately two-hundred presidential appointments, and only three of them have gone to women.  Can we expect some more equitable recognition of women’s abilities, or are we going to remain the lost sex?”  &lt;img src="file:///C:/DOCUME%7E1/mfranci5/LOCALS%7E1/Temp/moz-screenshot.png" alt="" /&gt;&lt;br /&gt;&lt;br /&gt;The question helped lead to the first systemic program to recruit women into federal positions, as well as the creation of the President's Task Force on Women's Rights and Responsibilities, a task force that Glaser proudly served on.  The task force produced a report that consisted of twenty suggestions for improving the status of women in America.  After the White House initially refused to release the report, Glaser passed on the task force findings to a fellow journalist for publication.  Ultimately, nineteen of the twenty report recommendations became law, with only the Equal Rights Amendment failing to be adopted by the government.&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://digitalcollections.uwyo.edu:8081/MediaManager/srvr?mediafile=/Size1/uwydbuwy-59-NA/2067/ah09826_0100.jpg&amp;amp;userid=22&amp;amp;username=goldman&amp;amp;resolution=1&amp;amp;servertype=JVA&amp;amp;cid=59&amp;amp;iid=uwydbuwy&amp;amp;vcid=NA&amp;amp;usergroup=Vera_Glaser_Papers-59-Admin&amp;amp;profileid=291"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 250px; height: 183px;" src="http://digitalcollections.uwyo.edu:8081/MediaManager/srvr?mediafile=/Size1/uwydbuwy-59-NA/2067/ah09826_0100.jpg&amp;amp;userid=22&amp;amp;username=goldman&amp;amp;resolution=1&amp;amp;servertype=JVA&amp;amp;cid=59&amp;amp;iid=uwydbuwy&amp;amp;vcid=NA&amp;amp;usergroup=Vera_Glaser_Papers-59-Admin&amp;amp;profileid=291" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;The majority of the Vera Glaser papers consist of materials relating to her career as a journalist, including research files and published articles on American politics and women’s issues from the 1940s through the 1990s.  Additionally there are a number of significant professional files, including files related to her work for Sen. Charles Potter and Sen. Kenneth Keating, the Republican National Committee, presidential committees, and various women's and journalistic organizations.  The current &lt;a href="http://digitalcollections.uwyo.edu:8180/luna/servlet/uwydbuwy%7E59%7E59"&gt;digital collection&lt;/a&gt; consists of a file on the President's Task Force on Women's Rights and Responsibilities, speeches, photographs, and an oral history.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3216281469446672419?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3216281469446672419/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3216281469446672419' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3216281469446672419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3216281469446672419'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/02/now-available-vera-glaser-papers.html' title='Now Available: Vera Glaser papers'/><author><name>Matt Francis</name><uri>http://www.blogger.com/profile/11187182511699380470</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1188611339286689710</id><published>2011-01-30T00:03:00.000-06:00</published><updated>2011-01-30T00:03:10.455-06:00</updated><title type='text'>New Exhibit: Katharine Hepburn: Dressed for Stage and Screen</title><content type='html'>&lt;a href="http://www.kent.edu/museum/exhibits/exhibitdetail.cfm?customel_datapageid_2203427=2234961"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Katharine Hepburn: Dressed for Stage and Screen&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Kent State University Museum, October 2, 2010 - September 4, 2011&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;This exhibit features&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;stage costumes from&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;em&gt;The Philadelphia Story, Without Love&lt;/em&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;em&gt;Coco&lt;/em&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;; screen costumes from such classic films as&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;em&gt;Stage Door, Adam's Rib&lt;/em&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;em&gt;Long Day's Journey Into Night&lt;/em&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;; and many of her television movies, such as&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;em&gt;Love Among the Ruins&lt;/em&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;. V&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;intage posters, playbills, photos and other Hepburn-related artifacts round out the exhibit.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Be sure to see&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Jean L. Druesedow's very informative overview of the exhibit (video; 21 min., 28 sec.).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1188611339286689710?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1188611339286689710/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1188611339286689710' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1188611339286689710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1188611339286689710'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/01/new-exhibit-katharine-hepburn-dressed.html' title='New Exhibit: Katharine Hepburn: Dressed for Stage and Screen'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6705330708475207419</id><published>2011-01-05T09:50:00.004-06:00</published><updated>2011-01-06T09:30:33.791-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wyoming'/><category scheme='http://www.blogger.com/atom/ns#' term='On This Day'/><category scheme='http://www.blogger.com/atom/ns#' term='Historic Firsts'/><title type='text'>On This Day: First Woman Governor in America</title><content type='html'>&lt;a style="" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://ahc.uwyo.edu/images/traveling.exhibits/pursuitequality.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 224px; height: 300px;" src="http://ahc.uwyo.edu/images/traveling.exhibits/pursuitequality.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;On January 5, 1925, Nellie Tayloe Ross, a democrat, was sworn-in as Governor of Wyoming, becoming the first woman in American history to serve as a state governor.  Mrs. Ross was elected through a special election on November 4th, 1924 to fill the remainder of the term for the previous governor, and her husband, William B. Ross, who died unexpectedly in office.&lt;br /&gt;&lt;br /&gt;During the brief campaign, and subsequent election, many critics denounced the idea of a woman becoming the state’s highest elected official.  As the state’s chief executive, Governor Ross fought for farm aid, tax and banking reforms, increased educational funding, and worker protection laws.  Despite her best efforts, the Republican controlled state legislature defeated the majority of her legislative initiatives.  In an increasingly Republican leaning state, Governor Ross lost her 1926 reelection bid by less than fourteen hundred votes.  After her electoral defeat, Mrs. Ross remained active at the national level for the Democratic Party, including serving as the Democratic National Committee vice-chair and director of the DNC Women's Division.  In 1933, President Franklin Delano Roosevelt appointed her as the first female director of the U.S. Mint, a position she would hold until her retirement in 1953.&lt;br /&gt;&lt;br /&gt;Papers relating to the political career and personal life of Nellie Tayloe Ross can be found at the &lt;a href="http://rmoa.unm.edu/docviewer.php?docId=wyu-ah00948.xml"&gt;American Heritage Center of the University of Wyoming&lt;/a&gt; and the Wyoming State Archives. The AHC is currently in the process of &lt;a href="http://digitalcollections.uwyo.edu:8180/luna/servlet/uwydbuwy%7E56%7E56"&gt;digitizing&lt;/a&gt; the correspondence, political papers, and photograph series of the Nellie Tayloe Ross papers, which represent approximately five and a half cubic feet of primary documents.  Additionally, Ms. Ross was recently featured in the traveling exhibit &lt;a href="http://ahc.uwyo.edu/eduoutreach/traveling%20exhibits/pursuitequality.htm"&gt;&lt;i&gt;In Pursuit of Equality&lt;/i&gt;&lt;/a&gt;, which is currently being displayed at the Weston County Library in Newcastle, Wyoming.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://ahc.uwyo.edu/images/online_collections/exhibits/pursuitequality/NTR%20Signing-L4.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 410px; height: 316px;" src="http://ahc.uwyo.edu/images/online_collections/exhibits/pursuitequality/NTR%20Signing-L4.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:78%;"&gt;Images taken from the Nellie Tayloe Ross papers, Collection 948, American Heritage Center, University of Wyoming.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6705330708475207419?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6705330708475207419/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6705330708475207419' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6705330708475207419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6705330708475207419'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2011/01/on-this-day-first-woman-governor-in.html' title='On This Day: First Woman Governor in America'/><author><name>Matt Francis</name><uri>http://www.blogger.com/profile/11187182511699380470</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2282884683317479345</id><published>2010-12-31T21:50:00.000-06:00</published><updated>2010-12-31T21:50:41.120-06:00</updated><title type='text'>50 Great Voices Update</title><content type='html'>&lt;h1 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.npr.org/templates/archives/archive.php?thingId=122287224"&gt;50 Great Voices&lt;/a&gt;,  a series from National Public Radio,&amp;nbsp; profiles "singers who've made  their mark internationally and across recorded history." The following singers have been profiled since the previous &lt;a href="http://womenshistorysources.blogspot.com/2010/07/50-great-voices-from-brazil-egypt-great.html"&gt;Women's History Sources post about the series&lt;/a&gt;.&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;a href="http://www.npr.org/2010/11/13/131295564/chavela-vargas-the-voice-of-triumph"&gt;&lt;span style="font-size: small;"&gt;Chavela Vargas: The Voice of Triumph&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.npr.org/2010/11/19/131451449/billie-holiday-emotional-power-through-song&amp;amp;sc=nl&amp;amp;cc=sod-20101129"&gt;Billie Holiday: Emotional Power Through Song&lt;/a&gt; &lt;/span&gt;&lt;/h1&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=130920420"&gt;Buika: The Voice Of Freedom&lt;/a&gt;&lt;/h4&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=130728056"&gt;Celia Cruz: The Voice From Havana&lt;/a&gt;&amp;nbsp;&lt;/h4&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=129345910"&gt;Irma Thomas: The Soul Queen Of New Orleans&lt;/a&gt;&lt;/h4&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=129181797"&gt;Twinkie Clark: Riffing On Gospel&lt;/a&gt;&lt;/h4&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=129029063"&gt;Bjork: A Celestial Voice&lt;/a&gt;&lt;/h4&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;/h4&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;/h4&gt;&lt;h4 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=130357207"&gt;Amalia Rodrigues: The Voice Of Extreme Expression&lt;/a&gt;&lt;/h4&gt;&lt;h4&gt;&amp;nbsp;&lt;/h4&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2282884683317479345?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2282884683317479345/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2282884683317479345' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2282884683317479345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2282884683317479345'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/12/50-great-voices-update.html' title='50 Great Voices Update'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8317437902410269518</id><published>2010-12-27T19:09:00.000-06:00</published><updated>2010-12-27T19:09:55.628-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><title type='text'>New Book: Women in the Student Nonviolent Coordinating Committee (SNCC)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.press.uillinois.edu/books/images/9780252035579.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.press.uillinois.edu/books/images/9780252035579.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Hands on the Freedom Plow: Personal Accounts by Women in SNCC&lt;/i&gt;. Edited by Faith S. Holsaert, Martha Prescod Norman Noonan, Judy  Richardson, Betty Garman Robinson, Jean Smith Young, and Dorothy M.  Zellner. Urbana: University of Illinois Press, 2010. &lt;a href="http://www.worldcat.org/oclc/601330993"&gt;WorldCat record with Google Preview&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Founded in 1960, the Student Nonviolent Coordinating Committee (SNCC) played a pivotal role in many of the key events of the American civil rights movement. &lt;br /&gt;&lt;br /&gt;In &lt;i&gt;Hands on the Freedom Plow&lt;/i&gt;, 52 women offer their personal stories of  working for SNCC. In addition to coverage of the founding of the SNCC and work in the national SNCC office, the volume provides new perspectives on a variety of topics: early sit-ins, voter registration campaigns, and Freedom Rides; the 1963 March on Washington; the Mississippi Freedom Summer; the movements in Georgia, Alabama and Maryland; and Black Power.&lt;br /&gt;&lt;br /&gt;Editors and contributors have recently appeared on two forums to discuss the book and their personal experiences in SNCC:&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.c-spanvideo.org/program/295887-1"&gt;Hands on the Freedom Plow&lt;/a&gt; (BookTV; video; 1 hr, 20 min) Importance of music in the movement; &lt;br /&gt;&lt;span class="field-content"&gt;&lt;/span&gt;&lt;br /&gt;&lt;h2 class="title" style="font-weight: normal;"&gt;&lt;a href="http://forum-network.org/lecture/sisters-struggle-women-civil-rights-movement"&gt;&lt;span style="font-size: small;"&gt;Sisters in the Struggle: Women in the Civil Rights Movement&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt; (Forum Network; video, 54 min.)&amp;nbsp;&lt;/span&gt;&lt;/h2&gt;&lt;h2 class="title" style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;For additional sources that document the history of SNCC, see the&lt;a href="http://crdl.usg.edu/"&gt; Civil Rights Digital Libary&lt;/a&gt;.&lt;/span&gt;&lt;/h2&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8317437902410269518?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8317437902410269518/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8317437902410269518' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8317437902410269518'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8317437902410269518'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/12/new-book-women-in-student-nonviolent.html' title='New Book: Women in the Student Nonviolent Coordinating Committee (SNCC)'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-4563181922628493429</id><published>2010-12-14T17:46:00.007-06:00</published><updated>2010-12-15T13:07:54.492-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='archives'/><category scheme='http://www.blogger.com/atom/ns#' term='Papers'/><category scheme='http://www.blogger.com/atom/ns#' term='Poetry'/><title type='text'>Faith Beamer Cooke Digital Collection</title><content type='html'>&lt;div align="left"&gt;Washington State University has recently digitized fifty-three items from the &lt;a href="http://kaga.wsulibs.wsu.edu/cdm-cooke/browse.php"&gt;Francis Beamer Cooke Digital Collection&lt;/a&gt;. Items include published and unpublished poetry, correspondence, and photographs. All the digitized items are a part of the larger &lt;a href="http://www.wsulibs.wsu.edu/MASC/finders/cg729.htm"&gt;Francis Beamer Cooke papers&lt;/a&gt;, which was acquired by Washington State University in 2008. The &lt;a href="http://www.washingtonwomenshistory.org/"&gt;Washington Women's History Consortium&lt;/a&gt; assisted in providing funding for the digitized items.&lt;br /&gt;&lt;br /&gt;Cooke was a twentieth century poet and a native of Oregon. Everywhere she lived, Cooke was an active member of the local community, with a special interest in developing cultural programs. By 1945, she had founded the Writer's Workshop (later Mid-Columbia Writers League and the Mid-Columbia Writers Association) and a Unitarian Fellowship. She continued throughout her life to develop her skills as a poet by participating in writer's organizations and seminars throughout the Pacific Northwest and often around the world. As the Tri-Cities grew Cooke expanded her efforts to develop regional and statewide poetry and community organizations. She was a key participant in the Benton-Franklin County Fair, the creation of the Columbia Arts Center, the Washington Poets Association, the 1976 USA Bicentennial Project, the Washington State Centennial Project, and other similar events. The Washington Poets Association established a poetry award as a memorial to Cooke, their founder, in 1999.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://kaga.wsulibs.wsu.edu/cgi-bin/getimage.exe?CISOROOT=/cooke&amp;amp;CISOPTR=33&amp;amp;DMSCALE=75.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=600&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=&amp;amp;REC=5&amp;amp;DMTHUMB=0&amp;amp;DMROTATE=0"&gt;&lt;img style="text-align: center; margin: 0px auto 10px; width: 413px; display: block; height: 442px;" alt="" src="http://kaga.wsulibs.wsu.edu/cgi-bin/getimage.exe?CISOROOT=/cooke&amp;amp;CISOPTR=33&amp;amp;DMSCALE=75.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=600&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=&amp;amp;REC=5&amp;amp;DMTHUMB=0&amp;amp;DMROTATE=0" border="0" /&gt; &lt;/a&gt;&lt;p align="center"&gt;&lt;span style="font-size:78%;"&gt;Coins of Passage: Faith Beamer Cooke papers, 1928-1999, (Cage 729, Box 5, Folder 259, Item 1)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-4563181922628493429?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/4563181922628493429/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=4563181922628493429' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4563181922628493429'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4563181922628493429'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/12/faith-beamer-cooke-digital-collection.html' title='Faith Beamer Cooke Digital Collection'/><author><name>Matt Francis</name><uri>http://www.blogger.com/profile/11187182511699380470</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-4966687899039716379</id><published>2010-12-07T23:16:00.001-06:00</published><updated>2010-12-07T23:19:42.337-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'>A Culinary Chronicle of Mount Holyoke College</title><content type='html'>&lt;span class="pagetitle"&gt;&lt;a href="http://www.mtholyoke.edu/archives/25363.shtml"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;“Everything Is Wholesome and Abundant”:  A Culinary Chronicle of Mount Holyoke College, 1837- Today&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;A Library Exhibition in Williston Library Court (November 1 – December 15, 2010)&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;This announcement includes a wealth of information about culinary history at Mount Holyoke College. In &lt;a href="http://www.mtholyoke.edu/news/channels/22/stories/5682617"&gt;Celebrating an MHC Thanksgiving in the 1800s&lt;/a&gt; (video; 5 min, 30 sec), archives librarian Patricia Albright showcases diaries, letters, and photographs from the&amp;nbsp;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Mount Holyoke College Archives and Special Collections&lt;/span&gt;. The site also offers&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;sample images from the exhibition and information about such topics as kitchen layout, strategies for &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;preserving foods before the days of refrigeration&lt;/span&gt;&lt;b style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;, and victory gardens.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://mtholyoke.cdmhost.com/u?/p1030coll8,5010" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="265" src="http://3.bp.blogspot.com/_n0fdjz5Qdl4/TNoph7O14DI/AAAAAAAAAMM/Rz-9IwUJ78o/s320/mtholyoke_bread.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="maintext"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Making Bread, 1894-95&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="maintext"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Image Provided Courtesy of the&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Mount Holyoke College Archives and Special Collections)&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-4966687899039716379?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/4966687899039716379/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=4966687899039716379' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4966687899039716379'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4966687899039716379'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/12/culinary-chronicle-of-mount-holyoke.html' title='A Culinary Chronicle of Mount Holyoke College'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_n0fdjz5Qdl4/TNoph7O14DI/AAAAAAAAAMM/Rz-9IwUJ78o/s72-c/mtholyoke_bread.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3529186963973278255</id><published>2010-12-06T00:15:00.000-06:00</published><updated>2010-12-06T00:15:47.183-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'>Three Exhibits Explore Colonial Sewing</title><content type='html'>Eve M. Kahn, &lt;a href="http://www.nytimes.com/2010/10/01/arts/design/01antiques.html?_r=2"&gt;Revising Our Ideas of Colonial Sewing&lt;/a&gt;, &lt;i&gt;New York Times&lt;/i&gt; (September 30, 2010). Kahn highlights exhibitions at the Connecticut Historical Society, the Florence Griswold Museum, and the Winterthur Museum that offer new insights into Colonial women’s sewing habits.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://store.chs.org/product_images/w/148/ctneedlework__38924_std.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://store.chs.org/product_images/w/148/ctneedlework__38924_std.jpg" width="158" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.chs.org/page.php?id=511"&gt;&lt;span style="font-style: italic;"&gt;Connecticut Needlework: Women, Art, and Family, 1740-1840&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;Connecticut Historical Society,&lt;span style="font-style: italic;"&gt; &lt;/span&gt;October 5, 2010 - March 26, 2011&lt;br /&gt;This exhibition features more than seventy examples of needlework art. An &lt;a href="http://store.chs.org/products/Connecticut-Needlework%3A-Women%2C-Art%2C-and-Family%2C-1740%252d1840.html"&gt;illustrated catalog by Susan P. Schoelwer&lt;/a&gt; (pictured at left) accompanies the exhibition. Online information about the book includes images of five samplers from the exhibition.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;a href="http://www.flogris.org/exhibitions/2010/10Needle.html"&gt;With Needle and Brush: Schoolgirl Embroidery from the Connecticut River Valley&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;Florence Griswold Museum, October 2, 2010- January 30, 2011&lt;br /&gt;Many of the 70 embroideries, watercolor  sketches, and portraits in this exhibition are from private  collections.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.winterthur.org/thumbnail.php?id=11266&amp;amp;size=2" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://www.winterthur.org/thumbnail.php?id=11266&amp;amp;size=2" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.winterthur.org/betsyross"&gt;Betsy Ross: The Life Behind the Legend&amp;nbsp; &lt;/a&gt;&lt;br /&gt;Winterthur Museum, October 2, 2010 - January 2, 2011 &lt;br /&gt;Marla Miller, who co-curated the exhibition with Winterthur's Linda Eaton and Katie Knowles, is the author of the new scholarly biography, &lt;a href="http://www.worldcat.org/oclc/435711198"&gt;&lt;i&gt;Betsy Ross and the Making of America&lt;/i&gt;&lt;/a&gt; (Henry Holt, 2010).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3529186963973278255?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3529186963973278255/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3529186963973278255' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3529186963973278255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3529186963973278255'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/12/three-exhibits-explore-colonial-sewing.html' title='Three Exhibits Explore Colonial Sewing'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-399400029604168645</id><published>2010-12-01T18:10:00.000-06:00</published><updated>2010-12-01T18:10:13.575-06:00</updated><title type='text'>On This Day: Rosa Parks</title><content type='html'>On December 1, 1955, Rosa Parks refused to give up her seat to a white passenger on a bus in Montgomery, Alabama. Her arrest sparked a&amp;nbsp; boycott of the city's bus system.&lt;br /&gt;&lt;br /&gt;See Today's Document from the U.S. National Archives:&lt;br /&gt;&lt;a href="http://www.archives.gov/historical-docs/todays-doc/index.html?dod-date=1201#2010"&gt;&lt;span style="font-size: small;"&gt;Illustration of bus where Rosa Parks sat, December 1, 1955&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.archives.gov/historical-docs/doc-content/images/rosa-parks-bus-diagram-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://www.archives.gov/historical-docs/doc-content/images/rosa-parks-bus-diagram-m.jpg" width="170" /&gt;&lt;/a&gt;&lt;br /&gt;Diagram of the Bus Showing Where Rosa Parks Was Seated (&lt;a href="http://arcweb.archives.gov/arc/action/ExternalIdSearch?id=596069"&gt;ARC Identifier: 596069&lt;/a&gt;);  File Unit: Aurelia S. Browder et al. v. W. A. Gayle et al., No. 1147;  U.S. District Court for the Northern (Montgomery) Division of the Middle  District of Alabama. (1839 - ); Records of District Courts of the  United States, 1685 - 1991; Record Group 21; National Archives.&lt;br /&gt;&lt;br /&gt;Explore further with &lt;a href="http://www.archives.gov/education/lessons/rosa-parks/"&gt;Teaching With Documents: The Arrest Records of Rosa Parks&lt;/a&gt;, also from the National Archives. Parks&lt;a href="http://www.teachersdomain.org/resource/iml04.soc.ush.civil.parks/"&gt; recalled her role in Montgomery Bus Boycott in a brief interview&lt;/a&gt;&amp;nbsp; (Teachers' Domain; 2 min., 13 sec).&amp;nbsp; &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;a href="http://www.archives.gov/historical-docs/doc-content/images/rosa-parks-bus-diagram-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.archives.gov/historical-docs/todays-doc/index.html?dod-date=1201#2010"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-399400029604168645?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/399400029604168645/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=399400029604168645' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/399400029604168645'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/399400029604168645'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/12/on-this-day-rosa-parks.html' title='On This Day: Rosa Parks'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5866294222898388280</id><published>2010-11-29T00:21:00.002-06:00</published><updated>2010-11-29T00:22:32.902-06:00</updated><title type='text'>In the News: Restoration of WPA Murals</title><content type='html'>&lt;a href="http://www.usatoday.com/news/nation/2010-11-22-wpa22_ST_N.htm"&gt;Admiration of New Deal Works of Art Florishing&lt;/a&gt; (USA Today, November 22, 2010) Judy Keen highlights efforts to discover and restore Works Progress Administration murals in schools and post offices. The article includes an image of &lt;i&gt;Horses in Children's Literature&lt;/i&gt;, a 1940 frieze by Ethel Spears that inspires kindergarten students in a Chicago school.&lt;br /&gt;&lt;br /&gt;Heather Becker, who highlights Chicago's WPA murals in a video that accompanies the online article, is the author of&lt;br /&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+53780750_140.jpg?SearchOrder=+-+TN,FA,GO" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+53780750_140.jpg?SearchOrder=+-+TN,FA,GO" /&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt; &lt;a href="http://www.worldcat.org/oclc/50253280"&gt;Art for the People: The Rediscovery and Preservation  of Progressive- and WPA-era Murals in the Chicago Public Schools,  1904-1943&lt;/a&gt; (Chronicle Books, 2002). Mary Gray's &lt;a href="http://www.worldcat.org/oclc/44128341"&gt;&lt;i&gt;A Guide to Chicago's Murals&lt;/i&gt;&lt;/a&gt; (University of Chicago Press, 2001) includes  full-color illustrations of nearly two hundred Chicago murals,  biographies of more than 150 artists, and a glossary of key terms.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Digital Collections of WPA Art&lt;/b&gt; &lt;br /&gt;&lt;a href="http://library.case.edu/ksl/collections/special/wpa/women.html"&gt;Women Artists of the WPA&lt;/a&gt; (Case Western Reserve University Library) offers biographical profiles and images of works by Jolan Gross-Bettelheim, Dorothy Rutka, and Gladys Carambell.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.newdealartregistry.org/NewDealArtRegistry.html#"&gt;New Deal Registry&lt;/a&gt; is a &lt;span class="HomePageText" style="color: black;"&gt;guide to surviving public art that was created under the New Deal               programs, 1934-1943. Browse by state, then city. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://infodome.sdsu.edu/projects/wpa/"&gt;Works Projects Administration Murals in California&lt;/a&gt; (San Diego State University)&lt;span style="font-size: small;"&gt; For background information about this database, see Laurel Bliss and Melissa Lamont, "Documenting WPA Murals in California," &lt;i&gt;Art Documentation&lt;/i&gt; 29 (Spring 2010): 4-10.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://memory.loc.gov/service/pnp/cph/3b40000/3b48000/3b48800/3b48804r.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="http://memory.loc.gov/service/pnp/cph/3b40000/3b48000/3b48800/3b48804r.jpg" width="126" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="http://memory.loc.gov/cgi-bin/query/D?wpapos:2:./temp/%7Eammem_7ZTg::"&gt;&lt;b&gt;WPA &lt;b&gt;women&lt;/b&gt; painters, Federal Art Gallery &lt;/b&gt;&lt;/a&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;a href="http://memory.loc.gov/ammem/wpaposters/wpahome.html"&gt;By the People, For the People: Posters from the WPA, 1936-1943 &lt;/a&gt;(Library of Congress) includes works by Katherine Milhous, Mildred Waltrip, and other women artists.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.columbia.edu/cu/iraas/wpa/"&gt;Harlem Hospitals WPA Murals&lt;/a&gt; (Columbia University) includes a &lt;a href="http://www.columbia.edu/cu/iraas/wpa/artists/gseabrooke.html"&gt;biographical profile of Georgette Seabrooke&lt;/a&gt; and a slideshow of&lt;a href="http://www.columbia.edu/cu/iraas/wpa/murals/recreation.html"&gt; Seabrooke's &lt;i&gt;Recreation in Harlem&lt;/i&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Oral History Interviews&lt;/b&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.aaa.si.edu/collections/oralhistories/transcripts/lundeb80.htm"&gt;Oral history interview with Helen Lundeberg&lt;/a&gt;, 1980 July 19-Aug. 29 (Archives of American Art) Among other topics, Lundeberg discusses painting murals for the WPA Federal Art Project.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.aaa.si.edu/collections/oralhistories/transcripts/gikow64.htm"&gt;&lt;span style="font-size: small;"&gt;Oral History Interview with Ruth Gikow, 1964 &lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;(Archives of American Art) Gikow recalls mural painting at the Bronx Hospital for the Federal Art Project. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Explore Further&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;h1 style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.archives.gov/research/alic/reference/new-deal-arts.html%20"&gt;New Deal Arts / Culture &lt;/a&gt;(U.S. National Archives) This guide &lt;b style="font-weight: normal;"&gt;covers books, National Archives and Records Administration resources, related collections in the Washington, D.C. area, and related web sites.&lt;/b&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/h1&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5866294222898388280?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5866294222898388280/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5866294222898388280' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5866294222898388280'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5866294222898388280'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/11/in-news-restoration-of-wpa-murals.html' title='In the News: Restoration of WPA Murals'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1716697121488446864</id><published>2010-11-22T18:36:00.009-06:00</published><updated>2010-11-22T19:20:13.651-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='museum exhibition'/><category scheme='http://www.blogger.com/atom/ns#' term='Photographs'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'>Esther Bubley, Photojournalist</title><content type='html'>&lt;i style=""&gt;&lt;a href="http://www.moma.org/visit/calendar/exhibitions/1041"&gt;Pictures by Women: A History of Modern Photography&lt;/a&gt;,&lt;/i&gt;which is open through March 21, 2011 at the Museum of Modern Art, features the work of outstanding female photographers including Diane Arbus, Tina Modotti, Cindy Sherman, Carrie Mae Weems, and Esther Bubley among many others.&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_q4K8v-D6rss/TOsSOs0LLQI/AAAAAAAACwk/CjyH7jZI2GA/s1600/Fullscreen%2Bcapture%2B11222010%2B65932%2BPM.bmp.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 200px; height: 105px;" src="http://3.bp.blogspot.com/_q4K8v-D6rss/TOsSOs0LLQI/AAAAAAAACwk/CjyH7jZI2GA/s200/Fullscreen%2Bcapture%2B11222010%2B65932%2BPM.bmp.jpg" alt="" id="BLOGGER_PHOTO_ID_5542543810166992130" border="0" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;Born in 1921 to Jewish immigrants, Bubley became one of the best-known photographers of her time. &lt;span style=""&gt; &lt;/span&gt;Her evocative photographs of mid-twentieth century America captured our national identity and influenced popular culture. &lt;span style=""&gt; &lt;/span&gt;Movie scholar Paula Rabinowitz claims Bubley’s photographs of women working in factories and offices during World War II contributed to a staple character of the film noir genre, the strong-willed independent woman.&lt;/p&gt;&lt;p class="MsoNormal"&gt;Bubley’s subjects ranged from the ordinary &lt;span style=""&gt;— bus riders, hospital patients, teenagers, boardinghouse residents — to the extraordinary including renowned individuals like Albert Einstein and Marianne Moore.&lt;span style=""&gt;  &lt;/span&gt;Bubley’s work appeared in &lt;i style=""&gt;Look&lt;/i&gt;, &lt;i style=""&gt;Life&lt;/i&gt;, and &lt;i style=""&gt;Ladies’ Home Jour&lt;/i&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;i style=""&gt;nal&lt;/i&gt;.&lt;span style=""&gt;  &lt;/span&gt;She also worked for the Office of War Information, ultimately spending six weeks on a cross-country tour documenting the American nation at war.&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_q4K8v-D6rss/TOsP25YLD-I/AAAAAAAACwc/0PpdWF494xY/s1600/Fullscreen%2Bcapture%2B11222010%2B64845%2BPM.bmp"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 126px;" src="http://4.bp.blogspot.com/_q4K8v-D6rss/TOsP25YLD-I/AAAAAAAACwc/0PpdWF494xY/s200/Fullscreen%2Bcapture%2B11222010%2B64845%2BPM.bmp" alt="" id="BLOGGER_PHOTO_ID_5542541202199089122" border="0" /&gt;&lt;/a&gt;&lt;span style=""&gt;&lt;span style=""&gt;  &lt;/span&gt;In the late 1940s, she photographed Texas oil towns for Standard Oil.&lt;span style=""&gt;  &lt;/span&gt;Bubley was the first woman to win &lt;i style=""&gt;Photography&lt;/i&gt; magazine’s competi&lt;/span&gt;&lt;span style=""&gt;tion for international work.&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;Since her death in 1998, Bubley’s popularity has continued to grow.&lt;span style=""&gt;  &lt;/span&gt;Her niece Jean Bubley maintains a website about the photographer.&lt;span style=""&gt;  &lt;/span&gt;The site features a slide show of Bubley’s work, a &lt;a href="http://www.estherbubley.com/video/eb_video.htm"&gt;video biography&lt;/a&gt;, and a calendar of current and upcoming museum exhibitions which include Bubley’s work.&lt;span style=""&gt;  &lt;/span&gt;For researchers, the site also provides important information about &lt;a href="http://www.estherbubley.com/copyright_frame_set.htm"&gt;copyright and the use of Bubley’s work in publication&lt;/a&gt;.&lt;/p&gt;    &lt;p class="MsoNormal"&gt;For more information about Bubley and her work, see &lt;a href="http://www.smithsonianmag.com/arts-culture/Private_Eye.html"&gt;Beverly W. Brannan, “Private Eye,” &lt;i style=""&gt;Smithsonian Magazine&lt;/i&gt;, March 2004&lt;/a&gt;; Amy Pastan, &lt;i style=""&gt;Fields of Vision: The Photographs of Esther Bubley&lt;/i&gt; (D. Giles, 2010); Bonnie Yochelson, &lt;i style=""&gt;Esther Bubley: On Assignment&lt;/i&gt; (Aperture, 2005).&lt;span style=""&gt;  &lt;/span&gt;The Library of Congress featured Bubley’s work on its website about &lt;a href="http://www.loc.gov/rr/print/coll/womphotoj/bubleyintro.html"&gt;female photojournalists&lt;/a&gt;.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1716697121488446864?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1716697121488446864/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1716697121488446864' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1716697121488446864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1716697121488446864'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/11/esther-bubley-photojournalist.html' title='Esther Bubley, Photojournalist'/><author><name>Julie Holcomb</name><uri>http://www.blogger.com/profile/16395756529080280510</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_q4K8v-D6rss/TOsSOs0LLQI/AAAAAAAACwk/CjyH7jZI2GA/s72-c/Fullscreen%2Bcapture%2B11222010%2B65932%2BPM.bmp.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2192368692879460017</id><published>2010-11-14T23:06:00.000-06:00</published><updated>2010-11-14T23:06:05.145-06:00</updated><title type='text'>Callie House and the Struggle for Ex-Slave Reparations</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;i&gt;Miranda Booker Perry, "&lt;/i&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.archives.gov/publications/prologue/2010/summer/slave-pension.html"&gt;No Pensions for Ex-Slaves: How Federal Agencies Suppressed Movement To Aid Freedpeople&lt;/a&gt;," &lt;i&gt;Prologue&lt;/i&gt; 42 (Summer 2010).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Callie House was a national leader in the movement to grant pensions to ex-slaves. In 1898, the former slave was elected assistant secretary of the National Ex-Slave Mutual Relief, Bounty &amp;amp; Pension Association of the United States of America (MRB&amp;amp;PA). In this article, Perry describes how the Bureau of Pensions, the Post Office Department, and the Justice Department undermined the efforts of House, Isaiah Dickerson, and the MRB&amp;amp;PA. &lt;br /&gt;&lt;br /&gt;The article includes a broadside with photos of House and Dickerson (below), a Certificate of Membership in the MRB&amp;amp;PA, and an ex-slave pension bill that proposed a pension payment scale based upon the age of beneficiaries.  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;img border="0" height="239" src="http://www.archives.gov/publications/prologue/2010/summer/images/slave-pension-broadside-s.jpg" style="margin-left: auto; margin-right: auto;" width="400" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;This broadside features both Isaiah Dickerson and  Callie House  (Records of the Department of Veterans Affairs, RG 15)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.archives.gov/publications/prologue/2010/summer/images/slave-pension-broadside-s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span id="goog_1818293144"&gt;&lt;/span&gt;&lt;span id="goog_1818293145"&gt;&lt;/span&gt;For more information about House and her role in the MRB&amp;amp;PA, see Mary Frances Berry's &lt;a href="http://www.worldcat.org/oclc/56490889"&gt;My Face is Black is True: Callie House and the Struggle for Ex-Slave Reparations&lt;/a&gt; (Alfred A. Knopf, 2005).&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2192368692879460017?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2192368692879460017/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2192368692879460017' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2192368692879460017'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2192368692879460017'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/11/callie-house-and-struggle-for-ex-slave.html' title='Callie House and the Struggle for Ex-Slave Reparations'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1718600007206029121</id><published>2010-11-09T00:37:00.000-06:00</published><updated>2010-11-09T00:37:17.537-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='China'/><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Diaries'/><title type='text'>New Book - The Undaunted Women of Nanking: The Wartime Diaries of Minnie Vautrin and Tsen Shui-fang</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.siupress.com//images/temp/212-5443-Product_LargeToMediumImage-thumb.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.siupress.com//images/temp/212-5443-Product_LargeToMediumImage-thumb.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;The Undaunted Women of Nanking: The Wartime Diaries of Minnie Vautrin and Tsen Shui-fang&lt;/i&gt;. &lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;Edited and  Translated by Huey-ling Hu and Zhang Lian-hong. &lt;/span&gt;Carbondale : Southern Illinois University Press, 2010.&lt;br /&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;Link: &lt;a href="http://www.worldcat.org/title/undaunted-women-of-nanking-the-wartime-diaries-of-minnie-vautrin-and-tsen-shui-fang/oclc/437115091"&gt;WorldCat record (with Google Books Preview) &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;The &lt;/span&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;Rape of Nanking refers to the &lt;/span&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;Japanese invasion and occupation of Nanking, China, from December of 1937 to February 1938. Historians estimate that Japanese soldiers killed between 200,000 and 300,000 Chinese and raped between 20,000 and 80,000 women. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt; &lt;/span&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;Minnie Vautrin (1886-1941) and Tsen Shui-fang (1875-1969) turned Ginling College &lt;/span&gt;into a refugee camp that &lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;protected thousands of women and children during the Rape of Nanking. &lt;/span&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;Their diaries, juxtaposed in this new edited collection,&amp;nbsp; &lt;/span&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;provide detailed accounts of life in the refugee camp.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;This is the first English translation of &lt;/span&gt;Tsen Shui-fang’s diary. Although &lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt;&lt;a href="http://www.library.yale.edu/div/Nanking/Vautrin.html"&gt;Vautrin's diary&lt;/a&gt; is also available online (pdf) as part of &lt;a href="http://www.library.yale.edu/div/Nanking/index.html"&gt;Yale's Nanking Massacre Project&lt;/a&gt;,&amp;nbsp; it lacks the editorial notes in&lt;/span&gt;&lt;i&gt; The Undaunted Women of Nanking.&lt;/i&gt;&lt;span id="ctl00_MainContent_ProductInfo1_ctl00_lblAuthorName"&gt; For additional information about&lt;/span&gt; Vautrin, see Hua-ling&lt;b&gt; &lt;/b&gt;Hu's &lt;i&gt;&lt;a href="http://www.worldcat.org/title/american-goddess-at-the-rape-of-nanking-the-courage-of-minnie-vautrin/oclc/41355746"&gt;&lt;span style="font-size: small;"&gt;American Goddess at the Rape of Nanking: The Courage  of Minnie Vautrin &lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;(&lt;/span&gt;Southern Illinois University Press, 2000) and &lt;i&gt;American National Biography&lt;/i&gt;.&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1718600007206029121?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1718600007206029121/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1718600007206029121' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1718600007206029121'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1718600007206029121'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/11/new-book-undaunted-women-of-nanking.html' title='New Book - The Undaunted Women of Nanking: The Wartime Diaries of Minnie Vautrin and Tsen Shui-fang'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1754889789414709047</id><published>2010-10-25T01:45:00.000-05:00</published><updated>2010-10-25T01:45:33.562-05:00</updated><title type='text'>In the News: Eulalia Garcia Maturey becomes a U.S. citizen with help of 69-year-old document</title><content type='html'>&lt;h1 class="marginMidSide" style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: small;"&gt;The following articles tell the story of &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;Eulalia Garcia Maturey, who became a U.S. citizen 101 years after arriving in Brownsville, Texas in her mother's arms.&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-weight: normal;"&gt;&lt;a href="http://edition.cnn.com/2010/LIVING/10/11/101woman.citizen.document/"&gt;&lt;span style="font-size: small;"&gt;Woman, 101, to become U.S. citizen with help of 69-year-old document &lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;(CNN, October 12, 2010)&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: small;"&gt; This article includes a photograph of Maturey with the "Legal Entry" document that she received in 1941. Government officials used information from this document to locate her Legal Permanent Resident documents. &lt;/span&gt;&lt;/h1&gt;&lt;h1 class="marginMidSide" style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.brownsvilleherald.com/articles/oath-118002-baby-states.html"&gt;101-year-old woman takes oath to become American&lt;/a&gt; (Brownsville Herald, October 13, 2010)&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;This article &lt;/span&gt;&lt;span style="font-size: small;"&gt;includes Maturey's reaction to becoming a U.S. citizen.&lt;/span&gt;&lt;a class="cssButton" href="javascript:void(0)" id="publishButton" onclick="if (this.className.indexOf(&amp;quot;ubtn-disabled&amp;quot;) == -1) {var e = document['postingForm'].publish;(e.length) ? e[0].click() : e.click(); if (window.event) window.event.cancelBubble = true; return false;}" target=""&gt;&lt;div class="cssButtonOuter"&gt;&lt;div class="cssButtonMiddle"&gt;&lt;div class="cssButtonInner"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;&lt;/h1&gt;&lt;a href="http://www.archives.gov/northeast/boston/exhibits/von-trapp.html"&gt; &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1754889789414709047?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1754889789414709047/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1754889789414709047' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1754889789414709047'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1754889789414709047'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/10/in-news-eulalia-garcia-maturey-becomes.html' title='In the News: Eulalia Garcia Maturey becomes a U.S. citizen with help of 69-year-old document'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7678871289557255396</id><published>2010-10-20T14:31:00.008-05:00</published><updated>2010-11-10T10:30:46.662-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vision 2020'/><category scheme='http://www.blogger.com/atom/ns#' term='Gender Equality'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'>Exhibit: From the Absence of Many to the Presence of All -- The Unfinished Business of Women's Equality</title><content type='html'>&lt;a href="http://constitutioncenter.org/"&gt;The National Constitution Center&lt;/a&gt; in Philadelphia, Pennsylvania has recently opened the exhibit &lt;i&gt;&lt;a href="http://www.drexel.edu/vision2020/news_events/events/Unfinished%20Business%20of%20Womens%20Equality/"&gt;From the Absence of Many to the Presence of All -- The Unfinished Business of Women's Equality&lt;/a&gt;&lt;/i&gt;.  The exhibit, which is on display until January 7, 2011, not only documents past struggles for gender equality, but also asks the viewer to imagine how equality can be achieved by the year 2020, the 100th anniversary of women earning the right to vote.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Unfinished Business of Women's Equality&lt;/i&gt; exhibit was developed as a part of &lt;a href="http://www.drexel.edu/vision2020/"&gt;Vision 2020&lt;/a&gt;, a national project focused on advancing gender equality by energizing the dialogue about women and leadership, and was commissioned by &lt;a href="http://www.drexelmed.edu/Home/AboutTheCollege/DepartmentsCentersandInstitutes/Institutes/InstituteforWomensHealthandLeadership.aspx"&gt;Drexel University College of Medicine's Institute for Women's Health and Leadership&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;object height="260" width="420"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1-onI3oEDLw?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/1-onI3oEDLw?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="260" width="420"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:78%;"&gt;Vision 2020 Anthem - What is Equality?&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7678871289557255396?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7678871289557255396/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7678871289557255396' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7678871289557255396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7678871289557255396'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/10/exhibit-from-absence-of-many-to.html' title='Exhibit: From the Absence of Many to the Presence of All -- The Unfinished Business of Women&apos;s Equality'/><author><name>Matt Francis</name><uri>http://www.blogger.com/profile/11187182511699380470</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1765259893666381782</id><published>2010-09-29T18:55:00.000-05:00</published><updated>2010-09-29T18:55:00.284-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Scrapbooks'/><title type='text'>Scrapbooks: Examples from digital collections, books, and a presentation</title><content type='html'>&lt;a href="http://weblogs.lib.uh.edu/blog/2010/06/15/what-was-houston-like-in-1911/"&gt;Gladys Ewing Debutante Scrapbook&amp;nbsp;&lt;/a&gt; (University of Houston Digital Library) is a new digital collection that includes invitations, notes, dance cards, and other items from 1911. Discovering American Women's History Online provides links to &lt;a href="http://content.mtsu.edu/cdm4/results.php?CISORESTMP=results.php&amp;amp;CISOVIEWTMP=item_viewer.php&amp;amp;CISOMODE=grid&amp;amp;CISOGRID=thumbnail,A,0;title,A,1;subjec,A,0;descri,A,0;none,A,0;20;title,none,none,none,none&amp;amp;CISOBIB=title,A,1,N;view,A,0,N;descri,200,0,N;none,A,0,N;none,A,0,N;20;title,none,none,none,none&amp;amp;CISOTHUMB=20%20%284x5%29;title,none,none,none,none&amp;amp;CISOTITLE=20;title,none,none,none,none&amp;amp;CISOHIERA=20;descri,title,none,none,none&amp;amp;CISOSUPPRESS=0&amp;amp;CISOTYPE=link&amp;amp;CISOOP1=all&amp;amp;CISOFIELD1=type&amp;amp;CISOBOX1=scrapbooks&amp;amp;CISOOP2=all&amp;amp;CISOFIELD2=descri&amp;amp;CISOBOX2=&amp;amp;CISOOP3=all&amp;amp;CISOFIELD3=subjec&amp;amp;CISOBOX3=&amp;amp;CISOOP4=all&amp;amp;CISOFIELD4=CISOSEARCHALL&amp;amp;CISOBOX4=&amp;amp;c=all&amp;amp;CISOROOT=%2Fwomen"&gt;19 additional digital collections with scrapbooks&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Two recent books provide historical overviews and specific examples of American scrapbooks: &lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+68210961_140.jpg?SearchOrder=+-+AV,GO,TN" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+68210961_140.jpg?SearchOrder=+-+AV,GO,TN" /&gt;&lt;/a&gt;&lt;/div&gt;Tucker, Susan, Katherine Ott, and Patricia Buckler. &lt;i&gt;The Scrapbook in American Life&lt;/i&gt;. Philadelphia, PA: Temple University Press, 2006. Link: &lt;a href="http://www.worldcat.org/oclc/61456731"&gt;WorldCat record with Google Books preview&lt;/a&gt; &lt;br /&gt;In addition to an introduction to the history of scrapbooks, the 15 chapters in this book cover such topics as Willa Cather's childhood scrapbook and "Daily Life on South Carolina Plantation: A Scrapbook Memory of Three Generations of Women."&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.thedailyscrapbook.com/images/scrapbooks_cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="147" src="http://www.thedailyscrapbook.com/images/scrapbooks_cover.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Helfand, Jessica. &lt;i&gt;Scrapbooks: An American History&lt;/i&gt;. New Haven: Yale University Press, 2008. Link: &lt;a href="http://www.worldcat.org/oclc/216936067"&gt;WorldCat record&amp;nbsp;&lt;/a&gt;&lt;br /&gt;This volume includes color photographs of the pages from more than 200 scrapbooks. &lt;br /&gt;&lt;br /&gt;Helfand and Rebecca Johnson Melvin discuss &lt;a href="http://video.cooperhewitt.org/scrapbooks-and-self-works-jessica-helfand-and-rebecca-johnson-melvin"&gt;Scrapbooks and Self Works&lt;/a&gt; in a presentation at the Cooper-Hewitt Museum (YouTube, 1 hour, 38 min). Helfand includes examples from her book to illustrate the different ways in which women (and men) have used scrapbooks. After noting that scrapbooks are often overlooked as a research source, manuscripts librarian Rebecca Johnson Melvin describes numerous scrapbooks in Special Collections at the University of Delaware Library. Some of these scrapbooks are also featured in the &lt;a href="http://www.lib.udel.edu/ud/spec/exhibits/selfwork/index.htm"&gt;Self Works&lt;/a&gt;  exhibit that she curated. &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1765259893666381782?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1765259893666381782/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1765259893666381782' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1765259893666381782'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1765259893666381782'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/09/scrapbooks-examples-from-digital.html' title='Scrapbooks: Examples from digital collections, books, and a presentation'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3531355585422529597</id><published>2010-09-15T17:01:00.000-05:00</published><updated>2010-09-15T12:45:00.471-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wyoming'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'>Traveling Exhibit: In Pursuit of Equality</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="FONT-STYLE: italic;font-size:100%;" &gt;&lt;a href="http://ahc.uwyo.edu/eduoutreach/traveling%20exhibits/pursuitequality.htm"&gt;In Pursuit of Equality&lt;/a&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;is a traveling exhibit curated from collections at the &lt;a href="http://ahc.uwyo.edu/"&gt;American Heritage Center at the University of Wyoming&lt;/a&gt;. The exhibit tells the story of three women who through their actions as elected office holders, challenged and changed the conventional understanding of equality in Wyoming during the 20th century. Featured in the exhibit are Nellie Tayloe Ross, the first woman governor in the United States; Thyra Thomson,Wyoming's longest serving state official and an impassioned advocate for the Equal Rights Amendment; and Elizabeth Byrd, Wyoming's first African-American woman legislator and lead proponent for Wyoming's recognition of Martin Luther King, Jr. Day.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;In Pursuit of Equality &lt;/em&gt;is currently located at the LCCC Ludden Library in Cheyenne, Wyoming where it will be displayed through December of 2010. An &lt;a href="http://ahc.uwyo.edu/onlinecollections/exhibits/pursuitequality/default-pursuit.htm"&gt;on-line version&lt;/a&gt; of the exhibit contains the original text from the traveling exhibit, as well as a limited number of images. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_91X2NLqxk10/TFIAvtUrRUI/AAAAAAAAAAs/DxUHqp7pwzs/s1600/TT+Statue-L.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 247px; DISPLAY: block; HEIGHT: 320px; CURSOR: pointer" id="BLOGGER_PHOTO_ID_5499458914592965954" border="0" alt="" src="http://2.bp.blogspot.com/_91X2NLqxk10/TFIAvtUrRUI/AAAAAAAAAAs/DxUHqp7pwzs/s320/TT+Statue-L.jpg" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="TEXT-ALIGN: center"&gt;&lt;span style="font-size:78%;"&gt;Image Caption: Secretary of State Thyra Thomson admiring the statue of Wyoming suffragist, Esther Hobart Morris, circa 1960s.&lt;br /&gt;(Thyra Thomson papers, Collection Number 9418, American Heritage Center, University of Wyoming)&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3531355585422529597?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3531355585422529597/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3531355585422529597' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3531355585422529597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3531355585422529597'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/traveling-exhibit-in-pursuit-of.html' title='Traveling Exhibit: In Pursuit of Equality'/><author><name>Matt Francis</name><uri>http://www.blogger.com/profile/11187182511699380470</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_91X2NLqxk10/TFIAvtUrRUI/AAAAAAAAAAs/DxUHqp7pwzs/s72-c/TT+Statue-L.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5144565123213877914</id><published>2010-09-13T00:55:00.001-05:00</published><updated>2010-09-13T00:56:49.856-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Historic films'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Preservation'/><title type='text'>Pioneering Woman Directors (National Film Preservation Foundation)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;a href="http://www.filmpreservation.org/preserved-films/treasures-dvds"&gt;Pioneering Woman Directors &lt;/a&gt;&lt;br /&gt;This web exhibition from NFPF's &lt;i&gt;Treasures from American Film Archives&lt;/i&gt; DVD showcases work by five women filmmakers:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Falling Leaves (1912) Preserved by the Library of Congress&lt;/li&gt;&lt;li&gt;The Hazards of Helen: Episode 13 (1915) Preserved by the Library of Congress&lt;/li&gt;&lt;li&gt;Peyote Queen (1965) Preserved by Anthology Film Archives&lt;/li&gt;&lt;li&gt;Rural Life in Maine (ca. 1930) Preserved by Northeast Historic Film&lt;/li&gt;&lt;li&gt;Where Are My Children? (1916) Preserved by the Library of Congress&lt;/li&gt;&lt;/ul&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://s3.amazonaws.com/nfpf-videos/the-hazards-of-helen-episode-26-1915-image-normal.jpg?2010" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://s3.amazonaws.com/nfpf-videos/the-hazards-of-helen-episode-26-1915-image-normal.jpg?2010" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;The Hazards of Helen: Episode 13 (1915), directed by Helen Holmes and Leo Maloney.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5144565123213877914?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5144565123213877914/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5144565123213877914' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5144565123213877914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5144565123213877914'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/09/pioneering-woman-directors-national.html' title='Pioneering Woman Directors (National Film Preservation Foundation)'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2923279912358787220</id><published>2010-09-08T08:44:00.003-05:00</published><updated>2010-09-13T00:42:03.111-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Quilts'/><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Museums'/><title type='text'>Snapshot: Favorite Objects from the Winterthur Museum</title><content type='html'>&lt;a href="http://www.ctculture.org/chc/program_resources/hrc/collections/snapshot-favorite-objects-in-y.html"&gt;Snapshot: Favorite Objects&lt;/a&gt; (Connecticut Humanities Council)&lt;br /&gt;Linda Eaton,&amp;nbsp;&lt;span class="maintext"&gt; Director of Collections and Senior Curator of Textiles at Winterthur Museum, selects three of her favorite items &lt;/span&gt;&lt;span class="maintext"&gt;in Winterthur's collections: &lt;/span&gt;&lt;span class="maintext"&gt;an 1815 quilt made by Mary Remington, &lt;/span&gt;&lt;span class="maintext"&gt;an indigo-resist printed whole cloth quilt, and &lt;/span&gt;&lt;span class="maintext"&gt;needlework pieces from the 19th century. Eaton devotes an entire chapter to Mary Remington and her quilt in &lt;a href="http://www.worldcat.org/oclc/70877980"&gt;Quilts in a Material World: Selections from the Winterthur Collection&lt;/a&gt; (&lt;/span&gt;New York : Abrams, 2007). Additional chapters in this illustrated volume cover the role of quilts in women's lives, quilts and American textile production, quilts and international trade, quilts and politics, and decorating with quilts in the early twentieth century.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.worldcat.org/oclc/70877980" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://t2.gstatic.com/images?q=tbn:ANd9GcR_RbDD9qe_9I2XqHGFcDQTJh9lUtQsrfPWMucbFFiKRtPAxao&amp;amp;t=1&amp;amp;usg=__gkgxhHhDvNpzprfcIIYDPLuL_mk=" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;A recent issue of Collector's Weekly features&amp;nbsp;&lt;a href="http://www.collectorsweekly.com/articles/an-interview-with-winterthur-textiles-curator-linda-eaton/"&gt; a lengthy interview with Linda Eaton&lt;/a&gt;. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2923279912358787220?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2923279912358787220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2923279912358787220' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2923279912358787220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2923279912358787220'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/09/snapshot-favorite-objects-from.html' title='Snapshot: Favorite Objects from the Winterthur Museum'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-113886971593944378</id><published>2010-09-05T18:01:00.011-05:00</published><updated>2010-09-05T18:30:10.541-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='archives'/><category scheme='http://www.blogger.com/atom/ns#' term='Abolitionists'/><category scheme='http://www.blogger.com/atom/ns#' term='Quakers'/><category scheme='http://www.blogger.com/atom/ns#' term='Primary sources'/><category scheme='http://www.blogger.com/atom/ns#' term='Abolitionism'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><title type='text'>Quakers and Slavery</title><content type='html'>The Religious Society of Friends (Quakers) led and sustained the abolitionist movement in Britain and North America, particularly after the Quaker reformation of the eighteenth century. Quaker women provided vital leadership in many of the female anti-slavery societies established in the nineteenth century. For example, Hicksite Quakers Lucretia Mott, Esther Moore, and Lydia White were among the founding members of the Philadelphia Female Anti-Slavery Society in 1833. Historians cite the PFASS as being in the vanguard of the abolitionist movement both for its activism and for its integrated membership.&lt;br /&gt;&lt;br /&gt;In November 2010, &lt;a href="http://www.blogger.com/www.swarthmore.edu"&gt;Swarthmore &lt;/a&gt;and &lt;a href="http://www.blogger.com/www.haverford.edu"&gt;Haverford &lt;/a&gt;Colleges will join with the &lt;a href="http://www.blogger.com/www.mceas.org"&gt;McNeil Center of Early American Studies&lt;/a&gt; at the University of Pennsylvania to host an international conference on &lt;a href="http://www.quakersandslavery.org/"&gt;Quakers and Slavery&lt;/a&gt;. To support the conference, the Quaker repositories at Swarthmore and Haverford have digitized numerous primary source materials, which are available through &lt;a href="http://triptych.brynmawr.edu/index.php"&gt;Triptych&lt;/a&gt;, a searchable online database of special collections from Swarthmore and Haverford as well as Bryn Mawr. Project staff have also developed &lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/"&gt;Quakers and Slavery&lt;/a&gt; an online exhibit featuring links to the primary source materials in Triptych as well as commentary by established scholars, Quaker researchers, and project staff. Divided into three helpful categories — Themes, People, and Organizations — the commentary enhances users’ understanding of the primary source materials available through the project.&lt;br /&gt;&lt;br /&gt;Several sections focus on the history of Quaker women in the anti-slavery movement:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_q4K8v-D6rss/TIQlaaPOR5I/AAAAAAAACvY/Z0YWXQMX4Ug/s1600/radical.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 106px; FLOAT: left; HEIGHT: 104px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5513572979458328466" border="0" alt="" src="http://2.bp.blogspot.com/_q4K8v-D6rss/TIQlaaPOR5I/AAAAAAAACvY/Z0YWXQMX4Ug/s200/radical.jpg" /&gt;&lt;/a&gt;&lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/commentary/themes/radical_quaker_women.php"&gt;Radical Quaker Women and the Early Women’s Rights Movement&lt;/a&gt;&lt;br /&gt;Learn about radical Quaker women by exploring their role abolition in Pennsylvania and the early Women’s rights movement. Topics discussed include the American Anti-Slavery Society, rural Quaker women, and the first Women’s Rights Convention held at Seneca Falls, New York, 1848.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/commentary/themes/johnson.php"&gt;Rescue of Jane Johnson&lt;/a&gt;&lt;br /&gt;In 1855, the slave Jane Johnson and her two children travelled through Philadelphia with their master, John Hill Wheeler. Johnson sent a message to the Pennsylvania Anti-Slavery Society that she wished to escape, and on July 18, Passmore Williamson, William Still, and five other free blacks confronted Wheeler and escorted Johnson and her children to freedom. The event was one of the first challenges to the 1850 Fugitive Slave Law. Passmore Williamson, William Still and the other free blacks were charged for their role in Johnson's 'abduction;' Lucretia and James Mott sheltered Johnson during the trial so that she could testify on her rescuers' behalf.&lt;br /&gt;&lt;br /&gt;Biographical entries include a relationship map, which traces relationships among various Quaker supporters of abolitionism including:&lt;br /&gt;&lt;br /&gt;Ruth Dugdale and Sarah B. Dugdale&lt;br /&gt;&lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/commentary/people/dugdale_map.php"&gt;Ruth Dugdale &lt;/a&gt;(1801-1896) rivaled her husband, Joseph, in her zeal for reform causes. She was a respected Quaker minister, and participated actively in anti-slavery, temperance, women's rights, and other movements in Ohio, Pennsylvania, and Iowa.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/commentary/people/dugdale_map.php"&gt;Sarah B. Dugdale &lt;/a&gt;(1787-1880) was the mother of Joseph A. Dugdale and the progenitor of his liberal ideals. She was involved in the American Anti-Slavery Society nearly from its founding, continued to participate in Progressive Friends societies and other reform movements until her death in 1880.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_q4K8v-D6rss/TIQmICI82ZI/AAAAAAAACvo/exsVv6V4-C0/s1600/lucretia.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 113px; FLOAT: left; HEIGHT: 110px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5513573763263551890" border="0" alt="" src="http://3.bp.blogspot.com/_q4K8v-D6rss/TIQmICI82ZI/AAAAAAAACvo/exsVv6V4-C0/s200/lucretia.jpg" /&gt;&lt;/a&gt;&lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/commentary/people/mott_map.php"&gt;Lucretia Mott&lt;/a&gt;&lt;br /&gt;Lucretia Coffin Mott (1793-1880)was a prominent Philadelphia Quaker minister and a leader in reform movements, especially antislavery, education, peace, and women's rights.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The site also includes important resources such as a &lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/resources/glossary.php"&gt;glossary of Quaker terminology &lt;/a&gt;(many with links to primary sources explaining those terms), an &lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/resources/map_world.php"&gt;interactive map&lt;/a&gt;, and a &lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/resources/timeline.php"&gt;timeline &lt;/a&gt;of the anti-slavery movement.&lt;br /&gt;&lt;br /&gt;Images from &lt;a href="http://trilogy.brynmawr.edu/speccoll/quakersandslavery/"&gt;Quakers and Slavery&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-113886971593944378?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/113886971593944378/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=113886971593944378' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/113886971593944378'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/113886971593944378'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/09/quakers-and-slavery.html' title='Quakers and Slavery'/><author><name>Julie Holcomb</name><uri>http://www.blogger.com/profile/16395756529080280510</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_q4K8v-D6rss/TIQlaaPOR5I/AAAAAAAACvY/Z0YWXQMX4Ug/s72-c/radical.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7978954232422574246</id><published>2010-08-18T02:00:00.000-05:00</published><updated>2010-08-17T17:34:16.499-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Government Documents'/><category scheme='http://www.blogger.com/atom/ns#' term='On This Day'/><title type='text'>On This Day: Ratification of the Nineteenth Amendment</title><content type='html'>&lt;a style="" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_91X2NLqxk10/TFH4hmHlnWI/AAAAAAAAAAk/QPIobJdUMEA/s1600/kaiser_wilson_poster.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 250px; height: 316px;" src="http://3.bp.blogspot.com/_91X2NLqxk10/TFH4hmHlnWI/AAAAAAAAAAk/QPIobJdUMEA/s320/kaiser_wilson_poster.jpg" alt="" id="BLOGGER_PHOTO_ID_5499449876047830370" border="0" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:100%;"&gt;On August 18, 1920 the Tennessee General Assembly approved the 19th  Amendment to the US Constitution by a one vote margin, making Tennessee the thirty-sixth and last state necessary to ratify the enactment.  The amendment which stated “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex,” finally granted full suffrage to women across the United States.&lt;br /&gt;&lt;br /&gt;For more information on the women’s suffragist movement and the nineteenth amendment, visit the &lt;a href="http://archives.gov/exhibits/charters/constitution_amendment_19.html"&gt;Charters of Freedom&lt;/a&gt; website from the National Archives and Records Administration. NARA also created a lesson plan based on primary documents from the American suffragist movement, that can be viewed at &lt;a href="http://www.archives.gov/education/lessons/woman-suffrage/"&gt;Teaching with Documents: Woman Suffrage and the 19th Amendment&lt;/a&gt;. To see documents related to the women's suffrage movement in Tennessee, including the passing of the 19th amendment, visit the &lt;a href="http://cmdc.knoxlib.org/"&gt;Calvin M. McClung Digital Collection&lt;/a&gt; at the Knox County Public Library.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:78%;"&gt;Image Caption: Suffragist with "Kaiser Wilson" poster (&lt;span class="smaller"&gt;Record Group 165, Records of the War Department    General and Special Staff, National Archives and    Records Administration) &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7978954232422574246?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7978954232422574246/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7978954232422574246' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7978954232422574246'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7978954232422574246'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/on-this-day-ratification-of-nineteenth.html' title='On This Day: Ratification of the Nineteenth Amendment'/><author><name>Matt Francis</name><uri>http://www.blogger.com/profile/11187182511699380470</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_91X2NLqxk10/TFH4hmHlnWI/AAAAAAAAAAk/QPIobJdUMEA/s72-c/kaiser_wilson_poster.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2051664004008808779</id><published>2010-08-11T02:10:00.002-05:00</published><updated>2010-08-11T02:11:31.419-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Historic films'/><category scheme='http://www.blogger.com/atom/ns#' term='Japan'/><category scheme='http://www.blogger.com/atom/ns#' term='Preservation'/><title type='text'>Preserving Historic Films</title><content type='html'>The National Film Preservation Foundation site offers online access to examples of its preservation work. Three of these films document the history of women:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmpreservation.org/preserved-films/screening-room/wohelo-camp-ca-1919"&gt;&lt;b&gt;&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://www.filmpreservation.org/preserved-films/screening-room/wohelo-camp-ca-1919" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="150" src="http://s3.amazonaws.com/nfpf-videos/wohelo-camp-ca-1919-image-normal.jpg?2010" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;a href="http://www.filmpreservation.org/preserved-films/screening-room/wohelo-camp-ca-1919"&gt;&lt;b&gt;Wohelo Camp (ca. 1919) &lt;/b&gt;&lt;/a&gt;&lt;/b&gt;(Northeast Historic Film), a promotional film about the pioneering all-girls summer camp in Maine, includes footage of the girls involved in a variety of activities: jewelry  making, pottery, canoeing, cooking, gardening, and horseback riding.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_n0fdjz5Qdl4/TGFboioDgQI/AAAAAAAAALU/EfnAyAXFiSw/s1600/manhattan_trade1911.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_n0fdjz5Qdl4/TGFboioDgQI/AAAAAAAAALU/EfnAyAXFiSw/s1600/manhattan_trade1911.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.filmpreservation.org/preserved-films/screening-room/manhattan-trade-school-for-girls-1911"&gt;                    &lt;b&gt;                      Manhattan Trade School for Girls                      (1911)&lt;/b&gt;&lt;/a&gt; (George Eastman House) This&amp;nbsp; promotional documentary film (16 min., 10 sec) includes footage of students playing basketball, dancing, cooking, sewing, and making hats. Jennifer M. Bean's commentary provides historical context throughout the film.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_n0fdjz5Qdl4/TGFfCKpa7qI/AAAAAAAAALY/rTEv4Nik86o/s1600/trip-through-japan.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_n0fdjz5Qdl4/TGFfCKpa7qI/AAAAAAAAALY/rTEv4Nik86o/s1600/trip-through-japan.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;a href="http://www.filmpreservation.org/preserved-films/screening-room/a-trip-through-japan-with-the-ywca-ca-1919"&gt;&lt;b&gt;A Trip through Japan with the YWCA (ca. 1919)&lt;/b&gt;&lt;/a&gt;&lt;/b&gt; includes footage of women in traditional occupations,&amp;nbsp; fleeting images of workers outside a textile factory&lt;i&gt;, and &lt;/i&gt;scenes with Ainu women (pictured at left). For background on the Ainu, see&lt;a href="http://draft.blogger.com/goog_1402528484"&gt; &lt;/a&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.worldcat.org/oclc/42801973"&gt;Ainu: Spirit of a Northern People&lt;/a&gt; &lt;/span&gt;&lt;/i&gt;(Smithsonian Institution in Association with University of Washington Press, 1999).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://s3.amazonaws.com/nfpf-videos/a-trip-through-japan-with-the-ywca-ca-1919-image-normal.jpg?2010" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2051664004008808779?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2051664004008808779/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2051664004008808779' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2051664004008808779'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2051664004008808779'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/08/preserving-historic-films.html' title='Preserving Historic Films'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_n0fdjz5Qdl4/TGFboioDgQI/AAAAAAAAALU/EfnAyAXFiSw/s72-c/manhattan_trade1911.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-4710740386118350208</id><published>2010-08-09T09:56:00.006-05:00</published><updated>2010-08-09T11:42:20.816-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Government Documents'/><category scheme='http://www.blogger.com/atom/ns#' term='Teaching Women&apos;s History'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'></title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_EvkQMqubwi0/TGAbG30EHQI/AAAAAAAAAAU/-hEmvA8CB8U/s1600/changingbanner.gif"&gt;&lt;img id="BLOGGER_PHOTO_ID_5503428549522234626" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 160px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_EvkQMqubwi0/TGAbG30EHQI/AAAAAAAAAAU/-hEmvA8CB8U/s400/changingbanner.gif" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.nlm.nih.gov/changingthefaceofmedicine/"&gt;Changing the Face of Medicine: Celebrating America's Women Physicians&lt;/a&gt; is an online exhibition developed by the National Library of Medicine. The website accompanies a traveling exhibition currently touring public libraries and universities around the United States. The site spans 150 years of history and includes biographies of more than 350 women, and features photographs, video interviews, and short films.&lt;br /&gt;&lt;br /&gt;The exhibition explores major themes in the history of women in medicine, from the nineteenth-century campaign to gain access to medical schools to ongoing efforts to reform education and diversify the profession at all levels.&lt;br /&gt;&lt;br /&gt;There are resources for educators, activities for schoolchildren, and bibliographies and career resources for scholars and students. Visitors are also invited to &lt;a href="http://www.nlm.nih.gov/changingthefaceofmedicine/shareyourstory/"&gt;share their own stories&lt;/a&gt; of women physicians they admire.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-4710740386118350208?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/4710740386118350208/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=4710740386118350208' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4710740386118350208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4710740386118350208'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/08/changing-face-of-medicine-celebrating.html' title=''/><author><name>Manon Parry</name><uri>http://www.blogger.com/profile/00182951349667730661</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_EvkQMqubwi0/TGAbG30EHQI/AAAAAAAAAAU/-hEmvA8CB8U/s72-c/changingbanner.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1412862372452109616</id><published>2010-08-04T08:32:00.009-05:00</published><updated>2010-08-04T08:33:13.361-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Photographs'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><title type='text'>New Digital Collection: Gottlieb Jazz Photos</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.flickr.com/photos/library_of_congress/sets/72157624588645784/"&gt;Gottlieb Jazz Photos&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;This Library of Congress collection of 200 photographs (now in the public domain) on Flickr documents the jazz scene in New York City and Washington, D.C. from 1938 to 1948. &lt;/span&gt;More photos will be added each month until all 1,600 in the collection are in Flickr. &lt;span style="font-size: small;"&gt;Browse the collection for photos of Mildred Bailey, &lt;/span&gt;&lt;span style="font-size: small;"&gt;Ella Fitzgerald, &lt;/span&gt;&lt;span style="font-size: small;"&gt;Billie Holiday, Lena Horne, Sarah Vaughan, and Mary Lou Williams.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_n0fdjz5Qdl4/TFg5wwztcVI/AAAAAAAAALQ/du7RLPo8ziM/s1600/women_jazz.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="142" src="http://4.bp.blogspot.com/_n0fdjz5Qdl4/TFg5wwztcVI/AAAAAAAAALQ/du7RLPo8ziM/s400/women_jazz.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;William P. Gottlieb's photos of Billie Holiday, Ella Fitzgerald, and Mary Lou Williams.&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-size: small;"&gt;For additional context, listen to &lt;a href="http://lcweb2.loc.gov/diglib/ihas/loc.natlib.ihas.200185923/default.html"&gt;Gottlieb's comments on the Billie Holiday photograph&lt;/a&gt; and on the &lt;a href="http://lcweb2.loc.gov/diglib/ihas/loc.natlib.ihas.200185920/default.html"&gt;Ella Fitzgerald photograph&lt;/a&gt;. Also, the National Public Radio's segment on &lt;a href="http://www.npr.org/programs/jazzprofiles/archive/women_1.html"&gt;Women in Jazz&amp;nbsp;&lt;/a&gt; includes an audio clip of &lt;/span&gt;a 1973 interview with Mary Lou Williams.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1412862372452109616?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1412862372452109616/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1412862372452109616' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1412862372452109616'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1412862372452109616'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/08/new-digital-collection-gottlieb-jazz.html' title='New Digital Collection: Gottlieb Jazz Photos'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_n0fdjz5Qdl4/TFg5wwztcVI/AAAAAAAAALQ/du7RLPo8ziM/s72-c/women_jazz.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1969505658417731290</id><published>2010-08-01T12:20:00.009-05:00</published><updated>2010-08-01T16:07:50.356-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='archives'/><category scheme='http://www.blogger.com/atom/ns#' term='global'/><category scheme='http://www.blogger.com/atom/ns#' term='research'/><category scheme='http://www.blogger.com/atom/ns#' term='Methodology'/><title type='text'>Book: Contesting Archives</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_d3srzqbkMn0/TFWvs0ViLfI/AAAAAAAAAD0/lsXjr9GySzc/s1600/9780252077364_lg.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 134px; height: 200px;" src="http://1.bp.blogspot.com/_d3srzqbkMn0/TFWvs0ViLfI/AAAAAAAAAD0/lsXjr9GySzc/s200/9780252077364_lg.jpg" alt="" id="BLOGGER_PHOTO_ID_5500495704400997874" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.press.uillinois.edu/books/catalog/74dqd4mf9780252035425.html"&gt;Contesting Archives: Finding Women in the Sources&lt;/a&gt; is a set of essays on innovative methodologies for the study of women's history from the sixteenth-century to the present. The contributors have developed and shared ways of approaching archives and documents "against the grain." The &lt;a href="http://www.press.uillinois.edu/books/ToC/9780252077364TOC.pdf"&gt;Table of Contents&lt;/a&gt; gives proof of the book's broad geographic and thematic reach. Edited by Nupur Chaudhri, Sherry J. Katz, and Mary Elizabeth Perry, the book was published by the &lt;a href="http://www.press.uillinois.edu/"&gt;University of Illinois Press&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;"&lt;i&gt;Contesting Archives&lt;/i&gt; makes vivid and concrete the way historians  must proceed when faced with partial or contradictory sources.  Historians and anyone interested in how historians work will appreciate  the authors' strategies for, and cautions about, unearthing information  about women from documents inside and outside the archive."--Margaret  Strobel, coeditor of &lt;i&gt;Expanding the Borders of Women's History&lt;br /&gt;&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1969505658417731290?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1969505658417731290/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1969505658417731290' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1969505658417731290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1969505658417731290'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/08/book-contesting-archives.html' title='Book: Contesting Archives'/><author><name>Uka</name><uri>http://www.blogger.com/profile/09401051578013139037</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_d3srzqbkMn0/TAwfOzYypmI/AAAAAAAAAAs/8cmpBH1X0nE/S220/28644_394338100657_586265657_4604332_3038557_n.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_d3srzqbkMn0/TFWvs0ViLfI/AAAAAAAAAD0/lsXjr9GySzc/s72-c/9780252077364_lg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3125221368576154013</id><published>2010-07-29T19:46:00.011-05:00</published><updated>2010-07-29T20:26:18.337-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='20th century'/><category scheme='http://www.blogger.com/atom/ns#' term='Photographs'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Suffrage'/><title type='text'>Catt Collection of Suffrage Photographs</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_q4K8v-D6rss/TFImEnnWFWI/AAAAAAAACuk/zJnfUnqDBGo/s1600/CCCatt.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 138px; FLOAT: left; HEIGHT: 200px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5499499955768137058" border="0" alt="" src="http://1.bp.blogspot.com/_q4K8v-D6rss/TFImEnnWFWI/AAAAAAAACuk/zJnfUnqDBGo/s200/CCCatt.jpg" /&gt;&lt;/a&gt;Suffragist, feminist, and political activist, Carrie Chapman Catt (1859-1947) served as president of the National American Woman Suffrage Association. She founded the International Woman Suffrage Alliance in 1902 and the League of Women Voters in 1920. During World War II, Catt supported Allied Forces and worked against Nazi persecution of the Jews. &lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://triptych.brynmawr.edu/cdm4/browse.php?CISOROOT=%2Fsuffragists"&gt;Six photograph albums &lt;/a&gt;from the &lt;a href="http://www.brynmawr.edu/library/speccoll/guides/catt.shtml"&gt;Carrie Chapman Catt Papers &lt;/a&gt;have been digitized and made available online through through &lt;a href="http://triptych.brynmawr.edu/index.php"&gt;Triptych Tri-College Digital Library&lt;/a&gt;, a digital initiative of Bryn Mawr, Swarthmore, and Haverford Colleges. The albums are housed with the rest of the Catt Papers in Special Collections at Bryn Mawr College Library.  The albums were most likely assembled by Catt's assistant Alda Wilson. The 815 photographs included in the albums cover the period from c. 1840 through 1940 and document the international suffrage movement. Photographic subjects include parades and other events as well as individuals involved in the American and international suffrage movements.&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 232px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5499500087842709122" border="0" alt="" src="http://2.bp.blogspot.com/_q4K8v-D6rss/TFImMToYHoI/AAAAAAAACus/21gw3AhHX8E/s320/threemillionwomen.jpg" /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:78%;"&gt;(Images are from the Catt Collection, Bryn Mawr College Library.)&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3125221368576154013?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3125221368576154013/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3125221368576154013' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3125221368576154013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3125221368576154013'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/catt-collection-of-suffrage-photographs.html' title='Catt Collection of Suffrage Photographs'/><author><name>Julie Holcomb</name><uri>http://www.blogger.com/profile/16395756529080280510</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_q4K8v-D6rss/TFImEnnWFWI/AAAAAAAACuk/zJnfUnqDBGo/s72-c/CCCatt.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-4043487297452244284</id><published>2010-07-26T23:11:00.005-05:00</published><updated>2010-07-26T23:20:18.889-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Teaching Women&apos;s History'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibits'/><title type='text'>Traveling Exhibit: Women &amp; Spirit</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;a href="http://www.womenandspirit.org/about.html"&gt;Women &amp;amp; Spirit: Catholic Sisters in America &lt;/a&gt;is a traveling exhibit (2009-2012) sponsored by the Leadership Conference of Women Religious. The exhibit documents the sisters’ contributions to America’s educational, healthcare and social justice institutions. Explore this site for exhibit photos, a downloadable brochure, education materials, and a tour schedule.&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.womenandspirit.org/webOne/index.php?www=gallery_image&amp;amp;id_item=119" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://www.womenandspirit.org/webOne/index.php?www=gallery_image&amp;amp;id_item=119" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Six Sisters of Mary of the Presentation (pictured) took part in a great  European migration, arriving from France to North Dakota in 1902, to  offer aid to immigrants.  (Photo courtesy of Sisters of Mary of the  Presentation.)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-4043487297452244284?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/4043487297452244284/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=4043487297452244284' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4043487297452244284'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/4043487297452244284'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/traveling-exhibit-women-spirit.html' title='Traveling Exhibit: Women &amp; Spirit'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5889756166408080351</id><published>2010-07-22T10:40:00.000-05:00</published><updated>2010-07-22T10:40:03.027-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cuba'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><title type='text'>New Commercial Digital Collection: Feminism in Cuba, 1898-1958</title><content type='html'>&lt;a href="http://www.gale.cengage.com/ArchivesUnbound/FeminismCuba.htm"&gt;&lt;i&gt;Feminism in Cuba, 1898-1958&lt;/i&gt;&lt;/a&gt; includes more than 14,000 pages from the personal collection of Dr. K. Lynn Stoner. The documents in this collection, 95% of which are in Spanish, fall  into three categories: &lt;br /&gt;&lt;ul&gt;&lt;li&gt;Works by feminists (memoirs of feminist congresses, collections of essays by feminists,  journals published by feminist organizations, and published speeches and  radio broadcasts)&lt;/li&gt;&lt;li&gt;Works by men on the status of women&lt;/li&gt;&lt;li&gt;Literary works by feminist writers that illustrate or discuss the  condition of women. &lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+15970977_140.jpg?SearchOrder=+-+AV,GO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+15970977_140.jpg?SearchOrder=+-+AV,GO" /&gt;&lt;/a&gt;&lt;/div&gt;Stoner used many of the sources in the collection for her book, &lt;i&gt;From the House to the Streets: The Cuban Women's Movement for Legal Reform, 1898-1940&lt;/i&gt; (Duke University Press, 1991).&lt;br /&gt;&lt;a href="http://www.worldcat.org/title/from-the-house-to-the-streets-the-cuban-womans-movement-for-legal-reform-1898-1940/oclc/22452406"&gt;WorldCat Record&lt;/a&gt; (with Google Preview)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5889756166408080351?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5889756166408080351/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5889756166408080351' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5889756166408080351'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5889756166408080351'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/new-commercial-digital-collection.html' title='New Commercial Digital Collection: Feminism in Cuba, 1898-1958'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3526943309168186706</id><published>2010-07-20T10:00:00.001-05:00</published><updated>2010-07-20T10:10:01.170-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='India'/><category scheme='http://www.blogger.com/atom/ns#' term='Songs'/><category scheme='http://www.blogger.com/atom/ns#' term='Great Britain'/><category scheme='http://www.blogger.com/atom/ns#' term='Turkey'/><category scheme='http://www.blogger.com/atom/ns#' term='Lebanon'/><category scheme='http://www.blogger.com/atom/ns#' term='Brazil'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>50 Great Voices (from Brazil, Egypt, Great Britain, India, Turkey, U.S., ...)</title><content type='html'>&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;a href="http://www.npr.org/templates/archives/archive.php?thingId=122287224"&gt;50 Great Voices&lt;/a&gt;, a new series from National Public Radio,&amp;nbsp; profiles "singers who've made their mark internationally and across recorded history." Each of the profiles features audio recordings of songs and interview clips. Women are well-represented in the singers profiled so far: &lt;/div&gt;&lt;ul style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=128431817"&gt;Fairuz:  Lebanon's Voice Of Hope&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=128149135"&gt;The  Many Voices Of Lauryn Hill&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=127835236"&gt;Sandy Denny: Mercurial Queen Of British Folk Rock&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=127483124"&gt;Janis Joplin: The Queen of Rock&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=127033025"&gt;Lydia Mendoza: The First Lady Of Tejano&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=126638085"&gt;Radmilla  Cody: Two Cultures, One Voice&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=125580636"&gt;Esma  Redzepova: 'Queen Of The Gypsies'&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=125787999"&gt;Sezen  Aksu: The Voice Of Istanbul&lt;/a&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=125170386"&gt;Ella  Fitzgerald: America's First Lady Of Song&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=124612595"&gt;Umm  Kulthum: 'The Lady' Of Cairo&lt;/a&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=124357584"&gt;Elis  Regina: The Feeling Between The Notes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=124110521"&gt;Asha Bhosle: Voice of Bollywood and More&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=123612228"&gt;Maria Callas: Voice of Perfect Imperfection&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=123498527"&gt;Mahalia Jackson: Voice of the Civil Rights Movement&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div class="titleblock"&gt;&lt;h4&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=123498527"&gt;&lt;/a&gt;&lt;/h4&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3526943309168186706?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3526943309168186706/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3526943309168186706' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3526943309168186706'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3526943309168186706'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/50-great-voices-from-brazil-egypt-great.html' title='50 Great Voices (from Brazil, Egypt, Great Britain, India, Turkey, U.S., ...)'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7272485991194282690</id><published>2010-07-14T00:04:00.005-05:00</published><updated>2010-07-14T13:50:22.668-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Folktales'/><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Letters'/><category scheme='http://www.blogger.com/atom/ns#' term='Fiction'/><category scheme='http://www.blogger.com/atom/ns#' term='Poetry'/><title type='text'>Book Series: Women Writing Africa</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://coverart.oclc.org/ImageWebSvc/oclc/+-+620789767_140.jpg?SearchOrder=+-+AV,GO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://coverart.oclc.org/ImageWebSvc/oclc/+-+620789767_140.jpg?SearchOrder=+-+AV,GO" /&gt;&lt;/a&gt;&lt;i&gt;Women Writing Africa: The Northern Region&lt;/i&gt;, ed. by Fatima Sadiqi, Amira Nowaira, Azza El Kholy &amp;amp; Moha Ennaji.&lt;span style="font-size: small;"&gt;  Feminist Press at the City University of New York, 2009. See &lt;a href="http://www.worldcat.org/title/women-writing-africa-the-northern-region/oclc/212432571"&gt;WorldCat  Record.&lt;/a&gt;&lt;a href="http://awid.org/eng/Issues-and-Analysis/Issues-and-Analysis/Review-of-Women-Writing-Africa-The-Northern-Region"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;This fourth volume in the &lt;i&gt;Women Writing Africa&lt;/i&gt; series includes more than 100  texts (&lt;span id="review"&gt;letters, poems, essays, speeches,  fiction, and folktales, all translated into English) &lt;/span&gt;from Algeria, Egypt, Mauritania, Morocco, Sudan, and Tunisia. See the &lt;span style="font-size: small;"&gt;&lt;a href="http://awid.org/eng/Issues-and-Analysis/Issues-and-Analysis/Review-of-Women-Writing-Africa-The-Northern-Region"&gt;online review&lt;/a&gt; from the Association for Women's Rights in Development.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The other three volumes in the series offer equally impressive collections of documents from other regions:&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Women Writing Africa: The Eastern Region&lt;/i&gt;, ed. by Amandina Lihamba, et al. &lt;span style="font-size: small;"&gt;Feminist Press at the City University of New York, 2007. &lt;a href="http://www.worldcat.org/title/women-writing-africa-the-eastern-region/oclc/76064567"&gt;WorldCat Record&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Includes texts from &lt;/span&gt;Kenya, Malawi, Tanzania, Uganda, and Zambia.&amp;nbsp;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Women Writing Africa: West Africa and the Sahel, &lt;/span&gt;&lt;/i&gt;ed. by Esi Sutherland-Addy and Aminata Diaw. &lt;span style="font-size: small;"&gt;Feminist Press at the City University of New York, 2005. &lt;a href="http://www.worldcat.org/title/women-writing-africa-west-africa-and-the-sahel/oclc/60605312"&gt;WorldCat Record&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;Includes texts from &lt;span id="review"&gt;Benin, Burkina Faso, Côte d'Ivoire, Gambia, Ghana,  Guinea-Conakry, Liberia, Mali, Niger, Nigeria, Senegal, and Sierra  Leone.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Women Writing Africa: The Southern Region&lt;/i&gt;, &lt;/span&gt;ed. by M.J. Daymond et al. &lt;span style="font-size: small;"&gt;Feminist Press at the City University of New York, 2003. &lt;a href="http://www.worldcat.org/title/women-writing-africa-the-southern-region/oclc/50235100"&gt;WorldCat Record&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Includes tex&lt;/span&gt;&lt;span style="font-size: small;"&gt;ts from &lt;/span&gt;Botswana, Lesotho, Namibia, South Africa, Swaziland, and Zimbabwe.&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7272485991194282690?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7272485991194282690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7272485991194282690' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7272485991194282690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7272485991194282690'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/book-series-women-writing-africa.html' title='Book Series: Women Writing Africa'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-8210823853327743210</id><published>2010-07-02T11:50:00.008-05:00</published><updated>2010-07-02T20:50:32.884-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='museum exhibition'/><category scheme='http://www.blogger.com/atom/ns#' term='20th century'/><category scheme='http://www.blogger.com/atom/ns#' term='fashion'/><title type='text'>Museum Exhibition: American Woman</title><content type='html'>New York City's &lt;a href="http://www.metmuseum.org/home.asp"&gt;Metropolitan  Museum of Art&lt;/a&gt; currently has an exhibition that traces the particularly  influential archetypes of moneyed women's dressing in the United States  during the first half of the 20th century. &lt;a href="http://www.metmuseum.org/special/se_event.asp?OccurrenceId=%7BCA088C8E-D618-4503-91E7-833569115BF2%7D"&gt;American  Woman: Fashioning a National Identity&lt;/a&gt; journeys from 1890 to 1940  through highly idealized feminine images of "the Heiress," "the Gibson Girl," "the Bohemian," "the Patriot and the Suffragist," "the Flapper," and "the Screen Siren." It may be of particular interest to 20th-century U.S. fashion historians. Most of the clothes were originally designed in the United States and France.&lt;br /&gt;&lt;br /&gt;This &lt;a href="http://www.metmuseum.org/special/index.asp"&gt;Special Exhibition&lt;/a&gt; will run through August 15, 2010.&lt;br /&gt;&lt;br /&gt;&lt;object width="320" height="172"&gt;&lt;param name="movie" value="http://www.youtube.com/v/jzRKGVYDstM&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/jzRKGVYDstM&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="320" height="172"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-8210823853327743210?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/8210823853327743210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=8210823853327743210' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8210823853327743210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/8210823853327743210'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/07/new-york-citys-metropolitan-museum-of.html' title='Museum Exhibition: American Woman'/><author><name>Uka</name><uri>http://www.blogger.com/profile/09401051578013139037</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_d3srzqbkMn0/TAwfOzYypmI/AAAAAAAAAAs/8cmpBH1X0nE/S220/28644_394338100657_586265657_4604332_3038557_n.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-694637302177883023</id><published>2010-06-30T15:25:00.005-05:00</published><updated>2010-06-30T17:15:57.413-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='Abolitionists'/><category scheme='http://www.blogger.com/atom/ns#' term='Primary sources'/><category scheme='http://www.blogger.com/atom/ns#' term='Great Britain'/><category scheme='http://www.blogger.com/atom/ns#' term='Abolitionism'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><title type='text'></title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_q4K8v-D6rss/TCupMHpfUPI/AAAAAAAACuA/1Dj0Th40p28/s1600/Samuel-May.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 320px; FLOAT: left; HEIGHT: 220px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5488666596557672690" border="0" alt="" src="http://1.bp.blogspot.com/_q4K8v-D6rss/TCupMHpfUPI/AAAAAAAACuA/1Dj0Th40p28/s320/Samuel-May.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;The &lt;a href="http://dlxs2.library.cornell.edu/m/mayantislavery/index.html"&gt;Samuel J. May Anti-Slavery Collection &lt;/a&gt;at Cornell University includes more than 10,000 titles collected by May to document the abolitionist struggle. The pamphlets and other materials included in the May Collection are rare because of their generally ephemeral nature. The collection can be &lt;a href="http://dlxs2.library.cornell.edu/m/mayantislavery/browse.html"&gt;browsed by title, author, or date&lt;/a&gt;. A &lt;a href="http://dlxs2.library.cornell.edu/cgi/t/text/text-idx?page=simple&amp;amp;c=mayantislavery"&gt;full-text search &lt;/a&gt;is also available.&lt;br /&gt;&lt;br /&gt;For historians of women abolitionists, the collection includes important works documenting the experience of British and American women abolitionists. For example, the collection includes British Quaker abolitionist Elizabeth Heyrick’s &lt;em&gt;Immediate Not Gradual Abolition&lt;/em&gt;; the proceedings for the Anti-Slavery Convention of American Women (1837, 1838, and 1839); Angelina Grimke’s &lt;em&gt;Appeal to the Christian Women of the South&lt;/em&gt;; and reports from the Philadelphia Female Anti-Slavery Society, the Ladies’ New-York City Anti-Slavery Society, and the Boston Female Anti-Slavery Society. The collection also includes Civil War and post-war era materials. Of particular note are reports from Civil War era women’s associations such as the Ladies Aid Society of Philadelphia and the Ladies' Union Relief Association.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-694637302177883023?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/694637302177883023/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=694637302177883023' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/694637302177883023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/694637302177883023'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/samuel-j.html' title=''/><author><name>Julie Holcomb</name><uri>http://www.blogger.com/profile/16395756529080280510</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_q4K8v-D6rss/TCupMHpfUPI/AAAAAAAACuA/1Dj0Th40p28/s72-c/Samuel-May.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-143985867107870585</id><published>2010-06-25T08:59:00.003-05:00</published><updated>2010-06-25T09:14:44.039-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Korea'/><category scheme='http://www.blogger.com/atom/ns#' term='Newspapers'/><category scheme='http://www.blogger.com/atom/ns#' term='United States'/><category scheme='http://www.blogger.com/atom/ns#' term='India'/><category scheme='http://www.blogger.com/atom/ns#' term='China'/><category scheme='http://www.blogger.com/atom/ns#' term='Teaching Women&apos;s History'/><category scheme='http://www.blogger.com/atom/ns#' term='Legal sources'/><title type='text'>Roundtable: Teaching the History of Women and Gender with Legal Sources</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://muse.jhu.edu/images/journals/coverImages/jowhcoversmall.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://muse.jhu.edu/images/journals/coverImages/jowhcoversmall.gif" /&gt;&lt;/a&gt;&lt;/div&gt;The most recent issue of the &lt;a href="http://muse.jhu.edu.ezproxy.mtsu.edu/journals/journal_of_womens_history/toc/jowh.22.2.html"&gt;Journal of Women's History&lt;/a&gt; includes nine articles on the use of legal sources in teaching women's history. A variety of countries and topics are covered: Islam, gender, and the law; sources for teaching Chinese and Korean women's history; women's crimes in early Colonial India; African American marriages in slavery and freedom; the use of desertion notices in early American newspapers; and &lt;i&gt;Roe v. Wade&lt;/i&gt; as U. S. constitutional history.&lt;br /&gt;&lt;br /&gt;For additional guidance on the use of legal sources, see the &lt;a href="http://memory.loc.gov/ammem/awhhtml/awlaw3/index.html"&gt;Law Library of Congress &lt;/a&gt;section of &lt;a href="http://memory.loc.gov/ammem/awhhtml/"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;American Women: A Library of Congress  Guide for the Study of Women's History and Culture in the United States&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-143985867107870585?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/143985867107870585/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=143985867107870585' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/143985867107870585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/143985867107870585'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/roundtable-teaching-history-of-women.html' title='Roundtable: Teaching the History of Women and Gender with Legal Sources'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-827481347001264682</id><published>2010-06-22T08:28:00.001-05:00</published><updated>2010-07-13T01:28:06.691-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Photographs'/><category scheme='http://www.blogger.com/atom/ns#' term='South Africa'/><title type='text'>In the News: "The image that changed the course of South Africa's history"</title><content type='html'>&lt;h1 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.cnn.com/2010/WORLD/africa/06/16/soweto.uprising.photograph/index.html?hpt=Mid"&gt;The image that changed the course of South Africa's history&lt;/a&gt; (CNN) &lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;This clip from CNN begins with the iconic image of South Africa's liberation struggle: &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-weight: normal;"&gt;a student carrying Hector Pieterson's limp body, with Pieterson's sister, Antoinette, at his side.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small; font-weight: normal;"&gt; &lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;Antoinette Sithole recalls the day in 1976 when her brother and at least 22 other students were&amp;nbsp; killed while protesting the apartheid education system. She also speaks of &lt;/span&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;the significance of that  day and of her work as a guide at the &lt;/span&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;Hector Pieterson Memorial in Soweto.&lt;/span&gt;&lt;/h1&gt;&lt;h1 id="watch-headline-title" style="font-weight: normal;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"&gt;Sithole provides a more detailed account of that tragic day in a YouTube video from&amp;nbsp; Winston-Salem State University: &lt;span class="" title="Ram Reel: Antoinette Sithole: the Soweto Uprising"&gt;&lt;a href="http://www.youtube.com/watch?v=TEe-I7YHuIA&amp;amp;feature=related"&gt;Antoinette Sithole: the Soweto Uprising&lt;/a&gt; (&lt;/span&gt;&lt;/span&gt;&lt;span class="" title="Ram Reel: Antoinette Sithole: the Soweto Uprising"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"&gt;4 min 51 sec). &lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-family: Arial,Helvetica,sans-serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/h1&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-827481347001264682?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/827481347001264682/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=827481347001264682' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/827481347001264682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/827481347001264682'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/in-news-image-that-changed-course-of.html' title='In the News: &quot;The image that changed the course of South Africa&apos;s history&quot;'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total><georss:featurename>Soweto, South Africa</georss:featurename><georss:point>-26.2601839 27.8663551</georss:point><georss:box>-26.3371564 27.749625599999998 -26.1832114 27.9830846</georss:box></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2103409524888256214</id><published>2010-06-14T13:35:00.010-05:00</published><updated>2010-06-14T14:18:02.934-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Scrapbooks'/><title type='text'>Presentation: The Millers' Suffrage Scrapbooks</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=4839"&gt;Catch the Suffragists' Spirit: The Millers' Suffrage Scrapbooks&lt;/a&gt;&lt;br /&gt;(21 min.) Presented by Rosemary Fry Plakas&lt;br /&gt;&amp;nbsp; &lt;br /&gt;In this Library of Congress webcast, Plakas discusses the seven suffrage scrapbooks that Elizabeth Smith Miller and Anne  Fitzhugh Miller compiled  between 1897 and 1911. Plakas uses numerous examples (photos, clippings, etc.) from the collection to highlight the efforts of women and men working for  women's suffrage in New York State, as well as at the national and international levels. After watching this overview, researchers will be in a better position to discover the rich resources in the &lt;a href="http://memory.loc.gov/ammem/collections/suffrage/millerscrapbooks/"&gt;Miller NAWSA Suffrage Scrapbooks &lt;/a&gt;digital collection.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://memory.loc.gov/ammem/collections/suffrage/millerscrapbooks/images/miller_home.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://memory.loc.gov/ammem/collections/suffrage/millerscrapbooks/images/miller_home.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp;&lt;span style="font-size: x-small;"&gt;Image caption: Elizabeth Smith Miller and Anne Fitzhugh Miller at Lochland, photograph (Library of Congress, Rare Book and Special Collections Division, Washington, D.C.)&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2103409524888256214?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2103409524888256214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2103409524888256214' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2103409524888256214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2103409524888256214'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/presentation-millers-suffrage.html' title='Presentation: The Millers&apos; Suffrage Scrapbooks'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-1018354081013276304</id><published>2010-06-09T20:49:00.001-05:00</published><updated>2010-06-10T14:08:43.699-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Motion Pictures'/><category scheme='http://www.blogger.com/atom/ns#' term='Preservation'/><title type='text'>Silent Films Coming Home (National Public Radio)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://media.npr.org/assets/artslife/arts/2010/06/silent-film/normand.jpg?t=1275919971&amp;amp;s=2" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="150" src="http://media.npr.org/assets/artslife/arts/2010/06/silent-film/normand.jpg?t=1275919971&amp;amp;s=2" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Image caption: Mabel Normand directed and starred in the  1914 film, &lt;i&gt;Won in a Closet &lt;/i&gt;(National Film Preservation  Foundation)&lt;i&gt;.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=127530994&amp;amp;f=1008&amp;amp;sc=igg2"&gt;A Happy Homecoming for Long-lost Silent Films&lt;/a&gt; (4 min 27 sec) This short NPR segment answers some intriguing questions. How did 75 American silent films end up in New Zealand? What formerly lost Clara Bow film is in the collection? Why does film historian Shelley Stamp consider the first reel of director Lois Weber's &lt;i&gt;Idle Wives&lt;/i&gt; the gem of the collection?&lt;br /&gt;&lt;br /&gt;For additional background information, see the "Women and the Silent Screen"&lt;a href="http://muse.jhu.edu.ezproxy.mtsu.edu/journals/film_history/toc/fih18.2.html"&gt; theme issue of &lt;i&gt;Film History&lt;/i&gt;&lt;/a&gt; (edited by Stamp and &lt;span class="style5"&gt;Amelie Hastie), and &lt;/span&gt;Karen Ward Mahar's &lt;a href="http://www.worldcat.org/title/women-filmmakers-in-early-hollywood/oclc/63178990"&gt;&lt;i&gt;Women Filmmakers in Early Hollywood&lt;/i&gt;&lt;/a&gt; (Johns Hopkins University Press, 2006).&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-1018354081013276304?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/1018354081013276304/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=1018354081013276304' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1018354081013276304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/1018354081013276304'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/silent-films-coming-home-national.html' title='Silent Films Coming Home (National Public Radio)'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7666312319258483191</id><published>2010-06-07T12:21:00.001-05:00</published><updated>2010-06-15T11:16:17.243-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='South America'/><category scheme='http://www.blogger.com/atom/ns#' term='Chile'/><category scheme='http://www.blogger.com/atom/ns#' term='MEMCH'/><category scheme='http://www.blogger.com/atom/ns#' term='La Mujer Nueva'/><title type='text'>La Mujer Nueva: Chile</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_d3srzqbkMn0/TA0q0cZ5b3I/AAAAAAAAAB4/cyi3KJvBga0/s1600/MC0023591.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 134px; height: 200px;" src="http://2.bp.blogspot.com/_d3srzqbkMn0/TA0q0cZ5b3I/AAAAAAAAAB4/cyi3KJvBga0/s200/MC0023591.jpg" alt="" id="BLOGGER_PHOTO_ID_5480083402046140274" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CUsers%5CMiluska%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CUsers%5CMiluska%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CUsers%5CMiluska%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="--"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:1; 	mso-generic-font-family:roman; 	mso-font-format:other; 	mso-font-pitch:variable; 	mso-font-signature:0 0 0 0 0 0;} @font-face 	{font-family:Calibri; 	panose-1:2 15 5 2 2 2 4 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:swiss; 	mso-font-pitch:variable; 	mso-font-signature:-520092929 1073786111 9 0 415 0;} @font-face 	{font-family:Georgia; 	panose-1:2 4 5 2 5 4 5 2 3 3; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:647 0 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin-top:0in; 	margin-right:0in; 	margin-bottom:10.0pt; 	margin-left:0in; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Times New Roman","serif"; 	mso-fareast-font-family:Calibri; 	mso-fareast-theme-font:minor-latin;} a:link, span.MsoHyperlink 	{mso-style-noshow:yes; 	mso-style-priority:99; 	color:blue; 	text-decoration:underline; 	text-underline:single;} a:visited, span.MsoHyperlinkFollowed 	{mso-style-noshow:yes; 	mso-style-priority:99; 	color:purple; 	mso-themecolor:followedhyperlink; 	text-decoration:underline; 	text-underline:single;} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	mso-fareast-font-family:Calibri; 	mso-fareast-theme-font:minor-latin;} .MsoPapDefault 	{mso-style-type:export-only; 	margin-bottom:10.0pt;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.0in 1.0in 1.0in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin-top:0in; 	mso-para-margin-right:0in; 	mso-para-margin-bottom:10.0pt; 	mso-para-margin-left:0in; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:&amp;quot;;" &gt;&lt;a href="http://www.memoriachilena.cl/temas/documento_detalle.asp?id=MC0023591"&gt;La Mujer Nueva&lt;/a&gt; was a Chilean feminist newspaper published between 1935 and 1941 by &lt;a href="http://www.memoriachilena.cl/temas/index.asp?id_ut=memch%281935-1953%29"&gt;MEMCH &lt;/a&gt;(Movimiento Pro-Emancipaci&lt;span style="color: rgb(67, 49, 47);"&gt;ón de las Mujeres de Chile), a group of self-proclaimed feminists, composed of about 30 women who represented different social classes with varying political affiliations, from leftist to independent. All of the newspaper's 27 issues concern working-class Chilean women, have been reproduced electronically, and are available online as part of the &lt;a href="http://www.memoriachilena.cl/index.asp"&gt;Memoria Chilena&lt;/a&gt; project.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7666312319258483191?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7666312319258483191/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7666312319258483191' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7666312319258483191'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7666312319258483191'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/normal-0-false-false-false-en-us-x-none.html' title='La Mujer Nueva: Chile'/><author><name>Uka</name><uri>http://www.blogger.com/profile/09401051578013139037</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_d3srzqbkMn0/TAwfOzYypmI/AAAAAAAAAAs/8cmpBH1X0nE/S220/28644_394338100657_586265657_4604332_3038557_n.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_d3srzqbkMn0/TA0q0cZ5b3I/AAAAAAAAAB4/cyi3KJvBga0/s72-c/MC0023591.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5770289876824022100</id><published>2010-06-04T14:30:00.000-05:00</published><updated>2010-06-05T17:07:15.961-05:00</updated><title type='text'>Digital Exhibition: Loose Women in Tights</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UZT2a_wT5J0/TAlX4Dku54I/AAAAAAAAAIw/SZ6dRDx0yd8/s1600/burlesque.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 123px; height: 200px;" src="http://2.bp.blogspot.com/_UZT2a_wT5J0/TAlX4Dku54I/AAAAAAAAAIw/SZ6dRDx0yd8/s200/burlesque.jpg" alt="" id="BLOGGER_PHOTO_ID_5479007042216585090" border="0" /&gt;&lt;/a&gt;&lt;a href="http://library.osu.edu/sites/exhibits/burlesque/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;a href="http://library.osu.edu/sites/exhibits/burlesque/"&gt;Loose Women in Tights: Images of Femininity in Early Burlesque Performance&lt;/a&gt; is an online exhibition which draws from the Charles H. McCaghy Collection of Exotic Dance from Burlesque to Clubs, part of the holdings of the &lt;a href="http://library.osu.edu/sites/tri/"&gt;Jerome Lawrence and Robert E. Lee Theatre Research Institute&lt;/a&gt; at The Ohio State University's &lt;a href="http://library.osu.edu"&gt;Thompson Library&lt;/a&gt;. It provides a sampling of some of the earlier materials in the collection, contextualized within the historical and theoretical discourses surrounding burlesque, and provides a bibliography and list of recommended readings.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5770289876824022100?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5770289876824022100/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5770289876824022100' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5770289876824022100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5770289876824022100'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/digital-exhibition-loose-women-in.html' title='Digital Exhibition: Loose Women in Tights'/><author><name>Amanda Maddock</name><uri>http://www.blogger.com/profile/09974587829068286319</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UZT2a_wT5J0/TAlX4Dku54I/AAAAAAAAAIw/SZ6dRDx0yd8/s72-c/burlesque.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3472032188785986344</id><published>2010-06-04T08:49:00.000-05:00</published><updated>2010-06-04T15:10:10.099-05:00</updated><title type='text'>New at The Women's Library London</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_ozUg1XPEDpY/TAkMZBMoR6I/AAAAAAAAAAw/l4g_LI4WB_I/s1600/archive-space%5B1%5D.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5478924045630588834" src="http://4.bp.blogspot.com/_ozUg1XPEDpY/TAkMZBMoR6I/AAAAAAAAAAw/l4g_LI4WB_I/s320/archive-space%5B1%5D.jpg" style="float: left; height: 271px; margin: 0px 10px 10px 0px; width: 182px;" /&gt;&lt;/a&gt;&lt;br /&gt;Hello!&lt;br /&gt;&lt;br /&gt;This is the first post from &lt;a href="http://www.thewomenslibrary.ac.uk"&gt;The Women's Library&lt;/a&gt; in the UK. If you want to search our collections follow the links for our &lt;a href="http://www.thewomenslibrary.ac.uk/catalogue"&gt;Printed Collections&lt;/a&gt; and our &lt;a href="http://www.thewomenslibrary.ac.uk/archivemuseumcatalogue"&gt;Archive and Museum Collections&lt;/a&gt; If you don't know where to start, read our &lt;a href="http://www.londonmet.ac.uk/thewomenslibrary/aboutthecollections/source-notes/"&gt;Source Notes&lt;/a&gt; for insights as to what we hold for different subjects&lt;br /&gt;&lt;br /&gt;Check out our &lt;a href="http://www.londonmet.ac.uk/thewomenslibrary/aboutthecollections/archive/newcats.cfm"&gt;newly catalogued page&lt;/a&gt; which gives details of catalogues hot off the press! Recent additions range from suffrage and the &lt;a href="http://calmarchive.londonmet.ac.uk/DServe/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28Title=%27Papers%20of%20Mary%20Leigh%20Browne%27%29"&gt;Papers of Mary Leigh Browne &lt;/a&gt;(7MLB) through to &lt;a href="http://calmarchive.londonmet.ac.uk/DServe/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28Title=%27Women%20into%20Computing%27%29"&gt;Women into Computing &lt;/a&gt;(6WIC) and the &lt;a href="http://calmarchive.londonmet.ac.uk/DServe/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28Title=%27Jacky%20Fleming%20Cartoons%20Collection%27%29"&gt;Jacky Fleming Cartoons Collection&lt;/a&gt; (TWL.2009.07).&lt;br /&gt;And if you're in the area drop in to see our current exhibition &lt;a href="http://www.londonmet.ac.uk/thewomenslibrary/whats-on/exhibitions/out-of-the-archives.cfm"&gt;'Out of the Archives'&lt;/a&gt;  on until 2nd October 2010&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3472032188785986344?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3472032188785986344/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3472032188785986344' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3472032188785986344'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3472032188785986344'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/new-at-womens-library-london.html' title='New at The Women&apos;s Library London'/><author><name>Teresa Doherty</name><uri>http://www.blogger.com/profile/02386312233431759074</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='29' src='http://2.bp.blogspot.com/_ozUg1XPEDpY/TAkECB_6j_I/AAAAAAAAAAM/3zYpXr-Ic3c/S220/TWL-2004-625t.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ozUg1XPEDpY/TAkMZBMoR6I/AAAAAAAAAAw/l4g_LI4WB_I/s72-c/archive-space%5B1%5D.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-943219163625992667</id><published>2010-06-03T14:14:00.000-05:00</published><updated>2010-06-07T15:34:32.183-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Jane_Austen Literature Fiction'/><title type='text'>Jane Austen's Fiction Manuscripts</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_1QP3wuARAII/TAgTOViaLfI/AAAAAAAAAC4/xAKkbhKPEL0/s1600/jane_austen_short.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 81px;" src="http://2.bp.blogspot.com/_1QP3wuARAII/TAgTOViaLfI/AAAAAAAAAC4/xAKkbhKPEL0/s400/jane_austen_short.png" alt="" id="BLOGGER_PHOTO_ID_5478650083716771314" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.janeausten.ac.uk/index.html"&gt;Jane Austen’s Fiction Manuscripts&lt;/a&gt; is the result of a three-year joint project by the &lt;a href="http://www.ox.ac.uk/" title="External website"&gt;University of Oxford&lt;/a&gt; and &lt;a href="http://www.kcl.ac.uk/" title="External website"&gt;King’s College London&lt;/a&gt; and funded by the &lt;a href="http://www.ahrc.ac.uk/Pages/default.aspx"&gt;AHRC&lt;/a&gt;. The project brings together, for the first time since 1845, all known surviving fiction manuscripts handwritten by Austen. Originally held in a single collection by her sister Cassandra, the collection was subsequently dispersed to family members, public institutions and private collections. The manuscripts range from early writings by an 11 or 12 year old Austen to manuscripts from the year of her death in 1817. The project contains not only the digitized manuscripts but also full transcription, commentary on provenance and other aspects of the work and description of their physical condition. The site also allows for systematic comparison between manuscripts. While no complete holograph manuscripts of her famous six novels are known to exist, the materials contained in this collection offer insight into her writing practices over an even broader time span than the years in which her novels were published. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-943219163625992667?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/943219163625992667/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=943219163625992667' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/943219163625992667'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/943219163625992667'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/jane-austens-fiction-manuscripts.html' title='Jane Austen&apos;s Fiction Manuscripts'/><author><name>Amanda Dinscore</name><uri>http://www.blogger.com/profile/11827904326540393230</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_1QP3wuARAII/S_8C9HpK0BI/AAAAAAAAACE/hLHljjz5Np8/S220/A.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_1QP3wuARAII/TAgTOViaLfI/AAAAAAAAAC4/xAKkbhKPEL0/s72-c/jane_austen_short.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3078825584028580761</id><published>2010-06-01T10:06:00.002-05:00</published><updated>2010-06-15T14:16:15.822-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Museums'/><title type='text'>The Smithsonian: African American Women's Fashion</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_G9FyNkiZOEs/TAUkYBb61oI/AAAAAAAAAPg/owT5IPif_3E/s1600/homeHeaderBranding.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5477824516887074434" src="http://2.bp.blogspot.com/_G9FyNkiZOEs/TAUkYBb61oI/AAAAAAAAAPg/owT5IPif_3E/s320/homeHeaderBranding.jpg" style="cursor: pointer; float: left; height: 58px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://nmaahc.si.edu/section/collections/view/94"&gt;&lt;span style="text-decoration: underline;"&gt;Th&lt;/span&gt;e  Black  Fashion Museum Collection&lt;/a&gt;, collected by Lois Alexander Lane, the founder of the Black Fashion Museum, is now housed at the the Smithsonian's &lt;a href="http://nmaahc.si.edu/" target=""&gt;National Museum of  African   American History and Culture&lt;/a&gt;. The collection was donated by  Lane's daughter, Joyce Bailey, in 2007. The collection includes garments  created and worn by African American women from the nineteenth through twentieth centuries--slaves as well as famed designers, such as Ann Lowe.  For more information, and to view the photo gallery, here's the article  from &lt;a href="http://www.washingtonpost.com/wp-dyn/content/story/2010/05/21/ST2010052101774.html?sid=ST2010052101774"&gt;&lt;i&gt;The  Washington Post&lt;/i&gt;&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3078825584028580761?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3078825584028580761/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3078825584028580761' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3078825584028580761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3078825584028580761'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/06/african-american-womens-fashion-at.html' title='The Smithsonian: African American Women&apos;s Fashion'/><author><name>Nina Clements</name><uri>http://www.blogger.com/profile/11915252663100820204</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_G9FyNkiZOEs/TAUkYBb61oI/AAAAAAAAAPg/owT5IPif_3E/s72-c/homeHeaderBranding.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-7466822874305624003</id><published>2010-05-30T00:04:00.000-05:00</published><updated>2010-05-30T01:05:26.345-05:00</updated><title type='text'>National Library of Australia: Hilda Rix Nicholas Collection</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.nla.gov.au/pub/nlanews/2010/mar10/Mag-Mar_2010.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://www.nla.gov.au/pub/nlanews/2010/mar10/Mag-Mar_2010.jpg" width="140" /&gt;&lt;/a&gt;&lt;/div&gt;The cover of the latest issue of &lt;a href="http://www.nla.gov.au/pub/nlanews/2010/mar10/index.html"&gt;The National Library Magazine&lt;/a&gt; features Hilda Rix Nicholas' &lt;i&gt;Portrait of a Young Girl&lt;/i&gt;. In &lt;a href="http://www.nla.gov.au/pub/nlanews/2010/mar10/An-Exceptional-Woman.pdf"&gt;An Exceptional Woman Among Others&lt;/a&gt;, Gwen Rankin explores the&amp;nbsp; research treasures within the Hilda Rix Nicholas Collection. Rankin describes how letters from other artists bring to life the newspaper clippings and art-related materials in the collection. For more information about Rix Nicholas, see John Pigot's &lt;a href="http://www.worldcat.org/title/hilda-rix-nicholas-her-life-and-art/oclc/45151830"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Hilda Rix Nicholas: Her Life and Art &lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;(Carlton South, Vic. : Miegunyah Press, 2000).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Image Caption: Hilda Rix Nicholas (1884–1961) Portrait of a young girl, from the sketchbook ‘In the Latin Quarter’(detail) between 1907 and 1909. Papers of Hilda Rix Nicholas Manuscripts Collection (MS9817/18/2)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-7466822874305624003?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/7466822874305624003/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=7466822874305624003' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7466822874305624003'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/7466822874305624003'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/05/national-library-of-australia-hilda-rix.html' title='National Library of Australia: Hilda Rix Nicholas Collection'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-113382279132570466</id><published>2010-05-27T14:25:00.000-05:00</published><updated>2010-05-27T14:29:12.620-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Photographs'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><title type='text'>Norway on Flickr Commons: County Archives in Sogn og Fjordane</title><content type='html'>&lt;a href="http://farm5.static.flickr.com/4012/4545499666_d8a5b56ced_b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://farm5.static.flickr.com/4012/4545499666_d8a5b56ced_b.jpg" width="235" /&gt;&lt;/a&gt; &lt;a href="http://blog.flickr.net/en/2010/05/26/welcome-fylkesarkivet-i-sogn-og-fjordane-to-the-commons/"&gt;The County Archives in Sogn og Fjordane&lt;/a&gt; is the most recent addition to the Flickr Commons. The collection offers more than 300 photos, including numerous group and individual portraits of women. In some cases, such as with this photo, the names of individuals in the photographs are not known. Fortunately, Flickr not only reaches a wide audience, but also lets  users comment about specific images. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Image Caption: Three women. Photograph by Paul Stang.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-113382279132570466?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/113382279132570466/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=113382279132570466' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/113382279132570466'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/113382279132570466'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/05/norway-on-flickr-commons-county.html' title='Norway on Flickr Commons: County Archives in Sogn og Fjordane'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4012/4545499666_d8a5b56ced_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-5689647325309474606</id><published>2010-05-25T10:09:00.000-05:00</published><updated>2010-05-25T10:47:18.605-05:00</updated><title type='text'>Digital Collection: Jewish Women's Archive: History Makers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_O9lCN7syIHg/S_vrZjqWl_I/AAAAAAAAAU8/t2PYR1j7zlU/s1600/historymakersjwa.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 230px; height: 320px;" src="http://2.bp.blogspot.com/_O9lCN7syIHg/S_vrZjqWl_I/AAAAAAAAAU8/t2PYR1j7zlU/s320/historymakersjwa.jpg" alt="" id="BLOGGER_PHOTO_ID_5475228596301109234" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;The&lt;a href="http://jwa.org/historymakers"&gt; Jewish Women's Archive History Maker&lt;/a&gt;&lt;a href="http://jwa.org/historymakers"&gt;s&lt;/a&gt; collection features about a dozen women famous and should be famous women for their  significant contributions "to creating a more just &amp;amp; equitable world." Photos, audio &amp;amp; video clips, writings and other primary sources are brought together in essays to tell each woman's story. Women featured include &lt;a href="http://jwa.org/historymakers/abzug"&gt;Bella Abzug&lt;/a&gt;, &lt;a href="http://jwa.org/historymakers/goldman"&gt;Emma Goldman&lt;/a&gt;, &lt;a href="http://jwa.org/historymakers/sokolow"&gt;Anna Sokolow&lt;/a&gt; and more.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-5689647325309474606?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/5689647325309474606/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=5689647325309474606' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5689647325309474606'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/5689647325309474606'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/05/digital-collection-jewish-womens.html' title='Digital Collection: Jewish Women&apos;s Archive: History Makers'/><author><name>Jane Nichols</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_O9lCN7syIHg/S_vrZjqWl_I/AAAAAAAAAU8/t2PYR1j7zlU/s72-c/historymakersjwa.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-6782517023513344700</id><published>2010-05-20T15:21:00.000-05:00</published><updated>2010-05-21T23:37:58.917-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Historic Sites'/><category scheme='http://www.blogger.com/atom/ns#' term='On This Day'/><title type='text'>On This Day: Homestead Act</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_n0fdjz5Qdl4/S_WhWYy2PTI/AAAAAAAAAJ4/sxayD4d1H7U/s1600/whs_hornbek.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 151px;" src="http://3.bp.blogspot.com/_n0fdjz5Qdl4/S_WhWYy2PTI/AAAAAAAAAJ4/sxayD4d1H7U/s200/whs_hornbek.jpg" alt="" id="BLOGGER_PHOTO_ID_5473458328123620658" border="0" /&gt;&lt;/a&gt;Abraham Lincoln signed the Homestead Act on May 20, 1862.&lt;br /&gt;&lt;br /&gt;See &lt;a href="http://www.nps.gov/history/nr/twhp/wwwlps/lessons/67hornbek/67hornbek.htm"&gt;Adeline Hornbek  and the Homestead Act: A Colorado Success Story&lt;/a&gt; from the National Park Service.   This lesson plan includes maps, images, and contextual essays. &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_n0fdjz5Qdl4/S_WhBDGApEI/AAAAAAAAAJw/YyfgkDkuLI8/s1600/whs_hornbek.jpg"&gt;Image  caption: Adeline Hornbek &lt;i&gt;&lt;span style=""&gt;(Florissant Fossil Beds   National Monument)&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://www.ourdocuments.gov/doc.php?flash=true&amp;amp;doc=31"&gt;Homestead Act&lt;/a&gt; is one NARA's 100 Milestone Documents.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-6782517023513344700?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/6782517023513344700/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=6782517023513344700' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6782517023513344700'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/6782517023513344700'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/05/on-this-day-homestead-act.html' title='On This Day: Homestead Act'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_n0fdjz5Qdl4/S_WhWYy2PTI/AAAAAAAAAJ4/sxayD4d1H7U/s72-c/whs_hornbek.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-974609489205979610</id><published>2010-05-15T00:10:00.000-05:00</published><updated>2010-05-15T00:31:30.958-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>Digital Collection: Djuna Barnes Artwork</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_n0fdjz5Qdl4/S-4tLbxrfII/AAAAAAAAAJg/Fr3MKA9qMWY/s1600/barnesearrings.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 226px; height: 319px;" src="http://1.bp.blogspot.com/_n0fdjz5Qdl4/S-4tLbxrfII/AAAAAAAAAJg/Fr3MKA9qMWY/s320/barnesearrings.jpg" alt="" id="BLOGGER_PHOTO_ID_5471360271759670402" border="0" /&gt;&lt;/a&gt;&lt;a href="http://www.lib.umd.edu/dcr/2010/04/27/djuna-barnes-artwork-available-in-digital-collections/"&gt;&lt;br /&gt;Artwork by journalist and author Djuna   Barnes&lt;/a&gt; (1892-1982)  is now available via the University of Maryland Libraries’   Digital Collections.&lt;br /&gt;&lt;br /&gt;Image caption: &lt;span class="moz-txt-tag"&gt;&lt;/span&gt;&lt;em&gt;Djuna Barnes, Self-portrait in earrings from Pearson’s Magazine,  1919&lt;/em&gt;&lt;p&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-974609489205979610?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/974609489205979610/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=974609489205979610' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/974609489205979610'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/974609489205979610'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/05/digital-collection-djuna-barnes-artwork.html' title='Digital Collection: Djuna Barnes Artwork'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_n0fdjz5Qdl4/S-4tLbxrfII/AAAAAAAAAJg/Fr3MKA9qMWY/s72-c/barnesearrings.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-3979649624566765009</id><published>2010-05-14T14:56:00.000-05:00</published><updated>2010-05-14T22:11:44.717-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Newspapers'/><category scheme='http://www.blogger.com/atom/ns#' term='Digital collections'/><title type='text'>On This Day: The Women's Auxiliary Army Corps was established.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_n0fdjz5Qdl4/S-4IDPn080I/AAAAAAAAAJY/L-w4hUqkTMg/s1600/waac_uncg.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 203px; height: 320px;" src="http://1.bp.blogspot.com/_n0fdjz5Qdl4/S-4IDPn080I/AAAAAAAAAJY/L-w4hUqkTMg/s320/waac_uncg.jpg" alt="" id="BLOGGER_PHOTO_ID_5471319449127940930" border="0" /&gt;&lt;/a&gt;The Women's Auxiliary Army Corps was established on May 14, 1942.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://library.uncg.edu/dp/wv/"&gt;The Women Veterans Historical Collection&lt;/a&gt; includes a wealth of primary sources. See the &lt;a href="http://library.uncg.edu/dp/wv/branch/?b=1"&gt;Army section (WAAC, WAC, Nurse Corps)&lt;/a&gt; for an excellent selection of diaries, letters, papers, photographs, published materials, posters, uniforms, artifacts, and oral histories.&lt;br /&gt;&lt;br /&gt;Image caption/link: &lt;span id="ctl00_ContentPlaceHolder1_lblDescription"&gt;&lt;a href="http://library.uncg.edu/dp/wv/results167.aspx?i=860&amp;amp;s=7&amp;amp;b=1"&gt;World War II era  recruiting poster for the Women's Army Auxiliary Corps (WAAC)&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://digital.lib.uiowa.edu/u?/wwii,1201"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 94px; height: 120px;" src="http://2.bp.blogspot.com/_n0fdjz5Qdl4/S-2sCMsyr4I/AAAAAAAAAJQ/PjWQoPDr14E/s320/waacs.jpg" alt="" id="BLOGGER_PHOTO_ID_5471218276093833090" border="0" /&gt;&lt;/a&gt;Caption: &lt;a href="http://digital.lib.uiowa.edu/u?/wwii,1201"&gt;First of WAACS Arriving: Young Women of 48 States Begin Training&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Iowa Digital Library's &lt;a href="http://digital.lib.uiowa.edu/wwii/"&gt;World War II Press Clippings&lt;/a&gt; collection includes more than 1700 clippings about the Women's Auxiliary Army Corps.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-3979649624566765009?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/3979649624566765009/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=3979649624566765009' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3979649624566765009'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/3979649624566765009'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/05/on-this-day-womens-auxiliary-army-corps.html' title='On This Day: The Women&apos;s Auxiliary Army Corps was established.'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_n0fdjz5Qdl4/S-4IDPn080I/AAAAAAAAAJY/L-w4hUqkTMg/s72-c/waac_uncg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5001706037403683849.post-2515357047452892216</id><published>2010-05-12T15:35:00.000-05:00</published><updated>2010-05-25T14:02:20.345-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Government Documents'/><title type='text'>On This Day: Distinguished Service Cross (DSC) Award to Virginia Hall, 05/12/1945</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_n0fdjz5Qdl4/S-sRBQvIqDI/AAAAAAAAAJI/RThh6XAC8yg/s1600/virginia-hall-dsc-m.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 243px; height: 320px;" src="http://3.bp.blogspot.com/_n0fdjz5Qdl4/S-sRBQvIqDI/AAAAAAAAAJI/RThh6XAC8yg/s320/virginia-hall-dsc-m.jpg" alt="" id="BLOGGER_PHOTO_ID_5470484885741807666" border="0" /&gt;&lt;/a&gt;Document for May 12th from the National Archives: &lt;a href="http://www.archives.gov/historical-docs/todays-doc/index.html?dod-date=512#2010"&gt;&lt;span style="font-size:100%;"&gt;Memorandum for the President from William J. Donovan Regarding  Distinguished Service Cross (DSC) Award to Virginia Hall, 05/12/1945 &lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For additional information about Hall, listen to the NPR segment,&lt;span style="font-size:100%;"&gt; &lt;a href="http://www.npr.org/templates/story/story.php?storyId=6615482"&gt;British, French Honor U.S. Spy Virginia Hall&lt;/a&gt; (4:32).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.npr.org/templates/story/story.php?storyId=6615482"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5001706037403683849-2515357047452892216?l=womenshistorysources.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://womenshistorysources.blogspot.com/feeds/2515357047452892216/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5001706037403683849&amp;postID=2515357047452892216' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2515357047452892216'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5001706037403683849/posts/default/2515357047452892216'/><link rel='alternate' type='text/html' href='http://womenshistorysources.blogspot.com/2010/05/on-this-day-distinguished-service-cross.html' title='On This Day: Distinguished Service Cross (DSC) Award to Virginia Hall, 05/12/1945'/><author><name>Ken Middleton</name><uri>http://www.blogger.com/profile/12165954867785633474</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_n0fdjz5Qdl4/S-sRBQvIqDI/AAAAAAAAAJI/RThh6XAC8yg/s72-c/virginia-hall-dsc-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
